Austin is weird. The city’s growing tech sector has spawned these characterless, glass obelisks everywhere. SXSW has clearly embraced it too. There was so much weird and terrifying tech stuff at the 2025 edition of the fest. But if you avoid all that and focus your time criss-crossing the city going to as many concerts as possible, it is actually really nice.
It has been exactly a month since I, along with the CJLO music team, returned from Austin, Texas for SXSW 2025. In that time, I have been trying to form my takeaways from this year’s festival, in a way that is more substantial than ‘Woo! Fun!’ I assume my job there (other than shaking hands with label reps) is to act as a bit of a trend correspondent. With that, here are some of my music director takeaways from this year’s SXSW.
During this episode, the CJLO team and special guest Kodi walk you through everything SXSW. We talk tech billionaires, birds, our festival induced aches and pains, and the best new music coming out of the festivals lineup.
During this Broadcast, the CJLO team runs you through everything they saw on their first full day at the festival. We talk about the new wave of slowcore, the state of experimental music, the Pop Montreal and M for Montreal showcase, and how Montreal is the best music city on the planet.
During this braodcast, the CJLO team and special guest Romano talk about their SXSW fest so far. We cover M for Mothland x Project Nowhere x Exclaim! at Swan Dive on the 11th, Italians Do It Better at Elysium, and the Milwaukee lowend showcase at Elysium.
In late February, I visited the Bashing. The Bashing consists of individuals from Montreal who are passionate about all things medieval. Every Tuesday, they meet under a church and practice sword duelling. While doing so, they wear medieval-inspired armour, and wield foam weapons. I went there for a video assignment on the activity but did not expect to discover a new genre of music.
In an age where new music is plentiful and ever-changing, the excitement of nuanced sounds can be tainted by one’s struggle to determine whose album to play next. The bottomless pit that is today’s music streaming services can exacerbate the daunting task of finding what you really want to listen to.
CJLO World Music Director, Kelly, is back on the air for SXSW 2025 pre-festival coverage! Listen in for OneDa, O'summer vacation, Sly5thAve, Ki!, Quebec Sun, El Sonido Live!, and cumbia cumbia cumbia!
What a weird time to be going to the United States and SXSW. At time of writing, there’s a new tariff on Canadian imports, 51st state stuff is still coming up, and it is not looking good for the North American economy. Things have gotten so wild that the Canadian Independent Music Association (CIMA) pulled out of the festival back in February. Still, we here at CJLO are sticking with it and sending a team down.
The CJLO music team is headed back to Austin, Texas, for SXSW 2024 in just a few weeks! This is my first year as Head Music Director and my first year attending the festival, so I am beyond excited about all the bands I’ll be seeing.
It is so refreshing to receive a new recording by a rock band in 2025 that is neither in the post-punk vein nor dripping with shoe-gaze reverb. That is not to say that either of those genres or the bands continuing to carry the torch are bad, it is just nice to hear something swimming upstream every now and then. Othello Tunnels could care less about musical trends and of-the-moment fads, and that is why they are a band to keep an eye on.
The thirty-seventh annual Folk Alliance International Conference will be taking place at the Sheraton Hotel in Montreal from February nineteenth through the twenty-third. With over one hundred and seventy-five artists representing twenty-six countries, nineteen U.S. states, and all thirteen of our Canadian provinces. This stands to be one of the biggest showcases of folk music in the conference’s history.
After being in Montreal for almost 2 years, I was confident that I had experienced every Montreal venue worth experiencing. From grand theatres with horrible air circulation to gravel pits under graffiti-ridden bridges, if music could be played there I assumed I had had their stamp on my wrist at some point. Though, as I stand here in a living room on Saint Urbain, beer and earplugs in hand (both cost $5), I realize that was stupid. From the outside, mai/son is your average Mile End townhouse.
It’s important for me to preface this article by saying that I am not a local. Hailing from a small town, I grew up with a remarkable lack of live music experiences. This is not due to a lacking of musical talent, or creative, driven people, but rather to a sad number of venues; if you didn’t want to go to the (vaguely shit) local pub, there really wasn’t much hope for live music at all. This is one thing that has charmed me about Montreal so much, and has helped develop my passion for local music into a semi-career - there is a venue, good or not, on what feels like every street corner.
November 6 2024 // Lisa Rupnik, Robert Portnoff, Sam Kitch, Aviva Majerczyk // Magazine // Features
POP Montreal returned for its annual weekend of concert after concert spread over 5 days, with over 400 artists and bands playing at over 50 venues across the city. On Thursday, CJLO staff attended a few of the shows POP had to offer