When looking at the budget fights the Americans are currently embroiled in, it's important to ignore the spin from both sides and remember what it is they actually spend their money on. If ever there was a case to be made that the Military Industrial Complex has taken over and has far too much influence on American policy both foreign and domestic, it's contained in the numbers below which were put together by the non-partisan National Priorities Project. As you can see, when it comes to Discretionary Spending there's 5% for health, 4% for education, 6% for environment, energy and science and other piddling percentages for things that should be considered important but as you can see the bulk of it is on military expendidtures.
A stunning 58% of the US budgeted discretionary spending goes to fuel the military at a time when 59 million Americans have no health insurance, 132 million are without any dental insurance, their social programs are being cut to the bone and there's even talk of ending social security as they know it.
The icing on this cake is for all the talk there is from the Republicans about cutting programs and reducing spending, none of them wants to sit on the Appropriations Committee which controls all discretionary spending because none of them has the nerve to actually cut the popular programs they're always calling for an end to because it would likely cost them their seat in the next election.
UPDATED: It has been pointed out to me that this post may be misleading and so I want to clear it up. Discretionary spending was $1.39 trillion, or 38% of total spending of the US budget in FY 2010. It is that part of the U.S. Federal Budget that is negotiated between the President and Congress each year as part of the budget process. It includes everything that is not in the mandatory budget, which are programs required by law to provide certain benefits, such as Social Security and Medicare.
This does not include many military-related items that are outside of the Defense Department budget, such as nuclear weapons research, maintenance, cleanup, and production, which is in the Department of Energy budget, Veterans Affairs, the Treasury Department's payments in pensions to military retirees and widows and their families, interest on debt incurred in past wars, or State Department financing of foreign arms sales and militarily-related development assistance. Neither does it include defense spending that is not military in nature, such as the Department of Homeland Security, counter-terrorism spending by the FBI, and intelligence-gathering spending by NASA.
The upshot of all this is that our American cousins devote an enormous amount of money on weaponry when they already have the capability of completely destroying the world and several other worlds too if they could reach them (the earth can only be destroyed once!). It's never enough however, because as I write there are Americans in Congress getting ready to scuttle Obama's New START nuclear arms reduction treaty with Russia without which the U.S. will be unable to monitor Russia’s nuclear arsenal as it has since the end of the Cold War, potentially creating significant nuclear instability. One of the reasons for doing this according to Senator Lindsey Graham is, ...we need to modernize our nuclear force, the weapons left, to make sure they continue to be a deterrent and make sure we can deploy missile defense systems apart from START. So you got two stumbling blocks, the modernization program and how missile defense works apart from the treaty.
So, keeping in mind that poverty levels in the US continue on an upwards trend and this spending takes place in the shadow of children without food, schools, heat and people without jobs you can see what an enormous waste and lost opportunity this wanton military spending represents. Also keep in mind that the poverty level is defined as being at approximately $22,000 for a family of four which is a very low threshold.
Below is a chart comparing what the US spends on their military budget as compared with what the rest of the world spends. For a more complete picture you can go have a look over to GlobalIssues.org.

CJLO is presenting the screening of Cool It, the new documentary film 7:00 pm Thursday Nov. 25th at the AMC Forum. If you're interested in seeing this movie, send an e-mail to promo@cjlo.com with "Cool It" as the subject, along with your first and last names. Entry is decided upon a first-come, first-served basis so act fast!
Click here to watch the trailer!
Read by Sarah Deshaies
Joel Balsam Reporting
Produced by Nikita Smith
Stories by Erica Fisher, Sarah Deshaies, Joel Balsam
Missed Phantastiq Cypha live from Zurich, Switzerland at the International Radio Festival? Not to fear, we have that part of the broadcast now available to listen to here!

