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December 4th, 2012

Hosted by: Kurt Weiss

Stories by: Carlo Spiridigliozzi & Saturn De Los Angeles

Produced by: Carlo Spiridigliozzi

Private daycares want subsidies

A group of Quebec private daycare centres are not feeling the love over the P.Q.'s decision to create new public daycare spaces.

According to CBC News, a coalition of Quebec private daycare centres said the new public spaces are a waste of taxpayers' money.

The coalition has revealed that there is immediate space in their daycares, however, customers think twice of the 33 to 35 dollar a day price they would pay. The 7-dollar-a-day daycare centres have a waiting list for prospective clients.

Private daycares want the provincial government to provide subsities to their members so they too can offer 7-dollar-a-day spaces.

Premier Pauline Marois said that subsidizing private daycares wouldn't create a single spot. A statement that has already been denied by the coalition.

Schools reach out for mental health

Canadian universities are reaching out to students to deal with end-of-semester stress.

In a report by the Globe and Mail, Canadian Mental Health Commission chairman David Goldbloom says there's been progress with how schools accommodate the mental health needs of their students.

He adds that the need for students - especially for freshmen - to stay competitive, is pressuring them, when they should be instead coping to university life.

McGill University's health clinic director Robert Franck cites an upsurge in clinic visits in 2012. He says it's the most stressful time of the year as they get 20 emergency drop-in visits daily.

Queen’s University in Kingston, Ontario released a report with over a hundred recommendations to re-examine how they deal with mental health issues. This report was in wake of six student deaths in 2010 and 2011.

The University of Alberta is trailblazing initiatives to de-stigmatize mental health issues, such as a peer-outreach group and free yoga classes.

York University in Toronto organized a two-week mental health campaign by training student leaders to reach out to their peers within their field of expertise.

The University of Alberta’s Dr. Robin Everall  says we need to get mental health issues out of the closet and there’s no way it should be taboo.

STORY WRITTEN BY: SATURN DE LOS ANGELES

Same winter, may feel worse

Snow Storms...

There won't be a repeat of the "winter that wasn't."

In a report by Environment Canada, obtained by CBC News, the upcoming Canadian winter forecast will be chilly and not as record-breaking as the last.

It will be milder in Ontario with normal temperatures affecting the east. Normal to below-normal temperatures will affect the west of the country. Precipitation levels are expected to remain at normal levels from East to West.

Wintry conditions have already hit parts of the west. Saskatchewan has gotten more snow last month than all of last winter.

The 2011-12 winter season was the third warmest & second driest in Canadian history.

Flickr Photo by: marksteelenz

C.N. mystery train trips uncovered

straight to CANADA !!

Questions have arisen over why shipments of biodiesel tanker cars that took numerous trips between Canada & the U.S. were never unloaded.

According to CBC News, C.N. trains took multiple trips from Sarnia, Ontario to Port Huron, Michegan, claiming to deliver biodiesel between June 15th & 28th, 2010.

Management at C.N. said that it fulfilled its obligation by law & delivered as the customer wanted. Employees, however, remained cautious about their comments with some calling it "a money grab."

Canadian company, Bioversel Trading Inc., arranged the deal. It is currently under investigation for allegedly making false statements to avoid duy charges when they shipped biodiesel to Romania & Italy.

C.N. made $2.5 million as a result of the trips its trains made across the border.

Flickr Photo by: 1$WEAR

METZ + Absolutely Free + Young Lungs @ Il Motore

METZ

Young Lungs performed at the CJLO/Safe In Sound showcase during M pour Montreal, so I was pretty familiar with the set that they would be playing. Their first song started off with a guitar sound that made me think of the Beach Boys if they had decided that hard rock was more their style. The sound in the venue was a little off mic-wise, and it took awhile to be able to hear the lead vocals properly. Their sound seemed to echo into the venue compared to the cosy show at l'Esco the previous Friday. However, they sounded tight and the new material that they tested out on the audience was my favourite tracks of theirs by far. The three of them make an odd trio—a nerdy indie front man, a bassist with a punk-power stance, and a drummer with impressive mullet—but the chemistry they have as a band is very apparent, and by the end of the set the venue had filled and the crowd was bobbing along with the band. You could tell that they were really enjoying themselves. The lead vocalist had to take off his glasses by the end because they kept falling down his nose from rocking out so hard. In all, a solid set, but I preferred them in the smaller venue. 

When Absolutely Free started playing, the first thing that was whispered into my ear was "this is some Enya level shit" ...and it was. It was as if Death Cab For Cutie showed up and decided to take us on a space mission. Destination: Meh. They had massive amounts of equipment: a variety of twirly knobs, two keyboards, a drum kit, and a drum pad. The versatility of the band's members was impressive, and you could tell that some of them thought so too. Their music had elements in it that made me want to shout YES, LET'S EJECT FROM THIS SHUTTLE AND FLOAT AWAY. There were moments of Twin Peaks-eqsue melodies mixed in with the music accompanying you on Space Mountain at Disneyland. But just when you would get excited about them starting to play a really cool sample, they would stop using it and the audience was taken back into the spaceship for some more laconic singing and drumming. But the singer was a babe. You got it, man.

