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A new report by the federal government argues that Canada is not fulfilling its commitment to gender equality.

According to the Globe and Mail, a 252 page study from the Council of Canadian Academies portrays a highly critical look at the limited progress of women’s academic careers.

It was commissioned in 2010 after the Canada Excellence Research Chairs program, an endeavour designed to bring in top researchers from abroad, neglected to choose any women for its nineteen awards.

The report concludes that although women have begun to outnumber men on university campuses for two decades, female faculty and researchers haven’t seen any victories from it. They still make less money than their colleagues while having to care for children or parents after work.

It also argues that powerful stereotypes and institutional arrangements are excluding women from being recognised and promoted.

Among the reports key findings is a persistent salary gap. Even with full time professors making 95 per cent of male salaries, it can have long term effects, including pension payments.

According to Lorna Mardsen, former president of York University and chair of the report, many women are not having the same access as men, and that if it holds for women, it would hold for other minority groups in our society as well.

STORY WRITTEN BY: CATLIN SPENCER 

Read by: Catlin Spencer

Stories by:Patrick Miller, Nikita Smith, Chloe Deneumoustier and Carlo Spiridigliozzi

Produced by: Alyssa Tremblay

A recent poll shows a significant loss of confidence in the engineering profession—while 83 percent of Quebecers said they trusted engineers in 2007, numbers from about a year ago show that now only around 65 percent of Quebecers would trust engineers.

In a report by the Canadian University Press, new information from Justice Charbonneau’s inquiry into corruption in Montreal’s construction industry reveals strong arguments for this loss of confidence.

The inquiry has led to city engineers Gilles Surprenant and Luc Leclerc admitting to taking in sum more than 1.2 million dollars of bribes from construction companies, in exchange for unfair collusion on public contracts. According to Surprenant’s testimony, this collusion raised the cost of construction projects in the Montreal area by around 30 to 35 percent.

The OIQ, the order of professional engineers in Quebec, does take measures against corruption. The Order requires every engineering graduate to pass an ethics exam on the path to becoming a professional engineer. In addition, the organization’s latest strategic plan prioritizes rectifying their lost public confidence through stronger focus on ethical intervention. And they have recently established a hotline—1-877-ETHIQUE—to share information on ethics and enable the easy reporting of violations.

Daniel Label, the president of the OIQ, confirms the damaging effect of the Charbonneau Commission on the profession. But he emphasizes the motivation and hard work spent on upholding the reputation of Quebec engineers.

STORY WRITTEN BY: PATRICK MILLER

A couple of CJLO peeps and I trekked all the way to Brooklyn with our CMJ Music Marathon badges in tow to catch METZ at the Cameo Gallery, only to discover that the venue had reached its CMJ badge quota. Having come all that way, we resentfully paid the ten bucks and went inside.

METZ played their set, and though very short, their performance was awesome. But this is not a review of the METZ show because after the band emptied their gear from the stage, and the venue virtually cleared out except for a few hangers on, I discovered a different and shiny new gem.

His name is Morgan Z, and he is the mad scientist/musician behind Chrome Canyon.

The first thing that piqued my interest that night was the Theremin. That crazy electronic instrument, with its upright and loop antennas that control this freaky B-movie volume and pitch, has always fascinated me. Before the performance even started we began raving, "ooOoo! A Theremin!" "This is going to be good because there's a Theremin!" 

As Chrome Canyon began their set, Morgan Z took the stage wearing a silver lamé shirt and shiny black leggings. How odd! Two musicians (playing drums, bass, and guitar) accompanied him for the performance. I didn't know what to expect, but my first impression after seeing that outfit was, "oh no, not good!"

I was so wrong.

What happens when musicians mix the following components?

• Theremin
• Synthesizer
• Drums
• Bass and guitar
• Robotic voice effects
• Shiny outfits
• Darkness
• Strobe and streams of light from a disco ball

I would describe that mixture as "a prom from outer space," but my friend Kayleigh hit the nail on the head when she proclaimed that the music was like something you'd hear at "Molly Ringwald's wedding." She meant that in the best way possible, and I'm repeating it here because the music was just so freaking wild! There was so much talent on stage, it was as if Molly gave birth to a love child she conceived with one of the members of Rush and named that baby Morgan Z. 

Chrome Canyon combined several musical elements like the synth-pop resembling new wave band Visage, disco beats similar to Blondie's "Heart of Glass", and a bit of the electro-funk sampling Herbie Hancock experimented with in the early 1980s. All those influences were combined in such a subtle and original way that it almost felt like Chrome Canyon could see and experience the past and the future simultaneously. Perhaps we have the Theremin to thank for that.

The ambient-synth sound of the song "Body Music" was totally awesome and poppy, and the drums had such a fun beat that even the most unlikely Brooklynites were inspired to dance and party. Morgan Z's music is so freaky, so sci-fi, and at times super mellow. I recorded some video of the show, and playing it back now fills my heart with joy that I can't stop smiling. Please, sit back and enjoy some Chrome Canyon music right now:

I would have been willing to spend a lot more than 10$ if I had known what awaited me that night. Chrome Canyon was so much fun to watch.

--Stephanie Dee hosts Twee Time, Fridays 8-9pm