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Hosted by Alexa Everett

Stories by Emeline Vidal and Catlin Spencer

Produced by Sam Obrand 

Nancy Pants are a fuzzy pop band from Montreal. If you thought that name and description implied half an hour or so of imminent fun and sometimes silly times, then you were quite correct. There is simplicity and an immediacy to their songs and style that can make it easy to overlook the craft of the songwriting on their promising first record, Total Nancy Pants. This is a record that grabs your attention from the get-go and one that makes sure it doesn't lose you.
 
Nancy Pants waste no time letting you know what you're in for with the first track "Happy", which sets the stage for jumpy and rollicking tone of the rest of the album. The record sits nicely aside garage pop records by Ex Hex, Parlovr (Jeremy McCuish from Parlovr sits on drums for Nancy Pants), and Sleater-Kinney. Total Nancy Pants avoids the trap of same-ness that can often slow down guitar-driven records thanks to a diverse use of guitars across the record, like the jangly "Just a Little More", a pleasant and sweet highlight. The record keeps the consistency going with stand-out tracks like "Apple", and especially "Halley's Comet", where gorgeous guitars jangle around intertwining vocals and harmonies.  
 
With a diverse and attention-grabbing aptitude toward songwriting, Total Nancy Pants is a very promising debut. Overall, this is undoubtedly a Montreal record from a distinctly Montreal band, and I mean this in the best way possible.
 
Best for: When the furnace in your apartment is broken and the room feels like an ice box, put this record on for memories of summer and good times from days past.
 
Rating: 4/5

Total Nancy Pants is available digitally and on tape as of November 20.

--Kenny Chatoor is former CJLO radio DJ and magazine contributor currently living in Ontario, "Yeah things are good, there is definitely nothing like CJLO in Toronto though, which is a bummer."

Total Nancy Pants!

Last night, up on the far northern edge of the Mile End, I was introduced to many new things. The debut album from Nancy Pants, who have quickly become one of my favourite local bands, two new bands I'd never heard before, Heathers and Special Noise, a venue that I had never been to before, The Plant, and this may be a bit of a stretch and probably wishful thinking, but a brand new catchphrase, "Total Nancy Pants!" This is the name of the album being launched, but as soon as I read the event on Facebook, I immediately began using it as a catchphrase in my head. Now I know that "Nancy Pants" is already a slang term with two different meanings (depending on which gender it is being associated with), but this is different, or maybe a combination of the two plus some, I don't know. What popped into my head as soon as I read it was sort of a fun and arty happening that far exceeded one's expectations. I feel strongly about this one and think it's got legs. It can start off in and around the Mile End and St-Henri neighbourhoods, eventually growing in all directions before ultimately being used to describe high school parties in the suburbs. I will do my best to make this happen, but this is getting off track. What last night was really about was celebrating music. 

The Plant (or La Plante if you prefer) is a good sized loft space on the second floor of a building that backs onto the train tracks that separate the Mile End from Petite-Patrie. It has the warm ambiance of a place that is well-used and well-loved, with worn hardwood floors and past event posters covering the walls. The stage is set up in the back corner of the room. The tissue paper streamers and Christmas tinsel strung above it and the multicoloured balloons hanging off the support beams, add to the handmade charm of the space. 

Shortly after 9:30, the all-girl trio Heathers (Helen - guitar/vocals, Heather - guitar/vocals, Nikki - drums) quickly set up and launched into a no-holds-barred set of rock and roll. I didn't know what to expect from Heathers, but I definitely didn't expect the force with which they played. That is not to say that women cannot rock out, it was more of my prejudicial assumption based on the look of the 20-something men and women gathered in the room. The whole room had a kind of a Girls episode feel to it, and I don't mean that in derogatory terms, but in the young, creative, hipster way. I was expecting it to be a little bit more jangly-indie pop. What I got was a welcome blast of fury that rightly put me in my place and gave me a quick reminder of what happens when we assume. This is a power trio that knows how to play their instruments with force. With a sound that they have described as "dark sequin grunge", Heathers are a band to be reckoned with for any future narrow-minded newcomers. They will be launching their own album in two weeks (December 5th) at Brasserie Beaubien (73 Beaubien E.) with Loosetrife and Doilies and I can't wait to be there. 

