
Photo Credit: Unknown
For the past year and a half, the simple pleasure of heading out for a night of live music was stripped out of our lives by the COVID-19 pandemic, forcing us to pretend that watching our favourite bands perform online in empty venues was a viable substitute. Of course there were some excellent presentations under these extreme circumstances, like L’Escogriffe’s L'Autel 4461 series, but it just wasn’t the same. Then after months under curfew, live music began to slowly return and now, from September 2 to 5, comes the 19th edition of Festival De Musique Émergente. With its Quebec and Ontario heavy programming, it will feel like a super-charged dose to make up for all those missed nights out. CJLO’s Prince Palu (The Go-Go Radio Magic Show) will be there and here is what he is looking forward to after reading the program guide.
I cannot think of a better way to recover from the haze of the global pandemic-induced lockdown and throw myself back into the soul-cleansing world of live music, than jumping on a bus with a bunch of like-minded music fanatics and heading ten hours north to see a bunch of bands who reside in the same city that I do. While that might not make a lot of sense, having been a veteran of many CMJ and NXNE music conferences back in the day, I can tell you that getting away from all of life’s daily responsibilities and setting up camp in some hotel room far from home is the only way to properly do this. Not all of the bands that I hope to see over the four nights in Rouyn-Noranda are from Montreal, but most of them are and that is just fine by me. The way I see it is that these are the bands that I would have been heading out to see play around town had COVID-19 not gotten in the way, so this is just me making up for lost time. I also know from past experience that what you think you will see and what you actually end up seeing could be wildly different. It’s like John Lennon famously said, life is what happens when you are busy making other plans. That said, here are the bands that I am most excited to see.
September 2
Pantayo (7:00 pm Poisson Volant)
The all-female band from Toronto combined synth-pop with the traditional music of the Philippines on their Polaris nominated debut self-titled album in 2020 and played a large part in adding colour and life in the early days of the pandemic, in both my home and on the air-waves for The Go-Go Radio Magic Show.
Drogue (11:00 pm Cabaret de la Dernière Chance)
Drogue plays the type of music that is the bedrock for The Go-Go Radio Magic Show - dirty rock ‘n’ roll and proto-punk that’ll help shake off the dust and kick out the jams. Fingers crossed that my press pass can get me into this one as it is already listed as ‘Sold Out’.
Hippie Hourrah (11:59 pm Basement of the Petit Théâtre du Vieux Noranda)
As a fan of Les Marinellis I was sad to see that band go on permanent hiatus, but was equally excited when I heard about this new musical outfit for Cedric Marinelli along with Montreal music scene luminaries Miles Dupire, Gabriel Lambert, Thierry Malépart, Samuel Gemme and Maxime Bellavance. Having missed out on the two shows at L’Esco back on July 22, I am thrilled to have this chance to see them close out the first night.
September 3
Kristian North (6:00 pm SiriusXM Stage)
What better way to ease into the second day than a 5 à 7 with the groovy sounds of Kristian North? I can’t think of one either, so that is why I will make my way to this early show to start my Friday on the right foot.
Bad Waitress (7:45 pm Cabaret de la Dernière Chance)
A return to the Cabaret de la Dernière Chance for some more loud, in-your-face rock ‘n’ roll. This all-female four piece from Toronto brings the filth and the fury with their brand of art punk that blends the grit of first wave punk of the 70s with the thunderous grunge sounds of the 90s.
Hot Garbage, Paul Jacobs, and The OBGMs (8:00 pm Petit Théâtre du Vieux Noranda)
This might be the show that I am most excited for. Toronto’s space-rock, psychedelic quartet never disappoint and keep raising the bar for themselves with every release and show. Paul Jacobs released one of the best albums of 2021, but he has long eluded me and now thanks to FME I will finally be able to see him perform live. I know it sounds crazy given that he is a local artist, but sometimes shit just doesn’t line up. Until now! Closing out the night is another Toronto band, The OBGMs, and their take-no-prisoners approach to punk rock. As front man Densil McFarlane puts it, “This is rock music that hits differently. It’s Kurt Cobain shit. It’s Jimi Hendrix shit. It’s the Steve Jobs of this rock shit.” What’s not to like?!
