Léo Bureau-Blouin is making the jump from the picket line to the campaign trail.
The former head of the provincial cegep student union will run for the Parti Québécois in the riding of Laval des Rapides.
He made the announcement wednesday morning after days of speculation.
Bureau-Blouin became one of the figureheads in the ongoing student fight against rising tuition fees before his term as FECQ president ended in June.
The 20-year-old once polled with the highest approval ratings of any figure associated with the tuition crisis.
Deputy Finance Minister Alain Paquet has held the riding for the past two elections.
He says he is not intimidated by Bureau-Blouin's high profile.
About 30 children, parents and grandparents rallied outside the Quebec College of Physicians office on Tuesday morning to protest against their decision to suspend a popular gynecologist.
The Gazette reports that The College suspended Doctor Gilles Mercier, a seventy-one year-old obstetrician-gynecologist, for a period of two months as of July 17 because he failed to complete his paperwork in a timely manner.
Many of the protestors agreed that his behavior should be punished, but that his patients were penalized in the process.
Mercier has been practicing medicine for forty-two years, and most of his patients come to him from generation to generation.
Most of the protesters and patients had nothing but good words about him, his dedication and his bedside manners.
A Facebook group dedicated to raising awareness about Mercier’s situation was created, and on Tuesday, the group had gone from fifty members to six hundred and ten.
Taedra Harris, one administrator of the group, said that the numbers indicate just how many lives Mercier has touched.

Twerps released their self titled album last year. However, in case you missed it online you can now buy this Melbourne medley in physical form in North America. The album starts in a blurry gaze of guitars and right before you fall into the trance of "This Guy", the high is over. You are now a twerp, taking the lonely walk of shame in the streets of Australia. Once "Who Are You" plays, the self-pity acoustic guitar strumming kicks in and you start howling into the night. Sit down for a bit, Marty Frawley is going to tell you now that though this may be a "Peculiar" night, every thing is going to be allright.
Tripping over a speedbump, you pick up the pace from a stumble to a light jaunt. This night isn't over yet... and that's when "Jam Song" kicks in. Appropriately in the middle of the album, the second half takes a happier, possibly more sober turn. Julia MacFarlane's guitar hooks on "Anything New" pairs with Patrick O'Neill's successfully sappy percussion to make a full band sound. Weaving in and out of introspection, "Bring Me Down" and "Grow Old" are simple and self explanatory.
The light, but essential Rick Milovanovic on bass keeps Twerps on the rails "Through The Day". Then for the sake of epic closure, "Coast To Coast" pushes you right out of the Twerp bubble and back to reality. Start to finish, this record has an inspiring personality.
FINAL MARK : A
A few weeks back I gave you a list of my picks for the Montreal Jazz Festival, and I managed to go to about 90% of the shows on that list. Here's a quick recap for those of you who missed them.
FREE SHOWS
Heavy Soundz
The Savoy, July 1-4
The Jazz Festival has hosted these wonderful nightcaps from 12-3 am at The Savoy for the past few years, with some of the most outrageous live bands from the local scene. I caught the Heavy Soundz presentation on the third night and was glad to see that the venue was packed and everyone was dancing. I was expecting a fire-spitting show due to my prior experience with this band, but the energy was a little low and I was turned off by the bad sound. There was too much guitar, not enough vocals, and the other instruments were really drowned out by the drums. The performance was a subpar for my standards, but I like the band very much and the less-critical crowd was having a blast, which for me is a big part of a great show so I must applaud them for captivating the audience.

