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Metal My Movie - Force Majeure

When it comes to the country of Sweden and Metal music, most people often associate it with the subgenre of death metal. So why have I come to review this family drama about a ski trip in the French Alps? Is there anything metal about this film, other than the fact that Kristofer Hivju from HBO’s Game of Thrones co-stars? Maybe if we looked further at the sound design of the film and its central premise, there can be some metal aesthetics to be found.

Like many other genres of music, metal songs often deal with the issue of trauma as a central thematic element. Director Ruben Östlund uses a natural occurrence of trauma to set the plot of his film in motion. During lunch on a family ski trip, there is a loud boom as an avalanche gun goes off, preventing future deadly snow slides. This, however, causes a small avalanche to start rolling in as the guests and the family are frozen in shock, with most saying it is just a controlled avalanche, with nothing to worry about. But once it comes in close to the restaurant, panic sets in as everyone scrambles for safety. Thomas, the father of the family (Johannes Bah Kuhnke) runs away only with his cellphone from his wife Ebba (Lisa Loven Kongsli) and their kids. This leaves them to duck under the table.

The tension in the relationship is never far gone after this moment. Thomas claims that he ran to get help, however, Ebba claims he just ran away from the situation. There is another scene where we see the snow up close moving in on the camera before a complete whiteout, bringing back the notion of the film’s central theme. With all that occurred, the family now has to come together to support each other to get through this family vacation. 

Loud booms and metallic sounds create the soundscape to this family drama. Putting aside the soundtrack which included hyper violin strings as the main score to the film or its one techno club beat in another scene, the sound design can be considered as industrial. Firstly, on the slopes you have the avalanche gun that sounds it’s thunderous warning. Secondly, there is Ebba’s day of skiing alone as we hear the metallic clicks of the ski lifts that take you up the hill. However, maybe the most metal scene of the movie comes when Mats (Kristofer Hivju) takes Thomas on a guys ski day. Mats makes Thomas do a form of therapy that involves screaming to let out all the emotions while on top of the hill. This is a recurring element, as Thomas goes into a bar where young men are partying but also screaming as part of having a good time.

With all due respect to the two leads in the recent Hollywood remake of this film, titled Downhill, it fails to make the emotional connections that Force Majeure includes. Dowhill is played as a straight up comedy instead of an exposé into the human emotion and how it relates to trauma. Additionally, Kristofer Hivju’s character is used effectively in the original film, rather than the limited cameo he receives in the Hollywood remake. The scenes where both the mother and the father have their ski day alone are also better handled with maturity, rather than the straight up mid life crisis plot of Downhill

Next week Cameron Crowe’s Almost Famous celebrates an anniversary review and gets the Metal My Movie treatment. This is probably the last best Crowe film according to popular opinion. If you’ve got any suggestions for a Metal My Movie segment, you can contact me at atmovies@cjlo.com.

 

Information Meeting On Plan To Merge Stations 9 and 11, Canada's $1.1B COVID-19 Response Fund, Harvey Weinstein Sentenced

Ahmad Moujtahed

 

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NDG

Montreal police announced that a public meeting will be held on Monday March 16th to provide the public with information on the plan to merge Station 11 on Somerled in NDG and Station 9 in neighbouring Cote St. Luc.

News on the merger has sparked opposition in both boroughs. NDG borough mayor and Côte-Saint-Luc mayor are calling for public consultations on the issue rather than an information meeting.

The information meeting will be held from 7 p.m. to 8:30 p.m. at the Cultural Center of NDG at 6400 Monkland Ave.

 

COVID-19

Justin Trudeau: “Our government will be creating a billion dollar COVID-19 response fund; which will provide money to the provinces and territories to deal with preparation and mitigation for the virus. I want all Premiers and all Canadians to know our government is here for you. We will make sure you have everything you need”. 

Justin Trudeau’s announcement in Parliament Hill comes after the WHO declared the global spread of COVID-19 a pandemic. 

The $1.1B will be invested in funding for research on the virus and in funding provincial health care system needs, including access to testing, equipment and enhanced surveillance and monitoring. 

The government will also waive the one-week waiting period for employment insurance to assist workers and businesses affected by the virus.