ALIAS (11:00 pm Diable Rond)
I am super stoked to check out the psychedelic crooning of the über talented Emmanuel Alias. His excellent EP, It’s Not Funny, So Stop Smilin’, is out now on Simone Records and I strongly recommend that you get yourself a copy.
September 4
Barry Paquin Roberge (9:00 pm Poisson Volant)
There are not many things guaranteed in life, but to death and taxes you can add that BPR is always a good time! These disco-lounge warriors lay down a groove so thick it’ll get you sweating in no time.
Zoon, Yoo Doo Right, and The Besnard Lakes (8:00 pm Petit Théâtre du Vieux Noranda)
Another incredible triple header. My guess is this is one that you do not want to show up late for, and you might want to bring your passport with you as you may do some involuntary interstellar space travelling.
Vanille, and Mort Rose (10:00 pm Cabaret de la Dernière Chance)
Ending the Saturday night with two of the bands that marked my return to live music back in June at the La famille Bonbonbon au MTELUS seems like the right thing to do. Vanille’s debut album Soleil '96 has been one of 2021’s musical highlights for me, and Mort Rose’s next album,
Au revoir cowboys, which will be released September 10, will certainly join the list.
September 5
Étienne Coppée (2:00 pm SiriusXM Stage)
If I’ve learned anything about multiple day music festivals it’s that you need to pace yourself on the final day and start slow. You couldn’t get a more suitable start than the set of beautiful folk songs from this chanteur québécois. Not sure if he will be accompanied or solo for this show, but I sure would love to hear those heavenly harmonies that can be found on his latest single, Écoute, out now on Simone Records. Either way, this is the way one should start every Sunday.
Ouri (5:00 pm Place de la Citoyenneté et de la Coopération)
A classically trained multi-instrumentalist, Ouri builds beautiful soundscapes where you can run away to escape from your troubles and focus on your dreams. Vulnerable, honest and harmonic are but three of the adjectives that I would use to describe her music. Or as she describes it in her bio, “[I sing] of fear in a manner in which to look past it, to build a safe place after abuse, to desire hope as a means of generating hope, to celebrate sex, to celebrate creation, all while in these times of crisis.” Sounds like a perfect Sunday afternoon soundtrack to me.
FHANG, and Valence (10:00 pm Cabaret de la Dernière Chance)
My current obsession is the self-titled debut album from FHANG, a music project from Mishka Stein and Sam Woywitka that takes the listener on a 30-minute journey that will leave you wanting more and quickly hitting the replay button. Valence is the art-pop project of Vincent Dufour that I could only describe as a folk / dance music hybrid that will be the perfect way to end my first FME and send me floating off to dreamland with a beautiful smile on my face.
Prince Palu is the co-host of The Go-Go Radio Magic Show wirh Oncle Ian every Friday at 6pm!
Shanellie Marie
Quebec launches vaccine passport app
Quebec has launched its COVID-19 vaccine passport app.
While no services are off limits before september 1, residents can now download proof of vaccination.
On that day, gyms, concerts, and sports events, among other spaces, will require the passport for entry.
Canadian military evacuates another 106 Afghans as situation in Kabul worsens
Ottawa says the latest Canadian flight out of Kabul carried 106 Afghans to be resettled in Canada.
There have been numerous reports of shootings and stampedes with crowds gathering outside the gates of the airport.
Justin Trudeau said it will be, quote, “almost impossible” to rescue everyone eligible for resettlement, however the government will continue to fly Afghans out of the country.
Toronto hospital network plans implements vaccine mandate
A Toronto hospital network said they are planning to fire employees who have not been vaccinated against Covid-19.
The University Health Network (UHN) said Friday that they have contacted over 900 staff over their vaccination status.
The network warned employees that if they don’t receive two shots by October 8, they will be placed on unpaid leave, and eventually fired.