Photo: Tamara Abdul Hadi
The Narcicyst
Bell Groove Stage, July 6
Let me paint a picture for you: a drummer, a guitarist, and a bassist. Add a DJ to that mix and, to get even more interesting, how about four backing vocalists? Yeah, the stage is looking nice and plump now, but you know what could really bring this to the next level? A six-piece string section! Indeed, The Narcicyst brought out the big guns for his farewell Montreal show. The energy was very high and the whole experience very emotional. There were a lot of very special moments in the show, and he thanked Montreal for many of his greatest memories. The endless crowd went absolutely crazy when he brought his father on stage, and his fans even made him a 10-foot farewell banner. Musically, it was a powerful show with a lot of new material that I am now anxiously waiting for. The sound was surprisingly crisp for an outdoor show, which really highlighted the Narcicyst's deeply layered sound.
Kalmunity Vibe Collective
The Savoy, July 5-7
I have only one word: EPIC. Check out my full review to see what I mean.
Music is My Sanctuary + Jazzanova and The Goods
Metropolis, July 7
Music is My Sanctuary celebrated their five-year anniversary by closing the Jazz Festival with an insane free dance party. DJ Lexis, Scott C, Andy Williams, and Juergen were on the 1s & 2s and they delivered such amazing music. It was great to see so many people take over the floor at Metropolis, which is usually just packed with people staring in one direction, and turn it into a massive dance floor. There were at least four different dance cyphers going on at the same time, people were having an unbelievable time, and to top it off there was music you would never hear anywhere else. The DJs listed above are renowned for being the ultimate crate diggers, and they really served us with their funkiest finds. I truly hope the Jazz Festival ends this way every year.
PAID SHOWS
Ziggy Marley + Inword
Metropolis, Jun 28
Out of all the shows I went to see, Inword was the most anticipated opening act. Clearly over the years they have created a strong fan base because everyone in the crowd was singing along and girls were screeching when Marky Lyrical began each tune. I didn't know much of their repertoire prior to catching the show, but Jahsun's strong drumbeats definitely convinced me to go get their album. I have to say that visually, Ziggy Marley blew me away. There was a big colorful flag in the background, and every member was rocking long dreads. There was a beautiful strong backing vocalist-slash-dancer who really captivated everyone's eyes. In terms of experiencing a Marley live, I would say that this show was amazing, however, as a stand-alone musician I wasn't that impressed. Then again, that kind of slow-pace reggae has never been my favorite to see live.
Deltron 3030 + Nomadic Massive
Metropolis, July 6
Nomadic Massive ripped it up and clearly stole the show! This 10-person group definitely knows how to take their space on stage and really give their all at every show. The ladies looked crazy-fly rocking local gear, and the fellas each had their own style that really showcased the cultural diversity of this group while staying true their hip hop roots. I'm a bit of a connoisseur on Nomadic's music repertoire, so I love it when they send me a curve ball like a mash up of their greatest hits, or a fresh new track like "Supa Fam."
I must say their performance made me even more anxious for the launch of their Mixtape. Deltron 3030, however, was a disaster. I hate to say it, but it really was. The first 15 minutes were ruined by some technical difficulties, which ended up just being for their visuals! Seriously, have you not heard of "the show must go on!" There was a terrible awkward moment where Kid Koala tried and calm the crowd with some scratching skills, but we were served with some terrible sound. Honestly, I couldn't distinguish any of the instruments, and they are a 15-piece band. Deltron Zero's flow was super lazy, and he literally did not move from the spot where started rapping for the whole show. I know many die-hard fans would hate me for saying all this because the first three rows seemed to be having the time of their lives, and I understand that Deltron hasn't performed in years, but I was so shocked at how bad that performance was that I can't keep my mouth shut.
Photo: Jessica Franksen
Stalley + F.Stokes
S.A.T, July 6
F.Stokes promised a very live and intimate show when Caity and I interviewed him on Say Word! earlier in the week. At the time I didn't realize he meant he would be coming out into the crowd and creating a cypher right in the middle of his show, or that he would take a girl aside and sing to her personally. He is an amazing performer! The energy was beautiful, and he really takes the time to enunciate his words, which is great because what he says has great depth. I was truly impressed by his work and look forward to following his expansion as an artist. He managed to blow me away with just himself and a DJ. Stalley, on the other hand, brought along a small band, which was a nice surprise. However, he did not manage to make me turn to his camp. I have to say that I'm not really a fan of that kind of hip hop so it's to be expected. As a performer, he was better than I expected, and it was quite entertaining to see his flock of fans all rocking his staple beard.

Photo: Eye N Eye
Sarah MK
The Savoy, July 7
I am truly impressed. The sound was impeccable, and I really thought I was listening to a mastered CD, but what really got me was Sarah MK's wide repertoire. Many of us know her as a strong member of the Kalmunity Vibe Collective, but only recently has she really emerged as a solo artist. Her album only features nine tracks, so I had no idea she would have enough material to keep us entertained for two acts. Her presence was strong and she seemed very comfortable in the limelight. The backing musicians were phenomenal, and I really appreciate how Sarah gives each of them their time to shine. I must particularly applaud Jordan Peters who is the mastermind behind all the arrangements that had our hearts swelling.

