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CJLO Raffle-O-Rama!!

CJLO is thrilled to have raised over $3800, of which over $1700 will be donated tothe NDG Food Depot! Thank you to everyone who bought and sold tickets! And of course a special thanks to all of our sponsors, Club Lambi, and everyone who donated prizes! See a full list of winners here!

 

Badfish @ Club Soda

As a Sublime tribute band, Rhode Island-based Badfish takes on the tricky task of satisfying diehard fans of the legendary 90's group from California and its late, great lead singer, Bradley Nowell.

I went to the show with one such hardcore aficionado. Our verdict was mixed. The set list was on point. Badfish relentlessly churned out crowd favourites like "Santaria," "Caress Me Down" and "Jailhouse," as audience members grooved, thrashed, sweated and smiled in approval.

The band had certainly done its homework. Their musicianship was tight and the songs sounded much like the originals. However the band lacked that prickly, edgy darkness that was characteristic of Sublime. Everything about them was a little bit softer – from their college-boy appearances to their apparently waning enthusiasm. It also often seemed that the songs lost intensity, as though the musicians, who’ve been covering Sublime since 2001, were ready to wrap the tunes up about halfway through.

You still have to hand it to lead singer and guitarist Pat Downes, who has some pretty big shoes to fill. His vocals bear a striking resemblance to Nowell’s (at least, from what you could hear through the muddy sound mix at Club Soda), and he wailed on his guitar with feeling.

But where Downes and the band shined the most was during their opening set. Under the name Scotty Don’t, the group showed that they write some pretty rocking material of their own, putting out punky ska tunes that sound a lot like...well...Sublime. While the band probably wouldn’t draw nearly as big a crowd performing as Scotty Don’t, sometimes it might be best just to be yourself.

Anthony "Stabilo" Stabile

Anthony "Stabilo" Stabile has been a cohost on The Main Event since January 2010. Within that year he has worked hard to make a name for himself in a somewhat small Montreal wrestling market. He joined the wrestling focused talk show because of his love for the sport and admiration for the hard work put in by long time hosts Ryan Rider and Steve Rockamaniac.

The Main Event "deals with the real stuff behind a brutal sport." says Tony, and he feels that the success of the show has everything to do with the on air team's chemistry and the fans whole love the sport and support their show. In a market where very little attention is paid to the popular sport, The Main Event continues to build on its already large following, and Tony is another piece to an already succesful program.

January 13. 2011

News read by Erica Fisher and produced by Melissa Mulligan.

Stories written by Erica Fisher, Alina Gotcherian and AJ Cordeiro.

CJLO Chart - Top 100 of 2010

January 12, 2011

Read by Sarah Deshaies

Produced by Nikita Smith

Stories by Erica Fisher, Michael Moore, Sofia Gay

January 11 2011

News read by AJ Cordeiro and produced by Erica Fisher.

Stories written by Dominique Daoust, Erica Fisher, Sofia Gay and Aisha Samu.

January 10th 2011

Read and produced Gareth Sloan

Stories by Erica Fisher, Corentine Rivoire, and Chris Hanna

The Consortium’s Electroyale Dynasty Comes to a Close this Thursday

The Consortium will breathe its last hour of radio from 10-11 pm on Thursday, January 13, 2011. The Electronica/RPM show originally aired on CJLO 1690AM’s airwaves on St. Patrick’s Day, 2009 and was comprised of hosts DJ Ernest Lakelandèr and of DJ Beauregard von Teesdale. From its early days, The Consortium prided itself on playing new content and promoting obscure and hybrid genres, such as: electroswing, turbofolk, psychedelic electric, and much more. Artists including Parov Stelar, Gonjasufi, High Contrast, Crystal Castles, Shantel, among many others, found frequent air time on the show, which described its objective as “serenading beautiful Montreal with stellar stylings.”

Beauregard and Ernest were always about pleasing the RPM fans with not just music but witty banter, absurd and deadpan humour and lots of musical album information. The hosts’ awareness of their audience had a huge impact on the show’s format and running gags. Both Lakelandèr and von Teesdale, for instance, consistently referred to their listenership as “Beautiful Montreal,” and as such, dedicated every episode to their fans in the form of  street “shout outs.” Basically, this consisted of salutes to street corners that were symbolically significant to the hosts in the city of Montreal. In many ways, The Consortium was a celebration of Montreal, its culture, traditions, and ways, as experienced through myriad forms of electro music.

The Consortium also held a bit of an ironman hot streak at one point by running 90 weeks without interruption.  That’s right, 90 weeks without missing a beat. Yet perhaps the early departure and out-of-town move of Ernest Lakelandèr in October, 2010, for career related reasons, signalled the show’s eventual coming to a halt.

From October, 2010, to January, 2011, The Consortium’s responsibilities rested on the shoulders of Beauregard von Teesdale who continued to provide listeners with the latest RPM-materials.  The Consortium then aired two reunion episodes in late 2010, which featured Ernest and Beauregard together on the weeks of Christmas and New Year’s Eve. Both were extremely festive episodes. Yet due to another out-of-town career related move, this time on the part of Beauregard von Teesdale, the show is no longer feasible and therefore will come to an end.

Both Ernest Lakelandèr and Beauregard von Teesdale would like to thank the CJLO community for making their experience at the station so wonderful. Special thanks go to: Adrian Warner, RPM Director, for connecting the show to new materials from RPM labels that The Consortium had been unfamiliar with. Brian Joseph, Program Director, for helping get the show on the air and being there from day one. And finally, Katie Seline, Station Manager, who brought in a new culture to the station, which has made The Consortium proud to be a part of the 1690AM family’s recent success both in Montreal and throughout the college radio scene.
 
Last, but never least, the show would like to thank Beautiful Montreal and Beautiful World “for permitting The Consortium’s tympanic indulgences”—as the notable, closing catch phrase goes.  You have made our achievements worth every ounce of energy and for this reason our show was able to thrive from its beginnings. Please continue to listen to our podcast at http://theconsortium.podomatic.com where we will select an assortment of past episodes for you to re-sample and don’t forget to tune in to CJLO, always! The Consortium’s last episode, number 96, will air this week, Thursday at 10pm only on 1690am or CJLO.com.

Video Game Review - Amnesia: The Dark Descent

Amnesia: The Dark Descent is one of the most terrifying games I’ve ever played. Amnesia’s a well put together puzzle adventure game designed solely for making your heart race.

As the player, your character is Daniel, a young man from London who awakes in the castle remembering nothing but his name. He finds a letter from himself warning that he is being chased by a “living nightmare,” and that he must kill Alexander, the baron of the castle.

Audio and visuals are subtle yet distorted to give you a sense of dread. During game play, it is a while before you even see your first monster, but before that you’ll be looking over your shoulder every second.

What compounds this fear is the lack of weaponry. If you encounter an enemy, your only options are to run or to hide. Hiding is made harder by the fact that Daniel is afraid of dark, and will slowly lose his sanity the longer the player hides in the shadows. This causes the player to have to decide between being safe and being sane.

Unlike most games, actions are not conducted by simple mouse clicks. Holding the mouse causes Daniel to grasp an object, such as a door, and mouse strokes are required to actually open the door. This feels surprisingly realistic; and coupled with the first person perspective the player is truly drawn into this freighting experience.

Amnesia is not for the weak of heart or for those with incredibly wild or vivid imaginations. However if you think you’re brave enough to try it, the game is only a meagre 20$.

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