*Please note that one of the films deals with subjects of substance abuse and suicide. Reader discretion is strongly advised.
In the final week and few days I had left at the Fantasia International Film Festival, I made a concrete condensed list of all the films that I wanted to see. These were mostly some films from the Documentaries From the Edge section of the festival, along with some feature length films that came from the suggestion of my At The Movies co-host Danny Aubry. Having those suggestions also on my list for viewing made it an easy decision on what to focus on for the final week.

Poly Styrene: I Am a Cliché from directors Paul Sng and Celeste Bell (the latter being the daughter of Poly Styrene) is a musical biographical documentary about Poly Styrene, the lead singer of the UK punk band X-Ray Spex. Maybe not so well known as The Sex Pistols in the UK punk world, X-Ray Spex came on the scene with their own unique sound that included the raw punk aesthetic mixed with a saxophone and lead singer Poly Styrene, who broke the mould of the conventional punk bands through her singing and appearance. The film also does a deep dive into the UK punk scene at the time and its appearance in America, notably in New York at the CBGB club. There is also an introspective look at behind the music and the life of Poly Styrene through her daughter, who had a sometimes tumultuous relationship with her mother, and personal journal entries from Styrene narrated by actress Ruth Negga. After seeing this documentary there is no denying the impact that Poly Styrene left on the punk music scene and the life of her daughter both as an on-stage and off-stage presence. The morning after viewing this documentary, I had the song "Germ Free Adolescents" on repeat for a good ten minutes.
With 60 Minutes on hiatus this summer, I turned to some more serious investigative documentaries like You Can’t Kill Meme and Lost Boys. There is a light-heartedness to meme culture that is supposed to be fun, however You Can’t Kill Meme subverts this general stereotype of meme culture with more of a deep dive into the culture of “Meme Magic” from director Hayley Garrigus. The documentary also looked at how the alt-right of the United States used this “Meme Magic” to push them to a position of power and elect a president, who himself was a meme. A little bit more surreal than the experience of Feels Good Man, You Can’t Kill Meme takes viewers down the “Meme Magic” matrix whether you want to follow along or not, and will introduce you to some interesting and colourful characters that only memes can elicit.
Lost Boys from directors Sadri Cetinkaya and Joonas Neuvonen is more of a true crime story while also exploring the dark side of Cambodia. Three good friends Jani, Joonas and Antti, who live in a small Finnish community nestled six kilometres south of the Arctic Circle, are life long friends who have always been involved in criminal activity and substance abuse problems as seen in their previous film Reindeerspotting: Escape from Santaland. Lost Boys takes an unfiltered lens as the friends decide to take a trip to Cambodia, where their drug habits get the best of them as Jani is found dead, ruled as a suicide by local authorities, and Antti has gone missing. Joonas has to put the pieces together and travels back to Bangkok and Phnom Penh to get to the bottom of what happened to his friends, where he interacts with locals and the last people who saw Jani alive. The film has one of the best confrontational moments with a person named Lili, one of the last people to see Jani alive, as she is still crippled with an addiction that helps her cope with the guilt of Jani being gone. However, I find the film’s ending a bit ambiguous as it left me with many unanswered questions as to what really happened to Jani.
Strawberry Mansion from directors Kentucker Audley and Albert Birney is a not-so distant futuristic story about James Preble (Kentucker Audley), a dream auditor for the federal government who goes through peoples’ dreams for the sole purpose of taxing them. His latest audit is an older woman by the name of Arabella Isadora who is behind on her technology and has all her films recorded on VHS tapes. Along the way he falls in love with Arabella in his dreams. This has to be one of the best original and visionary films that this year’s festival has to offer audiences and reminds me a lot of the works of Charlie Kaufman and Michel Gondry.

