
I’ve been in love with Silversun Pickups since just before the release of Carnavas. I saw them for the first time at the 2007 CMJ Music Marathon in New York in the back room of Piano’s. An intimate setting in which it was next to impossible to get in. Buzz was growing, and the band was just on the verge of breaking as big as an indie band can break now a days.
There’s something about Carnavas that really resonated with me when it came out. I love loud, swirly guitars, that’s nothing new, but for the first time in a while that year an album really spoke...



PEACHES and I Feel CREAM in my pants:
If anyone needed proof that Britain’s 

I won’t lie, as I made my way over to Club Soda for this particular round of performances; I made a somewhat mischievous promise to myself that I would hear no Ska music that evening. A lofty goal, given that the show was headlined by none other than Streetlight Manifesto, one of the most popular bands left in the floundering North American Ska scene. However, my interest in the show had absolutely nothing to do with upward guitar strumming or horn sections and had everything to do with the monstrous Bad Religion meets Dillinger Escape Plan sound of New Bedford, Massachusetts’
The odd thing about
Flogging Molly
This is the fifth time I’ve attempted to begin this
Wasting no time on hyperbole, I’m just gonna jump right to the quotable:
Of all the musical pairings I've seen on Montreal stages these past few years, not many have been as inspired as this one: a collision of two of Canada's most enduring punk bands, both of whom have a penchant for twisted humor and social commentary - and surprisingly labyrinthine tunes. With the unenviable task of opening up for two long-standing punk institutions, locals