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With the Suoni Festival done and the Jazz Festival taking its place, there won’t be as much concert-going in the Plateau in the coming days. Prince Rama and Leopard et Moi braved the stage of a small but patient crowd the night of June 23rd. They waited and waited for the hordes to come through the door of the small second stage at Casa del Popolo, but it didn’t happen. So, after about an hour and a half delay, Leopard et Moi finally started their set.

Hello high energy! Leopard et Moi, an assembly of a huge amount of percussion instruments and noisy electronic beat makers, put forth their enveloping melange of art/punk/noise/prog beats to the appreciative few. Their psychedelic vocal stylings complemented both the more rhythmic and ethereal hypnagogic pop that Leopard et Moi master. I had never heard of them, but if you’re interested in some quite interesting local talent, I would recommend checking out their tracks. They’ve got three releases, the most recent being one from May of this year, "L’Amour de la Nature."

After about a half an hour set, Prince Rama took the stage. They were the band that I was looking most forward to seeing this Suoni, even above Omar Souleyman. If you have not heard of them already, I would recommend 2010’s Shadow Temple for starters. This group was raised on a Hare Krishna commune and escaped to the embracing arms of art school in Boston where they nursed their psychic selves and jammed on psychedelic themes. Their music is infused with heavy ritualistic percussion and Sanskrit chants, and transports you into a trippy headspace. Having had their music hypnotizing me via my headphones every morning for the past few months, I thought this show would be out of this world, literally. But everyone knows that feeling you get when you’ve anticipated something much too much and the actual performance is just not up to the stuff of imagination. That was the feeling I had watching Prince Rama. Still, though, I would recommend Prince Rama recordings any day. They’ve been enlisted by Animal Collective to play the All Tomorrow’s Parties Festival in the UK, so they’ll be big any day now.

-Danielle J hosts Runny Noise on Thursday from 10pm-12am

A Canadian ship attempting to bring humanitarian aid to Gaza was seized Monday night by the Greek Coast Guard. The ship, the Tahrir, had at least 30 Canadian activists on board.

The Tahrir was part of a flotilla of aid intended to penetrate the Gaza sea blockade and bring help to people in Gaza. Last week Greece banned all boats in the flotilla from leaving port, fearing that an incident similar to last year when a different aid mission ended in tragedy after nine Turkish activists were killed by Israeli forces, could happen again.

15 minutes after leaving the port, the ship was boarded by two armed Coast Guard officers said an activist on the ship. He also said the officers drew their weapons as they seized control of the ship.

The Canadian government has criticized the flotilla but the activists aboard still hope they will receive support against what they say is an unlawful act by the Greek government.

The Gaza Strip sea blockade has been in place since 2007. The Israel government says it is to stop weapons reaching Hamas.

For a group that’s been in the business for years, NOFX show no sign of slowing down. It’s been almost 30 years after “Fat Mike” Burkett, Eric Melvin and Erik Sandin got together as NOFX in Los Angeles! The group is still touring and putting out albums (their last album, Coaster, was released in 2009). June 21st marked the second of two consecutively packed shows that the veteran punk group gave at the Metropolis - two nights of good old So-Cal punk rock.

NOFX have been one of those groups I’ve enjoyed since high school but haven’t been able to admit to liking  (long story!.  I’ve had the opportunity to see some of those other bands before, but now it was their turn. I got to the Metropolis midway through the second of the two opening bands’ set. They were pretty good, I must add, and I regret not having arrived earlier. One thing was for sure, the crowd was anxious and hyper; I guess alcohol will do that to you. Luckily, it only took the sound crew a few minutes to set the stage and do the regular pre-show check-ups. A funny note: while the preparations on stage were underway, they were playing hip-hop songs, which upset a few people around me quite a bit! They even played, “Welcome to Jamrock’’ by Damian Marley as the intro song for the group! It did quiet the crowd who was chanting the group’s name loudly, but not for long. Once the initial surprise passed they restarted.

When they got onstage as a huge cheer from the crowd greeted them. From the onset, you could see the guys were in a good mood and were not afraid to deliver low-blow jokes at each other. That attitude remained for the rest of the show; no one would get spared - not even the crowd. They also announced that they were not going to play the same songs that they played the previous night, which made the crowd unhappy. But they didn’t stick to that. They played 23 songs total and Fat Mike even mentioned that, since they had been partying in the city since Sunday, he might not remember all the lyrics to their songs. Hilarious! Music-wise, they delivered 90 minutes of punk rock that turned the floor of the Metropolis into a stormy sea of people pushing and shoving and getting thrown in the air. They did manage to play a balanced set of songs from all of their albums. I would have liked to hear my favourite song but it didn’t happen. Numerous bits highlighted the performance: comedic parts and girls throwing bras on stage, for example. Eric Melvin and Fat Mike actually wore one for most of the show; the latter got his after requesting a black bra, which was thrown to him a few seconds later.

I must say, the guys did not disappoint. Even if it was the second night, they gave the fans their money's worth and more. We even got the chance to see the guys perform a sketch at the end of the encore. A jaw dropping can-can style sketch in which no religion, ethnic background, sexual orientation or opinion were not made fun of, all with a theme of ‘’everyone is racist’’. One of the most amusing and hilarious shows I’ve seen in a while. The little teen inside was very happy.

-Alex Menjivar hosts The Letter B on Saturdays from Midnight-1am

Montreal police have been cleared of any wrongdoing in the 2005 shooting death of Mohammed Anas Bennis. The long-delayed coroner's inquest says that Montreal police officer Yannick Bernier was acting in self defence when he shot and killed Bennis.

According to the report, Bennis attacked Bernier with a knife, wrestling him to the ground. Witnesses say they heard him scream that he had been struck. When he got up again he pulled out his gun. Bernier said Bennis refused multiple requests to drop his knife. When he allegedly lunged at him, the officer fired two shots. 

However, Bennis' lawyer says there are still many unanswered questions. He says the knife was never checked for fingerprints or DNA. In response, the coroner says there was never any doubt the knife was his.