Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


RJD2 @ La Tulipe

 

On Wednesday March 10 Ramble John "RJ" Krohn, aka RJD2 graced a packed house with some of his latest and greatest.  The Montreal stop of his tour to promote his new album Colussus touched down at La Tulipe, a great local venue, one of my personal favourites.  Opening act, NYC's Break Science warmed up the crowd with their unique blend of live hip hop and dubstep remixes.


Column: The High End Theory - The Wait Is Over

If you were on Twitter or any hip hop blog last Thursday night there was no avoiding it. The moment so many people have been clamouring for ever since So Far Gone dropped finally arrived. Drake’s first single was now making rounds online. The question was: did it live up to the hype?


Pierced Arrows @ Green Room

My walk to "Le Salon Vert” was an interesting one.

Walking on upper St. Laurent, being distracted by all the really cheap Indian restaurants, my senses were cut off by a mass group of interesting people gathered outside a gallery exploding with indie music and laser lights. For a brief moment I thought to myself that this concert might actually be pretty exciting, with all the glimmer and interesting-looking people.  


Beard Of The Week #3: Scott Niedermayer

Beard Of The Week is a column of life, music, people, and their beards. Each week Lachlan Fletcher of The Subplot and Unabridged will give you a great beard and shed some light on its significance, hopefully helping both the bearded and unbearded alike down the road to enlightenment.

 

 

Scott Niedermayer

 


The Reaktion

THE REAKTOR’S MUSICAL PICS OF THE WEEK!!

 


Column: The High End Theory - A Luda State Of Mind

I never gave Ludacris a second thought when he first entered the game.

When Back for the First Time dropped in 2000 I was less than impressed. "What’s Your Fantasy" was a hit but there was nothing impressive about him. When Word of Mouf was released a year later I saw that he had enough, at least in terms of radio capability, to stick around for a while.


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