I saw Metz perform at Cameo Gallery in Brooklyn back in October, and the show was very impressive. Definitely one of the better ones I've seen all year so it was a no-brainer that I would be attending this show. Plus, they all have luxurious hair—a fact I like to remind everyone I'm with whenever they're mentioned. Metz did not disappoint. Their songs are quick, fast, loud, and tight. With floodlights on the floor adding an extra punch in the visual department, they got the audience excited and moving around and one dude attempted to crowd surf every other minute. It was great to see the band keep their cool when they were just using TOO MUCH POWER, causing their lights to go out. Two members would keep on playing while narrating the attempt to turn the lights and amp back on. Crowd surfer dude kept yelling at the band "BETTER BE LOUD" and the audience got a laugh out of their responses along the lines of: "...well... it's going to be similar" and the amusing intro to "Headache" (which you can check out a video of them performing in the CJLO studio): "This is our slow jam". If you ever see that this band is coming to a venue near you, you have to go. They're awesome. 

--Beansie Saretsky hosts Maiden Voyage, Fridays 12-1pm 

 

Sloan "Twice Removed Tour" 2012 @ Le National

Once upon a time, there was a girl that loved Sloan so much, that she named her first and only cat after them (he turned 15 this summer!).

Once upon a time, there was a girl that loved Sloan so much, that every time she got drunk, she would belt out "Deeper Than Beauty" and "Snow Suit Sound". 

Once upon a time, there was a girl that loved Sloan so much, that she broke up with her fiancée when he didn't "get" them. (For reals.)

Once upon a time, Twice Removed, removed this girl from teenage-dom and catapulted her into adulthood. 

So when this girl heard that Sloan would be playing all of Twice Removed at Le National on November 23rd, she got a little excited (the band never played Sault Ste Marie in ‘94, or I so would've been there). She also felt a little old. Like when her parents would go into the city for dinner and a concert: Bob Dylan sings his greatest hits. She wondered what kind of set would it be. Forty minutes then goodbye? Would it be done in chronological order? Would there be epic Patrick Pentland guitar solos or Andrew Scott drum solos to draw the set out? Curious and curiouser this girl headed into Le National and was confronted by a sea of boys in plaid and girls in stripes.

Now this girl has to be honest with you, she hasn't bought a Sloan album since Navy Blues. She grew up, moved on, found something new. More honesty? She kinda felt they were stuck on that Can-Rock Guess Who sound. But she's always loved those early albums. The sludgy pop of Smeared, the soothing harmolodic sounds of Twice Removed, the jangle balladry of One Chord to Another, and the block rocking riffs of Navy Blues. As well, she really valued the way that all members wrote and sang to create a wide variety in songs and sounds. But most of all she appreciated their clever word play, as evidenced in autobiography...

I'm writing "sharp and adult" 
With my finger on the steam 
On the mirror in my bathroom 
While I'm applying shaving cream 
Which would suggest that I'm the foamer 
But how can I be the lather 
And something tells me 
It's the opposite I'd rather

Sloan got on stage, no intro, just ripping right into "Penpals". Comic nerd fun fact: the lyrics to Penpals can be found in Bryan Lee O'Malley's (of Scott Pilgrim fame) first graphic novel, Lost at Sea. Then onto "I Hate My Generation", "People of the Sky", and so on. 

The show was in chronological order and there was very little patter in between. Just lots of "Thank you!" and "Thanks for sticking with us all these years." This was their final show after doing 42 across the continent and it showed; they seemed a little tired and ready for it all to be over. This girl was surprised by how little they had changed. Chris Murphy had the same hair style; Jay Ferguson, the same jaunty cap, Patrick the same stoic pose, though somehow Andrew Scott seemed dreamier. 

The song that laid a whammy on your girl, was when Patrick sang "Loosens". Never a stand-out track before, it carried a weight and poignancy that your girl failed to notice the billion times she listened to it before. Another thing that surprised was that usually when she went to shows and knew all the words to songs, she'd mouth them but never sing. At this show, your girl sang her heart out and didn't care who heard her off key warbles at all (and since were being totally honest, I also sang along to the guitar parts, played air drums and air guitar too). 

After "Loosens", Chris charmingly pointed out that they were at the halfway point in the album, and that it was time to turn the tape over to side two. Then it was onto "Worried Now", "Shame Shame"... When it came time to play "Deeper Than Beauty", most of the band left the stage to Chris on guitar and Andrew on drums. It was an interesting break because one thing your girl noticed was that the majority of songs were played with a heavier guitar and a louder sound than usual (which I totally loved!!!).