I wasn't too sure about Special Noise during the first two songs, although I did quite like the bird sound samples that were incorporated in the first one. It all seemed a bit much ado about nothing, but by the third song they started to win me over. The quirkiness that wasn't working for me began to take form. I wouldn't know how to describe their sound, but I felt a little Built to Spill vibe in some of what they were doing, mostly in the vocals. The simple power drumming also got me bopping my head. Drummer Greg Napier beats his drums like he is angry with them, and it works very well with the angular guitar riffs and squeals of Jef Simmons. After a voice sample of HBO ring-announcer Michael Buffer, rattling off the long introduction of Filipino boxing legend Manny Pacquiao, was used to introduce what would turn out to be the final song, the quirky was replaced by straight ahead rock and roll for one last blast of pure fun.

After what seemed like a long break, Nancy Pants took the stage. The room had filled up considerably more by this time and from some of the bits and piece of conversations I heard going on around me, it seemed like some people were leaving M for Montreal shows happening throughout the city to come and catch this new Montreal band. It isn't surprising either. With their infectious pop hooks and punk rock energy, Adam Waito's bouncing bass lines and Jeremy MacCuish's thundering back beat, and Ohara Hale's acrobatic vocals and nervy guitar, Nancy Pants defies classification and immediately brings any room to life. Kicking off with their first single "Happy", they electrified and already wound-up room. Throughout their set they easily kept the bodies moving and heads nodding as they performed all the songs off their debut, Total Nancy Pants, as well as a couple new ones, engaged in banter and a little kissing with the audience and even made up a song about Windows '98 with one extremely enthusiastic fan (I'm pretty sure this is the same dude that crashed the Ty Segall/Mikey Heppner symposium at POP Montreal). From beginning to end, through malfunctioning guitar pedals to that guy dancing wildly about Windows '98, Nancy Pants kept the groove bumping and the fun flowing. The future is very bright for these three Montrealers. 

What else can I say? The whole night was total nancy pants!

--Prince Palu hosts The Go-Go Radio Magic Show every Friday at 6 PM on CJLO. Tune in, turn on, freak out!

PARTY LIKE IT'S 1699, BUT IN THE FUTURE OF ITS PAST!

OHara and Hua Li at the SATosphere for Le Pop D'époque's Party Like It's 1699, and M for Montreal, November 19th, 2014

This night was a full sensory experience. If you have never been to the dome at the SAT, that is step one in the sensory immersion. It is as it sounds, a giant domed room at the top of the SAT building. It is outfitted by teams of projectors and a top notch surround sound system. This performance utilized every inch of the space, in an almost overwhelming, yet fully-engaging feast at every level.

I wasn't really sure what I would be walking in to when reading the event description, other than seeing two awesome local babes play. When I arrived, OHARA was taking the stage. She was lovely. Her enchanting voice was beautifully accompanied by strings and guitar. I really enjoyed seeing this side of this multi-faceted shiny gem of an artist. I recommend getting to know her stuff! She was surrounded by breathtaking visuals, all part of new media artist Frances Adair McKenzie's live mixing. OHARA's set was short, but sweet, another aspect I appreciated, it made you wanting more, in a good way.

Following OHARA was Hua Li, Montreal's own Hip Hop babe, slightly reminiscent of a glammed-up Lady Sovereign meets Angel Haze. She was supported by some tasty beats, and her live piano playing added a nice touch to her full-ranging sounds. With a new single, "Luxury", out on her label Art Not Love Records, she was generous to share a free download with the audience. Check it out for a sample of this local name to watch for!

Ending the night was the fully-immersed actuality known as Le Pop D'époque, the brainchild of collective Party Like It's 1699. I definitely can't express this "piece" in a few words, since it pretty much blew me away. It transported me to another world that had experimental samples of baroque musings, sprinkled with pop sensibilities, and glittering torsos writhing amidst the dark underworld and ethereal legends of mythology and magic. Also, many cameos by some of Montreal's talented demi-gods and goddesses, including Mozart's Sister and Magical Cloudz. There were ten narrative pieces, combining dance, music and new media visual stylings. Adding to the full gustatory of feeling, the event was catered by FoodLab, completing the delivery of the audience to another moment in time/and or space.

This show is up until Friday, November 21st, and you need to go and experience it for yourself!

--Julie Matson hosts With Gay Abandon, an afternoon dose of the best in queer music and culture! Tune in every Monday at 4 PM, only on CJLO.