The Righteous is one of the last films that I caught up with after hearing some positive feedback from my co-host Danny Aubry about the film’s sound design and score - two things that I enjoy in a film. From director Mark O’Brien and shot in black and white, the film deals with an ex-priest by the name of Frederic and his wife who are both grief stricken by the recent loss of their daughter. During one uneventful evening, a stranger by the name of Aaron is found on the lawn of their property with an injured foot asking for help. Reluctantly, in a sign of good faith Frederic and his wife let Aaron enter the house, unbeknownst to them who he really is or how he will shape their lives - not to get into too many spoilers. Is Aaron the idealistic stranger of a lost soul or a soul to save? The film is reflective on the themes of grieving and forgiveness in the face of tragedy and handles these thematics with grace and maturity.
In closing this has been another solid year for programming and films at this year’s monumental 25th edition of the Fantasia International Film Festival. I can’t wait to get back into the theatres with a Fantasia audience in the not-so distant future where the lights go dim and the resounding “meows” fill the room. I would like to thank everyone involved with the festival for allowing CJLO media coverage, as well as the entire CJLO magazine team for their hard work and dedication. Finally, a big thank you to my co-host Danny Aubry for his recommendations and coverage of the festival.
As always, stay safe et bon cinema!
Here is my At The Movies co-host Danny Aubry covering his second week of Fantasia films.
My second week at Fantasia was once again quite a thrill for me. Despite being impacted by the excruciating heat wave which we have been enduring as of late, I still managed to buckle down and watch some really cool films. Although I watched several films during week 2 of Fantasia, there were three specific films which really stood out to me. The underlying theme which these films have in common is the supernatural. The supernatural elements that we see occur within these films are the bad, the good, and the outrageous.
The Righteous is a Canadian film directed by Mark O'Brien. It focuses on an ex-priest named Frederic and his wife Ethel. Frederic and Ethel are grief stricken by the recent passing of their daughter. With each day that goes by, they struggle to find ways to cheer themselves up - that is until one particular evening when they find a young man named Aaron lying on their backyard lawn nursing an injured foot. They decide to take Aaron in, to nurse him back to health. They find themselves keeping Aaron for longer than originally intended because they enjoy his company and he makes them feel like they’re parents again. However, Frederic later discovers that Aaron possesses supernatural powers driven by an evil force within him. Aaron asks Frederic to commit a heinous act, or else Aaron would harm someone Frederic cares about through the use of his powers. I really enjoyed this film because the score suited the mood of it. The film was done in black and white which I feel was a smart move to make because it added to the eeriness of the film. And it has an interesting plot twist as you find out how Aaron is linked to Frederic's past.
When I Consume You is an American film directed by Perry Blackshear. It focuses on the Shaw siblings Wilson and Daphne. The two live in a small apartment and they are always there for one another to cheer each other up. On one horrible evening Wilson walks into his apartment to see Daphne dead. The cause of Daphne's death is unknown until Wilson encounters the shapeshifting demon who murdered her. The demon physically beats Wilson to a pulp. Shortly after the beating, Wilson is guided and trained by Daphne's spirit both physically and mentally in order to defeat the demon and eliminate him from his life altogether. I really enjoyed this film because it had an important message within, which is to always value life as long as you are still living. Daphne's spirit constantly reminded Wilson of how lucky he is to still be alive because he can still find ways to live his dreams and better himself. I was also very impressed with the acting in the film. I feel that Evan Dumouchel in particular, the actor who played Wilson Shaw, did a great job.
Wonderful Paradise is a Japanese film directed by Masashi Yamamoto. The main character is a girl named Akane who lives in the Tokyo suburbs with her father and brother. In the beginning of the film, Akane feels down because she and her family are moving from their current home. Her father attempts to cheer her up by saying to "make fun memories." She misinterprets that by going on Twitter and stating that there is a big party happening on the day of the move. On the day of the move, distinct characters gravitate towards their home to party. Throughout the day, supernatural circumstances occur, such as a talking cat, a little boy who turns into a stick, Akane's grandparents coming back from the dead, their kitchen magically turning into a coffee shop, and a coffee bean growing into a giant plant-like creature. Although some people within the party are miserable with everything that is going on around them, for Akane and others it is indeed a wonderful paradise. I really enjoyed this film because I found it to be very funny - as a matter of fact it was the funniest Fantasia film of the year. I also found it to be very imaginative, and an example of how there is no denying that once in a while we find ourselves asking, wouldn't it be cool, or wouldn't it be funny if this happened? Of course, while knowing that it is highly unlikely to happen.
For all three films we see supernatural elements occur within them, but they occur in different fashions. For The Righteous we see supernatural elements used for bad when Aaron threatens to do wrong with his powers unless Frederic does what he wants. For When I Consume You, we see supernatural elements used for good, although Wilson is stalked by an evil entity, he is guided by a good spirit, which is that of his sister's. And for Wonderful Paradise, we see supernatural circumstances occur which are outrageous because impossible things happen in a ridiculous way.
All in all, I've really enjoyed the Fantasia International Film Festival throughout the two weeks that At The Movies covered it. I have once again enjoyed the wide variety of film choices that the festival has provided. I'd like to take the time to express my gratitude to those involved with Fantasia for once again providing me and my co-host Remi Caron with the opportunity to cover the event. I'd also like to congratulate them for still being able to run the festival regardless of the circumstances.
Tune in on Aug. 30 at 9:00AM for a special At The Movies Extra Fantasia 2021 Wrap Up Party with Remi, Danny and other CJLO DJs.
Remi and Danny host At The Movies, which can be heard every Tuesday morning from 8:00 - 9:00AM. Tune in for discussions about movies, soundtracks, and iconic film scores. At The Movies also covers film festivals that are located in Montreal.


