Concert Reviews

Andrew Bird + A Hawk and a Hacksaw

Some people have a way of making you feel like an asshole - people who seem to use every ounce of their energy radiating good vibes and generally make every effort to be singularly awesome. Andrew Bird is one of those people. While his idiosyncratic brand of string-laden, densely layered indie-pop surely isn't to everyone's liking, his instrumental prowess, boundless energy and lyrical dexterity are, at the very least, noteworthy. By comparison, even impressive performers can seem ordinary.


Osheaga Festival

This year's Osheaga music festival went off without a hitch.... well, with the exception of a headlining act cancelation, torrential rain and ankle deep mud. This didn’t stop concert goers from flocking to the island however, with Saturday night capping at a whopping 30,000 spectators.  Having Coldplay round out the evening will have that effect.


Cradle of Filth + Satyricon

On Saturday, January 17th, I took the 55 bus through the frigid, negative-something weather, and wound up in front of Metropolis to be greeted by a swarm of black t-shirted, long haired fans -the tell tale signs of any self-respecting metal show.


Theory of a Deadman + Rev Theory

Theory Of A Deadman is no one's favourite band. I'm glad I got that statement out of the way at the onset of this review, as I feel like it accurately describes the concert experience I recently flung myself into.


Meshuggah + Cynic

Back in 1994 Cynic released their debut album, Focus, one of my favorite albums of all time, and one of the albums most important to the development of intelligent progressive metal. They are often credited as being the first band to successfully merge jazz fusion with death metal, and are without a doubt some of the most virtuosic musicians to ever grace the metal scene. But as is all too common for bands that make challenging and truly progressive music, the importance of what they had done was not understood until many years later.


Witch + Earthless

Ah, Earthless, the perfect soundtrack for a frigid February night. All precise, pummeling, instrumental rock, erring more on the bong hit rather than acid trip side of psychedelic. Trekking out to see them somewhere in the wilds of Brooklyn in 2007 is one of my fondest memories from that year's CMJ festival, and I knew that if this show would be anything like that one, I was in for a treat.


Underoath + Norma Jean +Innerpartysystem

Call me an old fogey, but I’ve been attending hardcore and pseudo-hardcore shows for close to a decade, spent many sweaty nights at L’X and Café L’Inco during my time, and have come to watch the scene somewhat closely, and during that time, I’ve noticed the degeneration of “the scene” (as the kids refer to it as) into a muddled mess of wayward children who care more about their bandanas and cool kicks (often looking like a terrible biker gang than true fans of the music they’re there to listen to.) Although this has been happening for years, Thursday night served as a reminder of the disintegration of a once-enjoyable genre of music ruin


Lamb of God + Children of Bodom

On April 17th I threw on my well worn, black t-shirt bearing a lightning bolt down the front -a shirt that has survived countless brutal slams in the pit and has been soaked in buckets of other people’s sloppily spilt beer. Wearing this shirt out could only mean one thing: I was going to a metal show.  


Testament + Unearth

On May 21st, seasoned metal veterans Testament played to a packed crowd at Metropolis, with openers Unearth.


CKY + Early Man + Hail The Villain + Fall From Grace

News that the latest Montreal appearance from CKY had been upgraded from Les Saints to Le National was good news to my ears. The band's brand of octave-pedal-abusing guitar heroics seemed at odds with the too-cool-for-school vibe that Saints often gives off, due to the venue's usual musical guests.


Pawa Up First + aKido

As I’m standing waiting for the bouncer of the Cabaret Juste pour rire to find my name on the guest list (with the typical, what kind of name is that, implying that my name looks retarded, which I know). A situation between said bouncer and one of the night’s performers occurred which I couldn’t help but burst out laughing at:

Performer: Hey I just want to add a name on the guest list.

Bouncer: Who the f**k are you?


Divine Brown

I have been a big fan of Divine Brown since her debut CD was released a few years ago, when a copy of Love Chronicles arrived at CJLO.  Since then, I have played her music steadily on my show and waited patiently for her February 20th Cabaret Du Musee concert.


Raphael Saadiq

If I were to tell you that I was so excited to be given the opportunity to see Raphael Saadiq in concert that I took out my old "Tony! Toni! Toné!"  albums and starting dancing in my room like I was young again…that would be a bold faced lie.


Big Daddy Kane

Big Daddy Kane came to Montreal, twenty years after his last visit, on my birthday. I nearly didn’t go. I’ve had my share of rap artists landing in Montreal decades past their prime. I won’t name them now, but in the last few years a slew of rappers have performed here way too long after their hottest material. I’ve gone because the prices have been right, the chances of getting autographs were high and the sheer nostalgia still had enough to lure me.


Lady Sovereign

So I went to the Toronto Comic Art Festival this past weekend.  One of the guests was Kagan Mcleod.  Dude does a wicked comic called 'Infinite Kung Fu' as well as amazingly beautiful pieces for the National Post.  He's also getting well known in rap circles for his ‘History of Rap’ poster.  I purchased the first incarnation in 2003 which had about 80 heads.  The newest version has over 200, but on both sheets, the female rappers are few and far between.  As someone who pays attention to the girlie rappers, I found the whole thing a little disheartening.  There are scads of awes


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