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June 23rd, 2014

Hosted by: Danny Aubry

Stories by: Sam Obrand, Saturn De Los Angeles. and Catlin Spencer

Produced by: Sam Obrand 

God is a Scottish Drag Queen II

God is a Scottish Drag Queen II, written and directed by Mike Delamont

Not your typical theology

If there's anything theology majors will agree on during the course of their studies and lives, it's probably that God is in fact not a Scottish drag queen. As it turns out though, it would appear that they're quite wrong. God is a Scottish Drag Queen II by Mike Delamont puts that fact on the table, by having his amazing rendition of God come out on stage in full drag. Mind you (and he insists), it is incredibly manly to wear '80s floral pattern with shoulder pads. 

Part standup, part improv, and all laughter, Delamont puts on an hour of one of the most spectacular comedy dealing with topics likes Mormons, circumcision, scientology and Noah's Ark in angle you probably don't expect from the Lord himself. Delamont is aware of the audience, and this breaking of the fourth wall and into improv territory easily showcases just how funny he really is. Although the stage presentation is initially bare, the use of a projector, sound and music help create a show that's almost interactive, and accentuate the already-stellar level of comedy that Mike's show puts forth. His Scottish accent is the proverbial cherry on the sundae, making this one of the funniest acts available at Fringe Festival this year.

If there's one thing I've learned from God is a Scottish Drag Queen II, it's that God hates hipsters, and quite frankly, he has every right to.

You can catch Delamont's masterpiece at Le Cabaret du Mile End (5240 du Parc) this weekend, and by God you should. Check out all the information at the Montreal Fringe Festival website, and be sure to follow Mike on Twitter at @MikeDelamont!

--Jocelyn Beaudet hosts The Dead of Night the Loneliest Hours, Fridays at 11:59 PM on CJLO.

Ocean Opera

Ocean Opera, script and music by Alex Gelfand, produced by Ah! La la Productions

A spontaneous ride that intersects heart, humour and soul.

Ocean Opera is a musical adventure in its own right. The treacherous waters we call life can be as scary. But after watching this play, you may want to consider these characters you'll see as your trusty companions to keep you alright on lonely nights. And dare I say, this journey never runs out of luscious rhythm and rhyme?

The story blends in the aesthetics of theatrical play with the finesse of our great up-and-coming local talents. After all, this production is composed of amazing actors coming from our home turf - including some from Concordia University as well. The cast has Alycia Duncan, Remi Mireault, Nadine Cayer-Gonzales, Natasha Perry-Fagant, Nic Turcotte, and David Hall all on deck.

What weaves this story together is how their lives revolve around the world they live in - the ocean, the sky and the moon - collectively, the world to which they consider home. That universe is well represented through the sound and the visual art seen throughout. In terms of presentation, you may recognize a plethora of theatrical styles brought about by legends such as Shakespeare, Chekhov, and Jung, as quoted from the show's playbill.

You're warped into this pseudo-contemporary world where you bear witness to two lovers endlessly quarrelling about the future of their relationship. However, there is a cast of characters in the backdrop to help ease the tension and add colour to this story—from the extremely drunk pair of best friends, the obnoxiously loud captain, or the powerful heavenly deities, just to name a few.

Whether it's the attention-getting dialogue, the quirky sense of humour, or the captivating drama that surrounds the characters, there's something mysteriously charming about Ocean Opera that shouldn't just be deciphered: it needs to be seen, experienced and discovered. No swimsuit nor goggles required. All you need is a good ear, a good heart and a good sense of humour.

Ocean Opera is produced by Ah! La la Productions. You can catch the show on Friday, June 20th at 3:15pm, Saturday June 21st at 6:30pm, and Sunday June 22nd at 3:45pm at the La Chapelle Theatre (3700 Saint-Dominique). Ticket information is available via the Montreal Fringe Festival website.