Here is week one from Co-Host Danny Aubry.


Shanellie Marie
Lance Daniel documentary premiered July 15, 2021 to promote his clothing brand #NOREGARD.
He is a former flag football player for the FPF, Flag Plus Football league in Montreal Quebec.
In 2012, Lance created a clothing brand based on his team name called #NOREGARD.
The brand sold merch to friends, family and fans to support his team!
Since then, Lance has been actively working as a freelance videographer for the league
Last year, he decided to rebrand and trademark the brand.
Justin Leblanc, is a close friend and supporter of the team since the very beginning.
He believes the #NOREGARD brand offers a motivational message to potential customers.
"It's just a general message of a supportive team, a family, positive thinking, having grit and grinding out through," Justin said.
Lance decided he wanted to try something new,
He compiled all the clips he filmed from the team over the years, and created a short documentary, as an origin story for the brand.
His goal is to use his film to connect with a wider audience.
He said, "Sky's the limit in terms of just your potential, it's now a matter of making all eyes see your product. I always believed the documentary has no limitations."
Lance’s Former teammate Darius Golebiowski who starred in the film, gave several interviews explaining crucial moments in the team’s history.
Darius thinks that although the e-commerce industry is a tough one to establish roots, the film provides an emotional connection, giving the brand an advantage over potential competitors.
"The emotional connection will definitely play a very very important factor in having people say," I'm going to buy his brand," over some of the other established brands out there."
"I think the documentary will complement that, it will feed that whole aspect of really connecting with people on an emotional level," said Darius.
In the next coming month, you will be able to stream the film on Prime Video and Youtube.
To shop all #NOREGARD clothes, you can find them by visiting their website at www.noregardshop.com
Catch them on instagram @#noregardshop

