
An innocent passerby has died from his injuries after being hit by a stray bullet fired by Montreal police. The incident happened early Tuesday morning in the downtown core, near the corner of St-Denis and Ste-Catherine.
Police were firing on a 40-year old man who was seen wielding a knife and overturning garbage cans. The 40-year old was gunned down after a foot chase, a block away from the initial incident.
The innocent passerby was on his work at the St-Luc Hospital when he got caught in the fire.
Both men were rushed to hospital where the 40-year old Mario Hamel was pronounced dead. He was a resident of a downtown homeless shelter.
The second man, whose name has not been released, died in hospital later Tuesday.
Four police officers were also taken to hospital to be treated for shock.
The Sûreté du Quebec is now investigating the case, but the affected area has since been reopened to traffic.
Wednesday marked the beginning of Mutek – five days of digital creativity and electronic music. An impressive line-up of artist awaited festival goers over the course of the festival: Amon Tobin, Modeselektor, Plastikman, Gold Panda and James Holden (among others). There was no lack of choice or things to do on the first day, from free shows with artists playing inside Berri-UQAM Metro, or in Place de la Paix on Saint-Laurent, to the big indoor events like A/Visions at the Salle Pierre Mercure and the main event, the world premiere of Amon Tobin's new show at the Metropolis during Nocturne 1. They might as well have called it the Amon Tobin day, because it was on everybody’s lips. It was probably the most anticipated show of Mutek. Actually, there were a few highly anticipated shows at this year’s edition, but I will get back to them in future articles.
Nocturne 1
I was not able to cover other events that day but I absolutely did not want to miss this one after seeing what I saw at the sound check. I arrived early so I would be able to catch a good spot at Metropolis, which turned out to be barely filled with people - a bit too early, I guess. First up was Badawi, a veteran of the New York underground bass scene, whose real name is Raz Mesinai. Badawi is his latest experimental project. He delivered a decent set that took some time for the bass to drop - ten minutes to be honest, but who is counting anyways? It was filled with drum machines, looping sound effects, and heavy bass lines; it was minimal at times, but the pace quickened midway through his set. He played for 45 minutes before giving way to Gold Panda.
Gold Panda
There were a few artist I was looking forward to seeing perform at Mutek most; Gold Panda was one of them. The London based producer’s 2010 debut album, Lucky Shiner, has garnered critical acclaim throughout the electronic music scene and has been in regular rotation on my iPod and on our show, The Letter B. He manages to seamlessly mix different styles and textures into his work in a way that creates a very upbeat, organic sound where everything just seem to fit together. The proof is the fact that it only took 5 seconds of his first track for people to start dancing. It was almost instantaneous!
Amon Tobin during his Sound check (mnjivr)
Then it was time for the main event! I’ve been a fan of Amon Tobin for a long time. I’ve always like his style and how he makes ordinary sounds into tracks. The Brazilian born producer has always come up with different ways of reinventing himself. For Mutek, he pushed the boundaries with his latest creation: an audio-visual 3-D experience that takes the audience into the mind and imagination of a genius. Tobin places himself in a multi-dimensional 3-D art work on which pre-rendered elements are projected on to the structure which is all narrated by his latest album, ISAM. I had been to a preview of it earlier that day but it was nothing compared to what it was on stage. It was as if during one song you could have been on a giant spaceship with engines and machines working and the next song you were floating amongst the stars or in a city filled with lights and sound. All the while, Tobin has in his cube placed in the middle of the 25’x 14’ x 8’ shapeshiftting installation that resembled Habitat 67. It was a site to behold; the ambience, the lights and the music really fit perfeclty together.
I can honestly say that I have never seen something as jaw dropping as this performance. It was an audio-visual overload; at times you could easily loose track of what was being shown because of the sheer speed and detail that every scene had. After seeing Badawi and Gold Panda - who were brilliant - as well, I can say that I can die in peace! Well no... because there’s so much more ahead, but it was that amazing! The real work of a creative genius.
More pictures at: http://www.flickr.com/photos/alejandro_projects/sets/72157626906218806/
-Alex Menjivar hosts The Letter B on Saturdays from Midnight-1am
Syria blocked many pro-Palestinian protesters from reaching the border it shares with Israel Monday in an attempt to avoid the deadly encounter with Israeli forces protesters found last time.
Syrian police set up checkpoints including a one kilometer long one near Israeli held Golan Heights. Over 20 protesters were seen waving flags and walking before being stopped by police. On Sunday protesters passed similar checkpoints as well as UN ones without trouble.
While Syrian officials maintain the move was to prevent injury, the Israeli government has accused them of planning the protests to avert attention from their own internal crackdown. Since March Syria has been experiencing numerous uprisings aimed at unseating President Bashar Assad.
Organizers say that over 1,200 have died in military encounters since the demonstrations begun.
Israel fears these demonstrations mean Palestinians will not be happy with a deal agreeing to 1967 borders. Israel defense minister Ehud Barak suggested the Syrian government harbors known terrorist groups like Hezbollah.