It hadn’t been that long since the Dandy Warhols came to visit us here in Montreal, but judging by the size of the crowd at le National the other night, their fans seem to never get enough of this West Coast band.
Entering the charming National theatre, you immediately felt a surreal emotion looking at the stage. This was due in part to the giant Chinese round paper lanterns that hovered above the stage and little did we know at this early time, how they would compliment the band in fantastical fashion.
When the band hit the stage they were in a mysterious shadowed display, leading to a feeling of, "what were we going to hear?" Yet, we had a pretty good idea of what that would be, due to the fact that they were here to promote their new compilation album The Collection Years 1997-2007.
They remained shadowed out, until the chorus of the first song, "Be In", a quite fitting tune to get the show going due to the fact that it is from the 1997 album The Dandy Warhols Come Down.
The light show that ensued was impressive. The lights during "Be In" flashed like crazy and we were even taken back in time to the '80s when strobe lights went wild. Something that is quite impressive is that the whole band plays upstage. Even drummer “Fathead” De Boer was in plain sight at the front of the stage.
At the lead in to the third song, "Shakin’", off their Thirteen Tales from Urban Bohemia album from 2000, singer/guitarist Courtney Taylor-Taylor tried his hand at French and I must say, I was thoroughly impressed with his accent. Sounded like he has spent some time with les Français and the crowd ate it up.
However it was the next song that sent the audience into a right tizzy… it was "Not If You Were The Last Junkie On Earth". Everyone got into the groove, as the big Chinese laterns went bright red.
The band was in fine form, sounding just as they did back in the '90s and although they may be older, they still seem like they can party. Zia McCabe often took a time out from the tambourine to take a swig of beer.
Speaking of Ms McCabe, as Taylor-Taylor would call her, she delighted us with her talents as a musician. Midway through the show she even took on the harmonica when they played "The New Country" and ooo wee, can she play like the best of them. This song has always got me, as it is so different from everything else they do… however they manage to make your conform to country by creating that toe taping effect. It wasn’t until the very end that we finally got to hear their most famous tune "Bohemian Like You", from Thirteen Tales from Urban Bohemia and they made you feel like it could just go on forever. Everyone jumped up and down and sang every word.
The last song of the night was "Country Leaver" and that it was, leaver that is. They did not play an encore, but still sang 22 songs throughout the show, with no breaks. That is what I call rock and roll stamina and lovers of the craft!
Read and produced by Gareth Sloan
Stories by Chris Hanna, Sarah Fangarry, Michael Lemieux and Marcin Wisniewski
Read by Sarah Deshaies
Produced by Nikita Smith
Stories by Gareth Sloan, Erica Fisher, Sarah Deshaies

For November's edition of the hoROCKscope, we suggest you listen to Morrisey's “November Spawned a Monster” to fully substantiate this month's tweet-worthy predictions!
All signs:
The Sun transitions into Scorpio this month, taking emotions to the deepest level. Prepare for its full transformative energy! Power up!
Aries (Mar. 21 – Apr. 20)
Thoughts of travel occupy your mind. Don't let personal problems conflict with work. Luck will happen on a wednesday. Trust your intuition.
Taurus (Apr. 21 – May 21)
Home life will frustrate you this month. Doing things independently will benefit you. Take time to deal with finances. Friday will be lucky.
Gemini (May 22 – Jun. 21)
Avoid serious topics wih family to avoid a sticky situation this month. Don't let personal conflict impede goals. Luck falls on a Sunday.
Cancer (Jun. 22 – Jul. 22)
Savour small things this month. Travel is not wise for your wallet just now. Make plans for future goals. Luck arrives on a Tuesday.
Leo (Jul. 23 – Aug. 22)
Social interaction is ideal for you this month.Take time to contact old friends. Settle any debts to settle your home life. Sunday is lucky.
Virgo (Aug. 23 – Sep. 23)
You will come up with plans to solve inefficiencies around work this month. Travel is ideal, but beware of added costs. Sunday brings luck.
Libra (Sep. 24 – Oct. 23)
Try to cut or curb bad habits this month, you will feel better about yourself. Get out and meet new people. Luck is yours on a Saturday.
Scorpio (Oct. 24 – Nov. 22)
Happy birthday! Be careful with money and joint endeavours this month. Don't push opinions on to closed ears. A Wednesday will bring luck!
Sagittarius (Nov. 23 – Dec. 21)
Don't try to impress others with big spending this month. Romance may flourish from group activity. A Monday will bring luck this month.
Capricorn (Dec. 22 – Jan. 20)
Tempers will rise if you are too hasty with choices this month. Romantic opportunity presents itself through travel. A Monday will be lucky.
Aquarius (Jan. 21 – Feb. 19)
Ask true friends to help with your ideas this month. Travel could bring romance. Don't react to pushy people. A Wednesday will be lucky.
Pisces (Feb. 20 – Mar. 20)
Unexpected expenses may crop up, take heed to their seriousness, be firm. Learn new skills to help get ahead. Luck will fall on a Wednesday.
-Trixie Sixx