INTERNATIONAL

Hollywood movie producer Harvey Weinstein has been sentenced to 23 years in prison for rape and sexual assault. 

Last month, Weinstein was convicted of sexually assaulting an actress in a New York City hotel room in 2013 and forcibly performing oral sex on a film production assistant in 2006. Both victims appeared in court to give their victim impact statement. 

Weinstein did not apologize, but expressed deep remorse for his actions and maintained that his sexual activities were consensual. Weinstein’s trial energized the #MeToo campaign of speaking up about sexual assault and holding perpetrators accountable. 

 

Dermot Kennedy Gives Montreal His All

Photo Credit: Hot Press

On Monday Mar. 2, fans eager to see Dermot Kennedy lined the hall of Place des Arts, buzzing with excitement to be attending the sold-out show. Dermot Kennedy, an artist on the rise with increasing headline appearances, took the stage at La Salle Wilfrid-Pelletier, which held hundreds of more people than his previous Montreal venue back in October. The Irish singer-songwriter has been touring since the fall of 2019, promoting his debut album Without Fear. 

Upon entering the vast room, fans were greeted by a blue eerie haze as smoke spilled from the stage. The murmur of chit-chat among the audience burst into a roar of applause as a recognizable melody filled the room. Kennedy emerged from the smoke and greeted the crowd with a calming first few lines of his song “An Evening I Will Not Forget”. The young artist delivered a moving show while demonstrating his hunger for his craft; despite countless shows on the road, Kennedy showed no signs of tiring during his performance. Clearly a seasoned performer—as understood through his comfortable stage presence—Kennedy demonstrated humility, gratitude and endless passion for his gift as he took in every moment as it came. He took reflective pauses to listen and understand the praise with which the audience showered him, while taking the time to sing lyrics that rang clear within the hearts of his fans.

With a unique voice with power to fill any room wall to wall, Kennedy captivated the crowd. Throughout the evening, the singer portrayed his emotion and created a connection with fans individually; but no emotion compared to the one that poured out from Kennedy as he performed “The Corner”. The crowd sang along with him and cathartically expressed their hurt and struggles through music.  

Throughout his honest career, Kennedy has managed to build a unique and loyal fan base. At almost every one of his concerts, his fans work together to create an original surprise for him. This was no exception. During the lyrics “you’ve been forcing all these hollow hearts to feel again”, thousands of audience members held up hand-cut hearts against their phone lights. 

Vibrations rang through everyone's chest as nearly 3,000 people sang in unison the closing lines of the show “you won’t go lonely”. Gifted with talent, Kennedy is using his craft to spread a message of hope and to unite people through his music platform. 

Kennedy gave us every part of himself in his performance with personal lyrics touching on life, love and death, all to bring his fans a message of hope. It is as though he gave every inch of his being to the audience from upon that stage; clearly Kennedy bleeds his craft. Despite his growing success of his career that originated in busking on the streets of Dublin, Kennedy makes it clear in his performance that he remains grounded, grateful and humble within his virtues of hard work and confidence of his craft. 

Sunday's Best - 4th Edition of Gala Dynastie

Photo Credit: Akeem Johnson

March 1st marked the 4th edition of Gala Dynastie, an event which honors achievements and efforts from the best and brightest of the Montreal Black Community.This year’s Gala took place at Place Des Arts, a symbol of growth for the event.

The night was more than an award show, it was a celebration of black excellence, something that is often overlooked in this province. From the moment, I stood across from the black carpet and laid eyes on the nominees. I could feel the overall understanding that the gala is about more than handing out awards, it was about celebrating local black culture. The Mayor of Montreal, Valérie Plante, and Bloc Québécois leader, Yves-François Blanchet, were among the attendees.

Whether people choose to bring out their best dress or suit, some decided to wear more traditional garments, everyone brought out their Sunday best. Speaking of Sunday’s best, the comedian Preach, of Aba and Preach, once again played the role of host for the night and did not hesitate to play on the fact that the night was on a Sunday. He tore the house down with his impression of a preacher, yelling out bible clichés and hymns. He continued to be energetic, witty, and insightful throughout the remainder of the show. 