 

--Saturn De Los Angeles hosts Shibuya Crossing every Wednesday at 1:00PM on CJLO.

Who sues a superhero?!

Housebum: A Superhero On Trial! written by Jean-François Michaud and François Morin, and directed by MaskVsTitle

If Superman once described the hero of a generation now-passed, then Housebum represents the superhero of the 21st century – sort of. Some would argue that he isn't really a superhero; harassing jaywalkers, and beating small-time villains over the head with a chair before rolling them onto a ditch isn't exactly the most super of deeds. But in a city practically run an evil corporation (by the name of Platypus Corp.) and their fetus-murdering cereal, this is exactly the kind of man that can make a difference – or at least before the sun sets, 'cause then it just gets plain dangerous. When the city's supervillains unite to sue our dumper-diving hero for damages caused by concussions, the story takes an interesting turn.

Housebum: A Superhero On Trial! is a charming play put together by Jean-François Michaud and François Morin, and while half of the cast speaks without an accent, you can feel the "Franglophone" coming out of each line of dialogue. This is a good thing, because Housebum has the charm of a B-Movie about superheroes. The props are entirely made out of cut out boxes, painted over by a black Sharpie, and put together with tape. The costumes are silly, the characters on stage are fun, and the presentation fluctuates between the center stage and a television to the right. For the most part, the play is funny throughout. Like a "good" B-Movie, it's chock-full of cheese, delivered with just the right contrast, making it go from a simply passable play to a fairly entertaining show. Although the page describes the show as going on for a full hour, the presentation time is roughly 45 minutes. The actors are on-point with their dialogue, and their interaction with pre-recorded footage played on the television is definitely on-key.

If anything, Housebum plays its cards right and presents us with a row of punchlines that will appeal to comic book geeks who have a love for a bit of cheese, with all the grace and tact of Montreal city with it.

You can check out the show this weekend at Montreal Improv Theatre (3697 Saint-Laurent). All the details are available at the Montreal Fringe Festival website, and you can check out what people are saying using #Housebum and following @MaskVsTitle on Twitter.

--Jocelyn Beaudet hosts The Dead of Night the Loneliest Hours, Fridays at 11:59 PM on CJLO.

June 20th, 2014

Hosted by: Jocelyn Baudet

Stories by: Milos Kovacevic, Sam Obrand, Emeline Vidal

Produced by: Emeline Vidal

High Tea

High Tea, written by James Brown & Jamesy Evans, directed by David MacMurray Smith

James & Jamesy, the critically acclaimed comedy duo from England, have brought their show entitled High Tea to the Montreal Fringe Festival. They model themselves after Monty Python and Mr. Bean type characters, and incorporate a lot of physical humour and totally bizarre sketches that seem to be going nowhere, but end up turning into an epic journey. 

The premise is that James and Jamesy meet up once a week for a tea party. The show starts off with a strong dose of physical theatre where we see Jamesy moving about the stage with a teapot showing off his wonderfully bendy body. His friend James arrives, and we are treated to a (supposedly) comical situation full of miscommunication. There were some people laughing in the audience, but the show takes too much time to really get going.

Luckily High Tea redeems itself in the 35 minutes with a delightful breaking of the fourth wall when the audience actually becomes a part of the show. Everyone gets caught up in a magnificent adventure created by Jamesy's imagination. That being said, the quality of this show on any given night will be affected by the audience's willingness to play along. 

You can check out High Tea until Sunday, June 22 at Cabaret du Mile End (5240 du Parc). All the details are available at the Montreal Fringe Festival website.

WHAT?! - William Onyeabor Remixed

I must preface the following criticism by saying that I really enjoyed this album, as I did its predecessor. However, the more I thought about it, the more something struck me as off with this release. What?! - William Onyeabor Remixed is Luaka Bop's latest release by Luaka Bop in conjuction with Moog. Moog actually made William Onyeabor branded synthesizers for use by the musicians for this series. From Moog's own website, they claim that Luaka Bop had heard that Onyeabor was a Moog retailer in Nigeria, and thus their relationship was born. For me, as much as Luaka Bop seemed to be trying to expose the music of William Onyeabor with the release of Who Is William Onyeabor?, this particular album emits a faint odour that reeks of exploitation.