Yes, that's right! The Far*East Movement, with their Billboard number one single and all, gave CJLO the V.I.P. treatment and accepted to speak to not one but two of us!
1- Beginning at 8 p.m., with SUITE DELIGHT, you can hear DJ Solespin's interview with FM's Prohgress.
2- Then at 10 p.m., Mike Vo hosts BEATS FROM THE EAST, featuring an exclusive interview with Kev Nish!
This is gonna be bonkers!!!
So, as usual, be there for 4 hours of Saturday Night Mayhem on CJLO!

Fame and artistic talent are tricky things to manage. Consider the case of Gord Downie, who has both. He's the lead singer of the Tragically Hip. Maybe you've heard of them. Or maybe you're not from Canada. Gord, however, is no simple Canadian semi-alt-rock megastar. He's also a poet.
I don't just mean in the lyrical sense, though his lyrics are perhaps more poetic than your average semi-alt-rock band's leader. He's also published a volume of his poems, Coke Machine Glow (Vintage Canada, 2001), which was packaged with his similarly-named debut solo album. He's very fond of exploring things with a certain wistful, nostalgic Canadiana to them. He also likes puns like "In Violet Light" and "The Night Is for Getting" and stuff.

Well, apparently, he also yearns for small shows again. The Hip now draw pretty sizable audiences no matter where in Canada they play. Which is well and good, but our Gord-o needs more—in this case, more in the guise of less, which is to say, Le National Saturday night was somewhat sparsely attended, and it's hardly surprising for a band called Gord Downie and The Country of Miracles and not The Tragically Hip.
The show was a strange mix of things both Tragically Hip, and not. As with Hip shows, there was no opening band. As with Hip shows, there were two full sets, plus an encore. As with Hip shows, there was an active, participatory crowd, and Gord was full value for strange musings and absurd song introductions.

The only problem there was that there were maybe 200 people in the room instead of a couple thousand, and as a result, one or two drunken assholes who wouldn't shut up managed to get everyone a little on edge. Of particular note was one guy who kept—and I mean kept, he must have pulled this shit at least a dozen times—shouting at Gord, asking him where "Scotty" was. The guy was pretty big and inebriated, so I understand why no one really took him down a peg, but it was sad to see a sweet concert semi-ruined by a single motivated asshole.
That being said, though, it was a sweet concert. Downie, though eschewing anything from his Hip repertoire, played a good selection of songs from both Coke Machine Glow and his new album, the raison d'etre of the tour, The Grand Bounce, and the crowd seemed to roar with approval at each new song it recognized, particularly if he drew out the pleasure slowly, as with the "Who here's been divorced? ... Have you ever been to Vancouver?" bit that introduced "Vancouver Divorce."

At the end of the day, Gord's still got it. The genius art installation that provided the show's visuals, comprised of a projector, a glass pan full of liquids and cut out paper shapes that he carefully placed together to form landscape scenes was honestly the coolest thing I've ever seen at a concert; a sort of visual inventiveness that made the whole evening something to remember, and the tunes, though not quite as viscerally new, were nothing to scoff at either. That being said, I can't wait until the Hip roll through town...
-Alexander Manley