Yagal Palmor, Israel’s foreign ministry spokesperson said Israel will file a formal complaint to the UN.
Peru has elected a new president. Olianta Humala defeated Keiko Fujimori in a run-off election Monday.
Humala has been compared with Hugo Chavez of Venezuela for his dedication to defeating poverty and combating inequality. But he says he has no plans to nationalize industries like Chavez did. A move that scared American investors away from the oil rich nation.
There are signs that investors in Peru fear the same fate. The Peruvian stock exchange fell over 10% as soon as the results came in. Humala officially takes over from outgoing president Alan Garcia on July 28th.
News read and produced by Erica Fisher.
Stories written by Sofia Gay, Erica Fisher, Chris Hanna and Jacqueline Di Bartolomeo.

Starting Monday, transit goers will no longer have access to Villa Maria metro station. It will be undergoing repairs and renovations for at least the next three months.
A special shuttle bus will be available to take people to Cote St. Catherine or Snowdon metro stations. During peak hours the shuttle will leave every two to three hours.
The repairs are expected cost $1.9 million.
Photo by Nika Vee.
Canada Post workers in Montreal went on strike late Sunday night. Their reasons for walking off include workplace safety, wages for new employees, and sick leave.
Postal workers in Winnipeg and Hamilton also went on strike last week.
The strike is set to last until 11:30pm Monday night. No mail will be delivered across Montreal while the workers are off the job.
Finance Minister Jim Flaherty will table Canada’s budget to the House of Commons Monday afternoon. It will be an almost identical budget to the one tabled on March 22. The Conservatives hold a majority of the seats in Parliament and the budget is likely to pass without any trouble.
Flaherty said a few tweaks have been made to March’s budget. Political parties’ direct public subsidies will be phased out over a three-year period. Parties in the past would get two dollars annually for every vote they received in the previous general election. This cost the federal treasury $27 million every year.
Quebec might also be looking at a payday if an agreement can be reached with the federal government by Sept. 15. Flaherty has set aside $2.2 billion for Quebec for harmonizing its provincial and federal sales taxes.
In March, Flaherty called the budget a “low tax plan for jobs and growth”. The Conservatives have promised to eliminate Canada’s deficit by 2015-2016. They even said they would be able to do it by 2014-2015 during the last election campaign.
Around 25,000 people showed up with bikes at the ready on Sunday for Tour de l'Île, so many that some riders had to wait an hour just to get started. 2,600 volunteers also staffed the 52 kilometre route for the the 27th annual event.
Cyclists kicked off their trip on Parc Avenue at 9:15 Sunday morning. They were enthusiastic about the ride, which had them travel through and around the city.
However, the subsequent road closings until 4:30 p.m, were as usual a headache for motorists. Drivers had to deal with related road closings all weekend, as the Tour de Nuit happened on Friday as of 7 p.m. The evening ride is shorter at about 20 kilometres in length.
Photo by Betty Esperanza

Brett Dennen took the stage in front of a packed house at the gorgeous and historic National Theatre. While I disapprove of his music generally, the songsmith has an undeniable charisma, and set against the smoky, softly lit backdrop of the National’s stage his 6’5” frame is impossible to ignore. His entrance was marked by screams from the crowd, many of whom had obviously come just to hear him play.
On the back end of their North American tour, Dennen and his band were in top form. The hour-long set was well rehearsed and crisply executed, and the crowd responded, singing and clapping along the whole time, but lighting up especially for the early single "Ain’t No Reason" (2006) and his most recent hit "Sydney (I’ll Come Runnin)" (2011).
Dennen himself sounded great; his voice ranged from a raspy moan to a soulful, lucid falsetto. For me, Dennen’s flexibility of vocal expression is the thread that both connects and gives life to his music. It is everything that his songwriting is generally not: textured, expressive, and meaningful.
Some people filtered out before Milow (Jonathan Vandenbroeck) and his band set up their instruments, but a decent crowd remained to hear them out. Vandenbroeck introduced himself, and spoke throughout his set in halting, garbled French. Combined with the beaming grin permanently affixed to his face and his boyish movements on stage, this gave his performance a naïveté that almost excused his moronic lyricism, and simplistic musical choices.
Milow saved his adult contemporary version of Timberlake/land’s "Ayo Technology" for last. The crowd responded powerfully, and Vanderbroeck milked it, instigating claps and sing-alongs, jumping up and down, and eventually descending into the crowd to chant the chorus to "99 Problems."
Milow’s encore began unplugged, with just him and his guitarist, Tom Vanstiphout, playing and singing into one microphone stand. The noise of the crowd moving and chatting at first drowned out the much quieter sound from the stage. The shushing that ensued drained all the energy out of the building, making the first song uncomfortable for everyone, especially Milow.
I should warn readers that neither Dennen nor Milow belong in the category of music that I usually listen to. Nevertheless, the show was a good time. Dennen’s set in particular surprised me, and I’m sure that if I liked Milow’s music I would have had nothing to complain about. The National Theatre itself deserves attention for its incredible sound and ambiance. If someone you listen to is playing there, go see them, full stop.
-Thomas McManus