In January of 2011 a friend of mine shared with me an unassuming Vimeo video that would end up being played over and over again on my computer, much to the chagrin of those around me. The track was Purity Ring’s “Ungirthed” and I couldn’t find much about them online except for the fact that Purity Ring is Megan James and Corin Roddick and that they were from Edmonton. In the year and a half since then, more news about the duo - now based in Montreal (Roddick) and Halifax (James) – slowly trickled out until they exploded onto the radar after playing a critically acclaimed set at SXSW. Over the course of the next few months, two more singles and album artwork were released on Pitchfork along with extensive tour dates. It now seemed that everyone was talking about Purity Ring.
Their debut album Shrines, officially released by Last Gang Records on July 24th, was absolutely worth the wait. Each track on Shrines is beautiful and distinct when played alone but when listened to as a whole they are impeccable, thanks to James’s cheerfully haunting vocals layered over Roddick’s meticulously crafted percussion. James’s lyrics are playfully masochistic and bring physicality to the shimmering cues of Roddick’s instrumentals. Her soprano lilts over the music and then is often reflected back by Roddick distorted, through the low timbre of an octave modulator. Her voice is exalting in songs like “Saltkin” and “Fineshine” while “Grandloves” (my favourite song on the album which features a sample from Young Magic’s “You With Air”), seems seductive at first listen and then mournful on the second.
That’s the thing I love about this album and a major reason I can’t stop listening to it - each track changes in feeling each time you listen. I would recommend listening to the album the entire way through and then revisiting your favourite tracks one by one.
FINAL MARK: A+
Listen to: Grandloves, Fineshrine

Hey music lovers and film fanatics, as you know by now, the Fantasia Film Festival is back, with CJLO DJs spinning live between films in the Hall theatre every day of the festival! Keep your ears peeled for Angelica from BVST, Julie from With Gay Abandon, Danielle from Runny Noise, Denis A from Dirty Work, Andrew from Grade A Explosives, Doc Holidae from Phantastiq Cypha and Idle Matt from Radio Fun, your 2012 CJLO Fantasia DJ lineup.
Wanna get in on the festival action? CJLO is giving away passes to the Fantasia International Film Festival! For your chance to win a pair of passes* to this year's festival, just tell us who your favourite 2012 Fantasia DJ is... now with three ways to enter!
1) Email contest@cjlo.com
2) Send a tweet to @CJLO1690AM
3) Post your answer on our Facebook wall
We'll select the winners via a draw. Remember, you must email, tweet or wall post the name of your favourite Fantasia DJ. Winners will be contacted with information about picking up the passes.
*Each pass is exchangeable for one ticket to any non-sold-out film of your choice (excludes closing night films and special presentations).
Come and join us as we celebrate the 2-year anniversary of CJLO's very own late-night House Music misxshow, SALVATION FROM SIN, the 2-time award winning "Best RPM Show of the Year", produced and hosted by our very own, DJ MICHAEL TERZIAN. On Wednesday night August 1st, 2012, starting at 10pm, Michael will be joined by DJ's DON BARBARINO and Toronto`s GENE KING at "OASIS", a weekly House Music event located at LE SALON DAOMÉ (141 Mont-Royal st. EAST).

Just for Laughs has been an annual event in Montreal for three decades and this year as they celebrate their 30 years, they have invited some of the best comedians in North America and Europe to come celebrate it with them.
On Wednesday July 25th from 4 - 6pm EST The Commonwealth Conundrum will host a live broadcast from the heart of The Just for Laughs. Tune in for fun, music and your host Rebecca & Danny spinning tunes in the best place for comedy in Montreal....possibly the world!

CJLO Radio has a few things today. New show; The F Hole. Classical music show that features great content on a weekly basis at 11am with Erica Bridgeman, former cohost of Ears Wide Shut. At noon we have Edge of the City with a Bill Hader interview and musical performance by Bad Weather. If that wasn't enough later today we have doc'trin on Haze World at 6pm. So keep your radio (1690AM), iPhone or TV (Bell Fibe TV Ch950) to CJLO Radio all day and don't miss a thing.
Read and Produced by: Carlo Spiridigliozzi
Stories by: Aisha Samu, Niki Mohrdar and Carlo Spiridigliozzi