While this criticism may seem rather harsh, I can't help but feel this way given the nature of the album and the relative short time between the two releases. It's as if the idea for this album germinated only as an afterthought given the predecessor's relative success. Why do I say this? Well, this is a cover album with 10 tracks, 8 of which come from the Who Is William Oneyabor? album, and the song "Body & Soul" is covered 3 times. This is not to say that the artists who cover the material do a bad job. In fact, they do a really good job, and their interpretation of the music is fantastic. But this nagging feeling kept creeping into my head while I was listening to this album, and I felt the need to express it.

Despite my reservations about the seeming intention of the album, the music is superb.

"Body and Soul (Remix)" by David Terranova is my favourite of the three Body and Soul covers. The track has a smooth nu-jazz/house feel that is reminiscent of St. Germain's Tourist album; it hypnotically grooves along for nearly 8 minutes. The remix of the The Vaccines "Do You Want A Man (John Hill, Rich Costey Remix)" is full value. The addition of that Onyeabor flair really adds a thump and groove to this song. "Ye Ye (Remix)" by Daphini is slightly darker in tone as compared to the rest of the album, but the pulsing bass really pushes this track forward, which allows the synth sounds to really envelope the sonic environment. 

This album is perfect for the onset of summer. There are plenty of tracks to keep the party rolling. 

Final rating: 3.75/5

--Fredy M. Iuni hosts Hiway 1, Sundays at 1:00 pm on CJLO

Polaris Music Prize 2014 << Long List Announcement

The long list of nominees for the 2014 Polaris Music Prize was announced today in Calgary. The event was hosted by Polaris founder and executive director Steve Jordan, and included musical guest Basia Bulat, who performed songs from her nominated album, Tall Tall Shadow.

Check out the CJLO Top 100 to see where many of these albums hit our charts in 2013!

Without further ado... Here are the 40 long-list nominated albums, in alphabetical order by artist:

Arcade Fire – Reflektor
AroarA – In The Pines
Austra – Olympia
Philippe B – Ornithologie, la nuit
BADBADNOTGOOD – III
Basia Bulat – Tall Tall Shadow
Chromeo – White Women
Cousins – The Halls Of Wickwire
Cowboy Junkies  / Various Artists – The Kennedy Suite
The Darcys – Warring
Dead Obies – Montréal $ud
Mac DeMarco – Salad Days
DIANA – Perpetual Surrender
Drake – Nothing Was The Same
Freedom Writers – NOW
Fresh Snow – I
Frog Eyes – Carey's Cold Spring
Gorguts – Colored Sands
Tim Hecker – Virgins
Jimmy Hunt – Maladie d'amour
Jessy Lanza – Pull My Hair Back
Kalle Mattson – Someday, The Moon Will Be Gold
Moonface – Julia With Blue Jeans On
Mounties – Thrash Rock Legacy
Odonis Odonis – Hard Boiled Soft Boiled
Owen Pallett – In Conflict
Pink Mountaintops – Get Back
PUP – PUP
The Sadies – Internal Sounds
Shad – Flying Colours
Shooting Guns – Brotherhood Of The Ram
Solids – Blame Confusion
Rae Spoon – My Prairie Home
The Strumbellas – We Still Move On Dance Floors
Tanya Tagaq – Animism
Thus Owls – Turning Rocks
Timber Timbre – Hot Dreams
Chad VanGaalen – Shrink Dust
Bry Webb – Free Will
YAMANTAKA // SONIC TITAN – UZU

Exploring what it means to be a man


Hue Man: He Volution, written, directed, and choreographed by T.Anthony Marotta 

What does it take to be a man, or even a manly man? Are these tropes still relevant at a time where we're experiencing a tremendous change in the way we express our identity? Dabbling for the right answer can sometimes feel like walking through a land mine. But it doesn't have to be. That's what Hue Man: He Volution brings to the table.

