Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


GUTTER DEMONS - Misery, Madness & Murder Lullabies

By Jackie Hall - Bridge the Gap - 05/13/2008

It is rare that I embark on the task of writing album reviews…or any kind of review for that matter. My mother raised me with the saying, “if you have nothing nice to say then say nothing at all.” While anyone who has listened to BridgetheGap before knows that I don’t follow these wise words so well when speaking, I do try when writing -- it is a time to be more reflective. Anyways, I’ve finally heard a new album worth writing about, and the best part is that the band in question is from Montreal.


LIFEHOUSE @ Metropolis

By Stephanie Ng Wan - We . Are . Canadian - 04/30/2008


SUBSTANTIAL - Sacrifice

By Adrian “A-Dubs” Warner - Eclectricity - 09/11/2007

I discovered Substantial a few years ago when I saw his name on a 12” single posse cut. I found him and the others on the track to be typical, talented underground rappers. When I heard he released a full length CD, I was very intrigued. Then, when I heard the first few tracks of Sacrifice, I discovered he was perhaps a bit more talented than I thought. He has a track named “That Damn Good” and I am inclined to agree.


STREETLIGHT MANIFESTO @ Le Studio

By Eli Levinson - Bender Night - 04/25/2008

As I came up to le Studio Juste Pour Rire on Friday April 25th to see Streetlight Manifesto, I saw something that made me apprehensive: tons of similarly dressed teenagers. They had a similar punk/suburbia/ska look to them, and you could tell they were REALLY looking forward to the show that was about to start. But how would they react? What sort of crowd would it be?


HOT CHIP @ Metropolis

By Simon Howell - A Listening Ear - 04/15/2008

While critical reactions to Hot Chip's third album Made in the Dark have been mixed, the album's go-for-broke approach to pop eclecticism seems to be a hit with music fans -- the last time the 'Chip hit town, it was at La Sala Rossa only a year and a half ago, promoting their breakthrough release The Warning. This time around, they sold out the 2300-capacity Metropolis -- a mixed blessing, as while it's nice to see love for the band, it's easily one of my least favorite venues to negotiate.


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