The show started off on a high note, as we were pleasantly surprised by a performance from Corneille, a staple in this city. The Montreal legend sung some of his best hits from back in the day, and threw in some newer cuts in his set.

The night went on smoothly as the winners of each category accepted their awards and each delivered a speech that accentuated the importance of recognition among peers.

For most award winners, this was their first time being recognized for their work by a major award show. This, as they mentioned, was not for their lack of effort, but rather the lack of effort other institutions in Quebec put towards promoting black artists.

Some of the winners were: Djely Tapa for Best World Music, Nicola Ouellet for Best French Radio Personality, and Best Sports Personality went to Chris Boucher who currently plays for the Toronto Raptors.

The night went on to feature a great comedic performance by Dolino, a special tribute to long time promoter Ricky D, and a stand out musical performance from Naya Ali who also took home the award for English music artist of the year.
 
The Gala proved to be an entertaining evening on all fronts, as  the audience remained enthusiastic  throughout the entire show. Preach ended the night on a more serious tone, explaining that the night is not about segregation but about representation and giving people flowers while they can still smell them.

He went on to say that as important as it is to celebrate the current achievements of Blacks in Montreal, it is more important to set up platforms like Gala Dynastie for the next generation.

Akeem Johnson is the co-host of The Kitchen, a show that blends everything from trap music to afrobeat. It plays every Wednesday at 9:00 p.m EST.

Kahnawake Mohawk protestors lifted the rail barricades, Earthquake in Montreal, COVID-19 case in Quebec

Stories by: Luca Caruso-Moro

Reporter: Shanellie Marie


 

INDIGENOUS 

Kahnawake Mohawk protestors lifted the rail barricades on their territory on Thursday.

Spokespeople have said they are doing so to ease tensions between Wet’suwet’en leaders and the federal government.

They also said that the blockades could go back up at any time. 

 

MONTREAL

Montreal had an earthquake Friday morning.

The small 3.3 magnitude quake hit the island at around 3 A.M.

The epicentre was northeast of downtown.

 

COVID-19

A third case of COVID-19 has been confirmed in Quebec.

A woman quarantined herself after learning a friend had tested positive.

That friend was in France, the woman likely contracted the virus during her trip abroad.

She has joined the 100 thousand cases around the world.

And 49 in Canada, mostly in Ontario and BC.

 

General Hospital prepares for COVID-19, Quebec's new dangerous dog law, Quebecers support Indigenous causes

Hadassah Alencar

 

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Special COVID-19 training for General Hospital 

The Jewish General Hospital has been designated as a treatment centre for Coronavirus.

It is one of four Quebec hospitals assigned by the province to handle the outbreak.

The hospital’s new wing called Pavilion opened in 2016. 

It was designed to handle outbreaks such as COVID-19.

Hospital staff in the new wing have received special training.

Quebec's dangerous dog law comes into effect

Dog owners across Quebec are now subject to the province’s new dangerous dog legislation which came into effect on Tuesday..

The legislation is designed to prevent dog attacks and maulings.

Under the new law, veterinarians must report dog bites.

An assessment will follow, to determine if the attacking dog is dangerous. 

If so, the dog may be sterilized, microchipped or in severe cases, euthanized. 

Quebecers support Indigenous causes according to poll

Quebecers continue to  support Indigenous causes even if they don’t like rail blockades. 

That’s according to a new poll from the Canadian Press.

It found that nearly 2 in 3 Quebec respondents felt Indigneous land claims were legitimate.

Wet’suwet’en hereditary chiefs are in talks with the federal government to end the standoff. 

Blockade movements across Canada remain in place.

Metal My Movie - Lost in Translation

Photo Credit: IMDb

For the month of March, I have decided to explore some of the Metal themes in films. Every week, I will be taking a look at another movie and relating it to Metal. 
 
I have decided to highlight one of my favourite romantic comedies, Lost in Translation,  and explore it from a Metal perspective for this first segment. The genre of Metal has always tried to subvert the obvious notions that are established within the genre, by making loud noises or exploring unconventional themes the nature of the songs being different from contemporary themes. Sofia Coppola subverts the genre of the romantic comedy by adding in a contemporary score, and soundtrack, to the film and having a significant age difference between the  lead characters.  
 