Nothing stood in the way of the Fantasia International Film Festival - not even a pandemic. Last year the festival was a success through a virtual rendition. This year the milestone 25th edition will find the fine balance of the in person experience, while following the government guidelines still in place (a virtual edition will also be available this year). Running from Aug. 5 - Aug. 25, the Fantasia International Film Festival is a great way to get out of the house, beat the heat of the summer, and return to the movies.
Fantasia has always been one of those festivals known for premiering a film for the first time whether it be a big film or a film that is soon to be big. On Aug. 4, the day before the festival starts, there is a special sold out Fantasia screening at Cinéma Impérial of one of the most anticipated films this summer, The Suicide Squad from director James Gunn. If you miss this screening, you can catch the squad on the big screen where theatres are open the following night when it makes its candid cinema premiere.
The opening film at Cinéma Impérial on Aug. 5 Brain Freeze is a Quebecois zombie horror comedy film from director Julien Knafo. Les Affamés has already had great success as a Quebecois zombie movie, so I believe Brain Freeze will follow in that successful trend of a Quebec-made zombie film. The closing film of the festival on Aug. 25 at Cinéma Impérial - The Great Yokai War: Guardians from director Takashi Miike - takes viewers back to the magical world of Yokai as a war that threatens to destroy Tokyo will be sure to take audiences on a surreal journey.
The Selection 2021 at this year’s festival has something for everyone. Here are some of the films that I have selected to highlight. First of all there are some great international features to talk about. From New Zealand Coming Home in The Dark from director James Ashcroft is a neo-noir thriller car invasion film that is in the same vein as Funny Games with some great cinematography and performances from the trailer alone. Another film I’m interested in is Caution, Hazardous Wife: The Movie from director Tôya Satô, which is based on the international Japanese television show, finally adapted to the big screen. The flick is a Mr. & Mrs. Smith comedic spy comedy about a wife who is a spy with amnesia whose husband has to help her out on the final spy mission with all the action as a spy show like Alias. Finally, if you are looking for an action comedy in the similar vein to Dumb and Dumber, might I suggest the Belgian comedy Mother Schmuckers from directors Lenny and Harpo Guit.
One of the program selections that I normally start off with at Fantasia is their Documentaries From The Edge series, where you will find some entertaining and thought-provoking documentary films. If you are looking for a documentary about something obscure in the world of music, I highly recommend Poly Styrene: I Am a Cliché about the head of the Afropunk and Riot Grrrl movements Poly Styrene. Directed by her daughter Celeste Bell and Paul Sng, this documentary focuses not only on the musical icon but also the tumultuous relationship between mother and daughter, all while serving as a vibrant tribute to this passionate artist. Touching on 200 films and over 50 interviewees, Woodlands Dark and Days Bewitched: A History of Folk Horror will discuss the horror genre of pagan and folk horror, with a complete history of films like The Wicker Man and Robert Eggers’ The Witch. With a three-hour runtime this is for any fanatics of horror folk cinema. I was also a fan of last year’s Feels Good Man from director Arthur Jones, so I can’t wait to see another deep dive in meme culture in the anti-documentary You Can’t Kill Meme from director Hayley Garrigus.
The final section that always piques my interest is the aspiring filmmakers in the Camera Lucida section. Director David Lowery, who brought his film A Ghost Story to Fantasia in 2017, is back in theatres this summer with The Green Knight, complete with early reviews praising Lowery’s artistic vision and the career performance from actor Dev Patel. One film that I can’t wait to see from the early reviews and buzz would be the black and white film shot over Zoom during the pandemic The 12 Day Tale of the Monster that Died in 8 from director Shunji Iwai. Moving forward, demonic possession plagues a convent of nuns in the film Agnes from director Mickey Reece. Finally, the comedy-fantasy science fiction flick Tiong Bahru Social Club is about Ah Been who still lives with his mother at age 30, who decides to sign up to be a happiness agent at the Tiong Bahru Social Club. However, even though he is feeling and chasing happiness, there is something amiss in all the joy found in this film from director Tan Bee Thiam.