Creator T. Anthony Marotta uses puppetry to tell us his story. There is no dialogue, there is no word. Movement and sound navigate you into this introspective journey of an blue-collar-esque worker interacting with his son.

The focal point are the masks, and there are lots of them. A different mask is worn by the kid throughout the play, each representing a different hue (hence the title) of masculinity. Along the way, it provokes us to reflect whether these masks reflect our reality and how our identity affects how we interact with other people.

Both protagonists express opposing views of what it means to be a man. Expect some disagreements, polarising views, and the risk of having to conform to what mainstream society tells the innocent child to do. It is experimental, ambient, immersive. But what makes this stand out is how the playwright animates himself and his puppet son throughout.

Hue Man is lovely as it does a great job tackling the sensitive issues in a light-hearted and creative manner. Running for about half-hour, it's a short, simple, and sweet play to consider watching at Fringe!

Hue Man: He Volution is a production of the Classic City Theatre Company. You can catch the show at Scène Mini (4247 Saint-Dominique) on Friday, June 20th at 8:30pm, Saturday June 21st at 11:59pm, and Sunday June 22nd at 5:30pm. Ticket information is available at the Montreal Fringe Festival website.

 

--Saturn De Los Angeles hosts Shibuya Crossing every Wednesday at 1:00PM on CJLO.

Le Morpillon—Ce N'était Pas Un Soulier de Verre

Le Morpillon—Ce N'était Pas Un Soulier de Verre, written by Alexandre Larouche, and directed by Jean Belzil-Gascon & Jonathan Bédard

Packed with loads of puns, you'll never stop smiling throughout the showing of Le Morpillon! This is by far one of the most hilarious shows we have seen to date with marvellous actors who portray their characters to perfection. Raising the standard for other shows we have yet to watch, Le Morpillon is not one for the children. Au contraire, it is a raunchy, erotic musical that retells the tale of Cinderella (renamed "Morpillon", a pun on the word "Morpion" in French...in other words, "Crabs") who spends her alone time pleasuring herself and fantasizing about something more. The costumes were very revealing at times (if you fancy a cheek or two, by all means, this is the show for you) and the wardrobe changes were swiftly done without any delay! 

The musical numbers were well written and the range of some of the actors' voices was stupendous. To illustrate, the fairy godmother was played by Alexandre Larouche, as such, he was obligated to sing falsetto and he nailed it! Speaking of cross-dressing, Jonathan Caron (plays the evil step-mother as well as two other characters) cracked me up every time he set foot on stage. Additionally, Myriam DeBonville (played the two evil step-sisters) had a lovely voice and displayed a lot of strong acting qualities, one of which was her versatility in being able to switch from one character's persona to another in the blink of an eye. Alexandre Lagueux was also extremely versatile and had he not switched between two characters on stage, I would have never guessed he was both the narrator and Prince Charming (renamed "Prince Ériction" because...you know). Marion Van Bogaert Nolasco (played Cinderella) was very convincing, however she delivered her lines a touch quieter than the others, so if you're planning on watching the show, make sure to sit a little closer to hear her sing. 

If you can enjoy an erotic musical full of French puns, and don't mind grinning from ear-to-ear for at least twenty minutes post-show, ticket information and show times are available at the Montreal Fringe Festival websiteLe Morpillon runs until Sunday, June 22 at the Studio Jean-Valcourt du Conservatoire (4750 Henri-Julien), simply go up some stairs, turn left, and thank us later for recommending the show. Enjoy!

 

--Marina Nguyen hosts FunkShui every Sunday at 2 PM EST on CJLO.

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