Taking a look at the score and soundtrack of the film is  a great introduction to one of the Metal aspects to Lost In Translation. Sure it’s not a metal soundtrack per say, however the score was composed by Kevin Shields, vocalist and guitarist from the band My Bloody Valentine. It has a hard rock aesthetic with the loud electric guitar and drums is similar to the aesthetics of the genre of Metal. To close the film, Coppola treats the audience with The Jesus and Mary Chain hard hitting classic “Just Like Honey”, as Bob (Bill Murray) whispers something to Charlotte (Scarlett Johansson). It’s still a mystery what the secret was because of the fact that the drums the hard electric guitar with the vocals of Jim Ried provide the dialogue of the whisper instead. 
 
With the loud noises of the film established, let's take a look at how it subverts the commonality of the romantic comedy. First off, we can say that the age factor could be a subversion of the genre due to the fact that Bob is much older than Charlotte, who is a twenty something graduate who tags along with her husband (Giovanni Ribisi) on his work trip to Japan. Bob is having what you would describe to be a midlife crisis throughout the film, as he tries to assimilate into the younger culture by wearing an army type shirt and jeans. This is coupled with the fact that he has to adjust to the barrier of being a foreigner in Japan, just as the genre of Metal can seem foreign to those inexperienced with the genre. Bob, at one point in the film, has a one-night stand with the lounge singer (Catherine Lambert) at the hotel he’s staying in, which Charlotte makes reference to as someone who is his age, that he can relate to rather than her. However, there is something that is more than a friendship between Bob and Charlotte that Coppola captures, instead of the status quo romantic comedy ideal of both leads being the same age. 
 
Maybe it’s the raw power of the hard sounding score and soundtrack, or the un-idealistic subversion of the genre, with Bob and Charlotte being more than friends, makes this one of my favourite romantic comedies. You don’t get a hard rock score or soundtrack in this  genre, unless you have that classic “insert the classic rock song a la Tom (you had me at hello) Cruise”. You don’t get to see the emotional climax that Bob, going through a midlife crisis, could have feelings for a younger Charlotte. The climax of the film ending poetically sweet, as Bob whispers something to Charlotte as the hard rock alternative anthem provides the dialogue. Maybe something along the lines of in another lifetime I will find you, gives the romantic in me hope.
 
Next week the winning international film Force Majeure gets a metal takeover in Metal My Movie. Got any suggestions for a Metal My Movie segment then e-mail atmovies@cjlo.com

The Medical Science of Death Metal

As you may already know, a lot of metal bands are obsessed with violent imagery. Look no further than the album covers of bands like Cannibal Corpse and Exhumed for the most gruesome depictions of gore and violence. The subgenre of death metal takes inspiration from horror and slasher films, and its lyrics tend to describe scenarios of murder and torture. However, the music sparked a fascination with what’s inside the human body. This has led to an interest in medical science, with bands singing about biology and pathology, some taking the themes more seriously than others. So how did this happen?

We begin with British death metal pioneers Carcass, when members cut out autopsy photos from medical journals and created a collage of corpses for the cover of their 1988 debut album Reek of Putrefaction. Songs like “Carbonized Eyesockets” and “Pungent Excruciation” went into nauseating detail about all matters of bodily fluids oozing out of multiple orifices. They repeated the process for their second album Symphonies of Sickness, released in 1989. In 1993, Carcass proved that they’re more than a one-note band by venturing into a more melodic style on their album Heartwork, writing songs about existentialism. More recently, Carcass has returned to their themes of pathology with their 2013 album Surgical Steel

The early style of Carcass spawned a number of clone bands. It created a sub-subgenre called goregrind, which used the extreme speed and aggression of grindcore but threw out the political themes and replaced them with lyrics about mutilating the human body either out of malicious intent or for surgical reasons. Many musicians would scour medical journals, looking for the most disgusting of diseases, usually relating to genitals or the rectum. Another stylistic choice was to  sing about forensics and medical malpractice. Bands like France’s Pulmonary Fibrosis and Japan’s Viscera Infest would write various songs about diseases and would use vomit-inducing photos of infections for their album covers; while bands like Sweden’s General Surgery and Spain’s Haemorrhage would take the gimmick further and perform live in blood-stained hospital gowns, surgical scrubs and nurse uniforms. 