The festival offers up other categories of films including Cheval Noir, the stellar animation section Axis, past favourites found in Fantasia Retro, the bold ambitious filmmakers of Underground, and as well a spotlight on Quebecois filmmakers with Les Fantastiques Week-Ends Du Cinéma Québécois. If you are looking for kid-friendly fare, Fantasia has you covered with My First Fantasia. As well back for this year’s in person festivities is the much-beloved Fantasia institution DJ XL5’s Miaow Mix Zappin’ Party.
Here are some films that my At The Movies co-host Danny Aubry has selected as his Fantasia International Film Festival 2021 picks.
The year 2021 will be my second year in a row of observing the Fantasia International Film Festival through their virtual cinema. Within my recent trips through cyberspace, I've stumbled upon trailers for Fantasia films which I personally feel show a lot of promise. Although pretty much all of the Fantasia films which are available this year look really cool in their own respect, there are just three which come to mind right now.
From Fantasia Underground making its North American premier, Beyond the Infinite Two Minutes is a Japanese science fiction film directed by Junta Yamaguchi. The main character of this film is an individual who lives in an apartment above the coffee shop which he owns. He is financially struggling and increasingly depressed about where he is at in life, until he discovers that he is somehow able to get in touch with his future self through his computer screen. He then relies on his future self to aid him in propelling forward. This one will be worth checking out if you’re into science fiction films and like anything to do with time travel.
From Selection 2021, Strawberry Mansion is a drama fantasy film set in the United States directed by Kentucker Audley and Albert Birney. The main character is an auditor working for the United States federal government who is summoned to a farmhouse owned by an eccentric old woman. Within his stay he stumbles upon a device which consists of a VHS recording of the old woman's dreams. When he tries the device on himself, he finds his fantasies becoming more real than he ever thought possible. I am intrigued by the film’s premise in regards to making one’s fantasies feel more real.
Making its North American premiere both in person at Cinéma du Musée and in the virtual cinema as part of Les Fantastiques Week-Ends Du Cinéma Québécois, Dreams on Fire is a Japanese drama film directed by Philipe McKie. The film focuses on a young woman who yearns to become a dancer despite her parents’ disapproval. She flees from the small town where she was born to the big city in order to turn her dream into a reality. I like these films that feature characters chasing their dreams and passions despite what people think.
I feel that these movies show a lot of promise because they all somehow reflect on how a lot of us have navigated through the pandemic. Many of us have often found ourselves losing track of time, finding fun and creative ways to make our fantasies feel more real, and reflecting on our dreams by taking the time to ask ourselves what we really want to do in life.
Bon cinema!
Remi and Danny host At The Movies, which can be heard every Tuesday morning from 8:00 - 9:00AM. Tune in for discussions about movies, soundtracks, and iconic film scores. At The Movies also covers film festivals that are located in Montreal.
Shanellie Marie
Doctors weigh in on how to avoid fourth wave of Covid-19 virus
Canada’s Chief Public Health Officer, Dr. Theresa Tam is warning of a fourth wave of COVID-19, driven by the delta variant.
The variant has been pushing up infection rates south of the border, with US president Biden saying more restrictions could be on the way.
Doctors say the best way to avoid spreading the variant is to get vaccinated.
Three refugee olympic athletes resettle in Canada
Three Sudanese-born olympians are members of The Refugee Olympic Team, made up of 29 elite athletes from 11 different countries.
They fled Sudan when they were younger and each lived in Kenya’s Kakuma Refugee Camp.
The athletes will study at Sheridan College in Oakville, Ontario as part of the partnership with the The UN Refugee Agency and the world university services of Canada.
The non-profit helps more than 130 refugee students yearly, bringing them into Canada to study.
Garden at Fritz produce to support West Island food banks
Volunteers at the Baie D’Urfé Fritz Park garden harvested their first crop of produce in recent days.
The garden started in 2014, and is picked two to three times per week.
All the produce is fresh, organic and pesticide free.
The food was sent to the Pierrefond On Rocks Community Services group.
President of the community service Kim Reid called the donation of fresh fruits and veggies “invaluable.”