Let see, other cool things that occurred at the show? The extended jam on "Before I Do", the constant switching of players: Andrew out from behind the drums on guitar and singing, "People of the Sky" with Chris on drums. Jay and Chris shared bass duties. Saw a dad grooving along with his 14 year old son next to him and he wasn't the only one. At the front of the stage was a father with his three kids, two boys, one girl, all between the ages of 9-13. Then Patrick whipped out the acoustic guitar to sing "I Can Feel It", he encouraged a sing-along and it was over. Chris announced, "We'll be back, talk amongst yourselves, remember University?" and this girl was ecstatic that there was to be more. 

They came back and started with "Everything You've Done Wrong", then into "Who Taught You to Live Like That?", "Keep on Thinkin'", "Unkind", "Beverly Terrace", "Shadow of Love", "She's Slowing Down Again", "Something's Wrong"," Traces", "Never Hear the End of It", "Fading into Obscurity", "Witches Wand", a super-fast version of "Good in Everyone", "The Other Man", "Take Good Care of the Poor Boy", and ended the show with a mega-rousing rendition of "Money City Maniacs". 

You could tell the band was more interested in playing the second half of the set. Patrick rocked the expletive out, Chris's onstage antics came to the forefront (rad drumstick spins!), Jay was so solid, and we got a bunch more songs sung by Andrew, yum. 

Andrew started a steady beat to begin the encore, which filled out to a furious icky thump, while the rest of the band played "Losing California". Then it was Jay's sweetly symphonic voice on "The Lines You Amend" and finally, the coup de gras, "Underwhelmed". I'm sure it's been said before, to the point that it's cliché, but this girl was completely Overwhelmed (I was so happy I pogo'd all over the place) and the night couldn't have ended on a better note. (Actually it did. I made a new friend, we went and talked to Chris and Jay, and Chris explained that one of the lines in Underwhelmed was, "She rolled her R's, her beautiful Arse." I never knew...)

It was an evening of surprise, revelation, affirmation, and excitement from a band I had written off almost 12 years ago. I was wrong. Sloan. Blew. Me. Away. They're 20 years into it with no signs of slowing down and I'm having a lot of fun catching up.

-- Robin F hosts The Onomatopoeia Show, Sundays 3-4 pm

December 3rd, 2012

Hosted by: Hannah Besseau

Stories by: Alyssa Tremblay, Hannah Besseau, Aisha Samu & Daniel J. Rowe

Produced by: Carlo Spiridigliozzi

Montreal man faces deportation to Pakistan

The lawyer for a Dubai-born man says his life is in danger if he is deported to his parents’ native country of Pakistan.

According to CBC News, 24-year-old Sami Sheikh was 12 when he first came to Montreal.

His parents’ refugee application was denied in 2009 for not mentioning that they lived in Dubai for 20 years before coming to Canada. Sheik and his sisters were given a stay in Canada.

His father claimed that his past involvement with the Pakistan People’s Party put them in danger of their political opponents.

According to the lawyer, their political opponents have killed Sheikh’s grandfather, uncle, and cousin.

Sheikh says Montreal is all he knows, but Canadian immigration officials have denied his application to remain in Canada.

Sheikh’s older sister is married to a Canadian and has permanent residency status.

His younger sister lives with her older sister in Brampton, Ontario.

Plants and Animals @ Théâtre Corona

No gimmicks were necessary for Montreal indie-rock band Plants and Animals, who wooed their sold out hometown crowd at Corona Theatre on November 16th. Standing in the top corner balcony, the show opened with the spotlight on Nicolas Basque, guitar and bassist of the band, cheekily strumming along some melodic tune. He soon joined the band on the main stage and they kicked off the show. 

The band performed with seamless song transitions, keeping it interesting alternating between upbeat songs, slow songs, new, and old songs. Guitarists Nick Basque and Warren Spicer played off each other and even dueled at times in true rock fashion. There weren't many stage gimmicks beyond this, nor was there a need for it to entice the crowd. The band had obvious stage chemistry that translated into a highly charismatic performance without the need for gaudy decorations or further theatrics.

"Happy Birthday Woody!" (directed to the drummer Matthew Woodley) and "Love you Nick" (to the guitarist) were exclaimed over the buzz of crowd whose enthusiasm only a truly local crowd could bring. And that was probably what was most refreshing about this show—it brought a positive vibe, which I can only suspect was attributed to such a friendly and local crowd. I have not seen that much relentless and unprovoked fist pumping and head bobbing in some time. As I walked through the crowd to get a better view, my ears were bombarded with the mutterings of people talking to their friends on how much they were enjoying the show.  

Of course it wasn't entirely flawless. There were some obvious technical difficulties with the guitars at times, and the light show could have been more subdued for those who may not be entirely fond of flashing strobe lights directed right at your eyes. These glitches were far from distracting in light of the solid performance. 

Overall, Plants and Animals offered a highly feel-good show, easily palatable for fans and concertgoers alike.  And though I've only been a casual listener of their music so far, after this show I am confident to say I am certainly looking forward to their next one in Montreal. 

--Hannah Besseau, CJLO News Director

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