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New research published in the journal Nature shows that Canada's oil-sands are not as harmful to the climate when compared to other energy sources.

According to the Globe and Mail, the news comes at a crucial time for Canada, who plans to start a trade war with the European Union if they do not vote down a new rule that will penalize countries with raw oil-sands.

Researchers at the University of Victoria looked at the climate impact of producing 170 billion barrels of natural oil-sands. They found that removing all that oil from the ground, at three million barrels a day, would affect global-warming by 0.02 to 0.05 degrees Celsius.

It would take over a hundred years to heave all the oil, that the industry says is producible, from the earth. The end result would be 1.8 trillion barrels of oil, which is seven times more that Saudi Arabia's current reserve. Producing all that oil would increase the earth's temperature by one-third of a degree.

The research states that in contrast, burning the entire world's coal supply would increase temepratures by 15 degrees, and using all the shale gas would see a rise a little below three degrees.

Flickr: Iguanasan

Canadian farms of almost all kinds experienced a huge increase in profits in 2011, and according to Agriculture Canada, the increase will continue for the next decade.

According to the Canadian Press, net cash income for 2011 was almost $12 billion – 24 percent higher than it was in 2010. The increase reflected in every sector of farming except cattle producers, who are experiencing rising costs.

According to the Canadian Press, factors that led to such a bountiful year will stick around for the next ten years.

Flickr: wattpublishing

The first I had ever heard of Charles Bradley was after last July’s SappyFest, a music festival held outside of Sackville, New Brunswick. While I unfortunately did not get to attend SappyFest, every individual I spoke to that got the opportunity to go could not tell me much about the festival without mentioning Bradley and enthusiastically recounting his performance. I kept hearing about this phenomenal old soul singer who screamed, danced, cried, and finished his set off by going through the crowd to hug his audience. I do not know about you, but a musician like that seemed too great to pass off, and it did not take me long to look into him and seek out his music for myself.

Charles Bradley is part of a soul revival movement that has become increasingly popular in the last few years. This movement, which aims to bring back and celebrate the funk and soul sounds of the 1960’s and 1970’s, boasts other great artists like, but certainly not limited to, Lee Fields And The Expressions, Sharon Jones And The Dap-Kings, and Aloe Blacc. As a fan of soul music I could not turn down yet another great sounding contemporary artist, and on February 10, 2012, he graced Montreal’s Théâtre Corona for a night of fantastic, heartfelt soul music.

To start the set off, the Extraordinairies, Bradley’s six-man accompanying band, came to the stage and warmed the audience up with two instrumentals until the keyboardist approached the microphone to introduce the “one and only ‘Screaming Eagle of Soul’, Mr. Charles Bradley.” His reception to the stage was more than warm, with the crowd more excited than I have ever seen at a show in Montreal. Bradley, who marched on to the stage in a bright and shining fuchsia suit, performed his first song very strong and complete with his stage theatrics and incredible dancing. Each song Bradley played came with the whole package and ended with him showing his appreciation and love back to the audience by either bending down with his hands clasped together or on his knees thanking them; it is no wonder why people cannot help loving this man.

As the show carried on, Bradley worked through all the songs from his 2011 album No Time For Dreaming, but nothing caught the attention of the crowd more than his powerful hit, “The World (Is Going Up In Flames).” In time for Valentine’s Day, Bradley certainly did not shy away from his more romantic numbers like “Lovin' You, Baby”, which soothed the crowd, composed mostly of swooning couples. After the first half  hour, he took a break backstage for a costume change whilst a couple more instrumentals kept the audience busy. Upon returning to the stage in yet another shiny suit, this one gold with a diamond-studded Pharaoh’s head on the back, Charles Bradley opened up the second half of his set with my favorite of the night, a cover of Neil Young’s “Heart Of Gold”, which he had recorded back when he was accompanied by the Menahan Street Band.

Overall, the show had not a single element of disappointment and I can say without a doubt that I understand the raving reviews I heard back in the summer following SappyFest. Charles Bradley is one of few performers in the music world who can make an audience member feel loved for simply coming out to a show. To top it all off, the show ended with Bradley climbing down into the crowd while the Extraordinairies played him off and the audience rushed to return their love.

-Mason W hosts Midnight Love Affair on Sunday's from 11pm-12am

Iran has cut off oil exports to France and Britain as reported by the Montreal Gazette.

In a move seen as retaliation for sanctions placed against them, Iran cut off it's exports of oil to France and Britain on Sunday.

The move coincides with UN inspectors arriving in the Islamic Republic on Monday to press about the disputed Nuclear Program undertaken there.

Iran has long denied that they are developing nuclear arms and insist that their Nuclear Program is for peaceful reasons.

The Eu had placed sanctions on Iran in recent weeks, which led IRan threatening to close the Strait of Hormuz which is seen as a major shipping lane in the Gulf.

Flickr photo by: Marius Waldal