The 15.5 edition of the Shazam Festival occurred over the weekend of July 9th through 11th, 2021. The idyllic site located near Ayer’s Cliff, Quebec was a beehive of activity compared to the much smaller festival that took place last year. To make up for lost time, the schedule was packed with an eclectic mix of shows; on the day this reporter was there, there was not much downtime between artists.
The power duo Birthday Suit Special, which is Gideon Yellin on guitar and Alex Lepanto on drums, hit the ground running and the festival started with an epic forty-five-minute version of their song "Happy Birthday". They were followed by Battle for Shazam winner Bless Her Evil. The band won the right to strut their stuff at the festival by claiming first prize in the Eastern Township’s music and performing arts competition held in May. Powering through songs like System of a Down’s "Aerial", the band (led by singer Emman), compelled the audience to take a step back; but for a few brave souls who were able to break through the wall of sound. Festival organizer Ziv Przytyk commented on the band, “They were good if you’re into that kind of thing.”
Following the release of their latest album Morning Walk, Sherbrooke band Occult Witches showcased songs like "Flower From Your Dreams" and "Pigments". The psychedelic hard rock band led by strong vocals and a duo of guitarists was a hit at the festival and showed they are a band to look out for. Switching musical gears, the folk-pop group Les P’tites Germaines charmed the audience with their humorous angst driven music where singers Julie Cossette and Caroline Clément proudly wave the flag of positive feminine sexuality.
Shazam Fest has never been just about the music, with skateboarding and pro wrestling also taking place over the weekend. Friday night saw the circus arrive at the festival via Ziv’s Freakshow and Burlesque, and the extraordinary masters of soap bubbles and fire, Les SomnamBulles. Some of the highlights were when the Mighty Leviticus set the record for the can smash with the number to beat being ninety-two in sixty seconds. He said afterwards while nursing his sore hands, “with forty seconds to go, I was wondering if this was such a good idea.” Escape artist Steve Winchester closed a mouse trap on his tongue and FenyxFyre of StrangeOrDanger Thrillshow fame swallowed razor blades then washed them down with Windex. During the burlesque segment of the evening, Miss Bibi Lolo BangBang, Bijou Bisou and Tristan Ginger infused their charm and wit for their performances.
After a brief pause to clear the stage of circus paraphernalia, it was time for underground Sherbrooke rock/folk artist Frank Custeau. From the very start of the show the audience was dancing the night away to songs from his latest album Xénial Blues. His bluesy pop tunes like “Sirop d’érable” and “Le Rock and Roll” struck a chord with the Shazam Fest audience.
Closing off the evening was nouveau folk band Excavation & Poésie, made up of Charles Lapierre on guitar and vocals, Olivier Dussault on double bass, Laetitia Franco-Lévesque on violin and Rafaël Poggetti on percussion. The quartet provided a swinging good time, dancing and foot-stomping their way into the wee hours of the morning.
That was just the first day. Thankfully, the weather predictions of rain were grossly exaggerated with only a few clouds to block the otherwise sunny vibes that reflected against the green, green grass of Shazam Fest.
Festival Photo Credit: Robert Portnoff
Shazam Fest still life with schedule.

Sherbrooke band Occult Witches during their afternoon concert.

The artist in red, better known as Bijou Bisou
Julie Cossette and Caroline Clément of Les P’tites Germaines

It’s not Batman, it’s Tristan Ginger.

The Mighty Leviticus setting the can smash record.

Escape artist Mr. Steve Winchester.

Burlesque artist Bibi Lolo BangBang.

Snack time for sideshow performer FenyxFyre.

We bid you goodnight from Ziv’s Freakshow and Burlesque.

Dancing the night away with Frank Custeau.

Shanellie Marie
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Shanellie Marie
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