Hosted by Danny Aubry
Stories written by John Toohey, Carlo Spiridigliozzi and Alexa Everett
Produced by Saturn De Los Angeles
Self-taught musician and vocalist, Meghan Remy's Free Advice Column is a four song EP that is courageous in both tone and melody. This brief selection is a collaborative effort between both Remy and Canadian hip-hop producer Onakabazien, who also worked together on the 2011 full-length album U.S. Girls on KraaK.
When played from beginning to end, the listener is confronted with a blend of stirring girl pop on a metal road to somewhere in the fringe. Overall, I get the impression this artist likes first-person narratives. The track "Incidental Boogie" is a story of a departure from the local and a resulting big city transformation. In fact, each of the four songs speaks to certain transformations associated with various sorts of individual human experiences (listen to "28 Days" for references to menstruation).
I believe The Supremes and Queens of the Stone Age may haunt some audiences of this EP. Though nuanced and commercial, these songs do have soul. I am excited to hear what is next from U.S. Girls.
The Free Advice Column EP is available online through the Toronto-based label Bad Actors.
Final rating: 4.5/5
There will soon be help for new First Nations mothers.
CBC News reports that much needed aid will be provided to new mothers and their babies from Confederation College and Sioux Lookout hospital to assist with the birthing procedure and aftermath.
For the second year in a row, Angelica turns over the reins of BVST to Mr. Santapalooza himself, Matt Kiernan, for the holliest, jolliest two hours of rare, vintage and newly released Christmas music. Kringle cats and dashing dames will delight in Santapalooza's carefully curated playlist of covers and originals, so slide on your slippers, spike your eggnog and tune in next Wednesday, December 18th from 7 to 9pm ET as BVST goes Santapalooza! Also, follow the Santapalooza project on Twitter @Santapalooza.
Like many fans of heavy metal in the past decade or so, I was happy to see thrash metal enjoy a resurgence in popularity. There was a dark age that lasted for a number of years after the style's original decline in the early '90s, but the next decade saw a slow revival. Lots of bands reunited, new and talented thrash bands formed, and the audiences returned. However, I do have a pet peeve concerning many of the newer releases of thrash metal acts. Namely, I believe that new thrash releases all too often make use of the modern tones associated with metalcore styles when they ideally should not.
Some time ago, I played a track from the latest Destruction album on my show. It was terrible. The track might have had some good guitar riffs, but it was ultimately spoiled by the guitar's tone. The guitars sounded like something from every other mall-metal album, those bassy tones that come from the dual rectifier or some other modern high-gain guitar amplifier. That album is a prime example of a thrash metal band failing. There are, however, some more enlightened acts out there.
I think that Ottawa's Iron Dogs are an example of a speed/thrash metal band getting the style right. Their new album Free and Wild has been getting a lot of spins on my show, and for good reason. It's an album with some old school tones, memorable riffs, and excellent man-yells. Their album makes me want to raise the horns and bang my head. Another favourite of mine is Calgary's Gatekrashor. Their 2012 EPFear of Attack is an all-out old school thrash metal assault, and it is full of excellent jams that will incite headbanging. It has a sound that is straight from 1985, and you definitely want to check it out.
Modern tones on thrash albums are something that should be avoided. They make an album sound cheap, and they might make audiences believe your band to be one that advertises itself as "old school metal with modern sensibilities," which is the worst kind of metal band that there is. Just follow the example of the bands that have made artistic successes in the past couple of years, or don't bother trying to play thrash metal. The choice is yours.
--Sean Z. hosts the Sublime State of Doom, every Monday at 8 PM on CJLO.
Hosted by: Satirn De Los Angeles
Stories by: Catlin Spencer, Danny Aubry & Hannah Besseau
Produced by: Carlo Spiridigliozzi
Heavy snowfall over the weekend into Sunday night means driving on Quebec roads will be difficult until snow clearing operations are completed.
According to CTV, about 35 centimetres of snow have fallen on Montreal since the pre-official-winter snowstorm began Saturday.
And while there have been accidents and closures, the Sûreté du Québec and Transport Quebec have reported no fatalities.
Transport Quebec spokesperson Denis Arsenault advised drivers to delay their trips until Monday if possible to avoid possible accidents.
As for the clean-up, the entire snow-removal operation is expected to take about eight days, as the city has ten thousand kilometers of roads and sidewalks to clear.
Anie Samson of Montreal's executive committee is urging car owners to obey orange parking restrictions to help speed-up the process.
The Montreal police have also issued a warning to pedestrians to be aware of large vehicles to prevent any unfortunate incidents.
Symphony Plastique is the debut solo release by Montreal artist Ari Swan. This four-track EP, recorded with Jamie Thompson (The Unicorns, Esmerine), paints a beautiful aural space that includes percussion and various effects that yield an eclectic mix of sounds and rhythms. Swan's vocals and violin weave together nicely around the canvas of sound created by Thompson giving us tracks that are fun, playful and at times intricate; a true symphonic duet.
It's a delight to hear musicians using instruments that tend to fall between the cracks of popular music. Using the violin as the lead instrument is adventurous. You don't always think that violins and pop music can co-exist without potentially going too far into something like the avant-garde, but this EP is accessible. Even amongst the various noises and carnival-like sounds on this album, Swan's vocals are warm and inviting, which helps her pull you into her world. I enjoyed this EP, something about it made me feel good when I was listening to it. Now, it's all about trying to see Ari Swan live.
Final Mark: B+
Catch Ari Swan perform in Montreal on December 20th during the Passovah Holiday Special.
--Fredy M. Iuni hosts Hiway 1, Sundays at 1:00 pm on CJLO
Beat the World radio is proud to announce an interview with New York based producer POLICY! Policy rocked Bleury Bar-a-Vinyle following CJLO's weekly 5 a 9 last Friday! His first time in Montreal, let alone Canada, Policy was pumped to share a copy of POSTSCRIPT, his recent vinyl EP, with CJLO. Listen to Beat The World this Saturday, December 14th at 12-2 pm EST for a more in-depth look into his disco and house-rooted grooves, and more about his remix of "Something You'll Never Forget" by the now-famous African electronic music pioneer, William Onyeabor.
What happens when you mash up pretension and the leftovers of a better Memphis May Fire album, hashed out by the former frontman of Attack Attack!? This is how I would have loved to end the review of Beartooth's Sick EP, but it's not that easy. I suppose I may have become a little wound up when I was told they were "slightly southern." Perhaps I expected a more Norma Jean vibe or something a bit more gritty, but I can't mock it for lacking kick. Caleb Shomo's vocal range is actually pretty rough in this EP in a kinda grimy way, and the guitar work, though nothing to write home about, is pretty solid for a metalcore EP. The tracks "I Have a Problem" and "Pick Your Poison" provide little glimpses into Every Time I Die type grooves, and are some of the highlights of the album, but that's really all there is. When two of your four recorded songs are "meh," it doesn't promise the best for their next album entitled Disgusting, set to be released in 2014.
Final verdict: it's noisy alright, but if you dig that dirty southern hardcore, I recommend you listen to Ex-Lives. If you are down with catchy metalcore that bridges on this but still pretty-boy fronted, listen to Sleepwalking by Memphis May Fire (possibly the only time I can suggest doing so). I give this five on-stage Jesus lectures out of ten vaguely Christian hardcore tours.
Rating: 5/10
Recommended tracks: "I Have a Problem" and "Pick Your Poison"
--Orin Loft hosts The Noisy Loft, Sundays 8-9 pm on CJLO