The gag hit its peak in 2001 with the formation of The County Medical Examiners, whose members actually all worked at the morgue or were studying medicine. Frontman Matt Widener (also known for being a member of bands like Cretin and Exhumed) briefly went by Dr. Morton Fairbanks as a pseudonym. In an interview with Pitchfork, Widener said he “wanted to take the Carcass clone phenomenon to its extreme conclusion.” Even the cover of the debut album Forensic Fugues and Medicolegal Medleys pays tribute to Carcass’ cover for Reek of Putrefaction. Bassist Dr. Guy Radcliffe was reportedly 60 years old when he joined the band, having no previous interest in death metal. The band has never performed live and band members used aliases so as to avoid compromising their medical careers. Their second album Olidous Operattas has a scratch-n-sniff on the CD face. The liner notes describe the smell as “corpse reek,” taken from a John Doe at the morgue.  

A common argument against heavy metal is that it desensitizes listeners from the sight of death and gore; but that could be used to an advantage. An entire generation of death metal fans have likely flocked to medical schools, unafraid of encountering blood during their studies. So the next time you go in for surgery, don’t be surprised if your surgeon happens to be a metalhead. Hell, they might even put on some Carcass in the operating room.

CJLO DJ SPOTLIGHT

We play the best new tunes from around the world alongside the best up-and-coming local artists, with a wee sprinkling of classic cuts from music's pioneers.
Don't miss our regular live at 5:16 segment where local or touring bands perform a live set for you!!
Check out The Pressure Drop Show on SoundCloud

https://soundcloud.com/thepressuredrop 

Omar Sonics, host of Hooked on Sonics, here! I play anything that has loud, swirly guitars, with lots of feedback, and hooks aplenty & the occasional hip hop or misc tracks tossed in as well. 
Basically a mix of all the sweet new adventurious tunes out these days - every Thursday from 6-8pmET! 

Check out Hooked on Sonics sessions and interviews on SoundCloud
https://soundcloud.com/hookedonsonicsradio

Alliteration Apocalypse: Metal March Begins at CJLO

Another March, and you know what that means... No? Oh, well, it means it's time once again for CJLO's Metal March, a celebration of all things loud. From punk to noise to black metal, we try to highlight it all until during this celebratory period.

This is our fifth year and boy do we have some pretty nifty things for you.

First off, a bunch of your normal CJLO shows will be doing themed episodes for the month, highlighting genres of music you never get to hear. Dark electro on Autobeat? Yeah. Black metal on Transistor Sister? Oh yeah. A team up between Sin After Sin and Superconnected highlighting the almighty Voivod? Oh hell yeah!  And that's just a taste. Make sure you go onto CJLO's Facebook and keep checking to see what our DJs have in store for you.

Of course, we also want you to keep your strength up, so we're having a heavy bake sale happening on March 11th at the G Lounge on Concordia's Loyola campus. We'll have baked treats and the chance for you to pick up some new loud CDs and vinyl at cheap prices, so don't miss out from 11:00AM - 4:30PM. Here's the event page in case you need more info.

"But what free stuff can I get?" you selfishly ask. Well, we have TONS of giveaways happening throughout the month. Books, vinyl records, CDs, shirts, and of course, concert tickets. This year, Evenko and Extensive Enterprise have given us plentiful pairs of concert tickets including:

 

Cult of Luna / Intronaut - March 2 - Corona Theatre

Silent Planet / Currents - March 5 - Theatre Fairmount

We Came As Romans / The Devil Wears Prada - March 11 - Club Soda

Sanction / SeeYouSpaceCowboy - March 15 - Bar Le Ritz PDB

Enter the Tomb 3 Festival featuring Midnight - March 21 - Theatre Fairmount

Fleshg0d Apocalypse / The Agonist - March 24 - Corona Theatre

Possessed / Pestilence - March 25 - Cafe Campus

Deafheaven / Inter Arma - March 28 - Theatre Fairmount

Carnifex / 3teeth - March 31 - Foufounes Electriques

The Acacia Strain / Creeping Death - April 1 - Bar Le Ritz PDB

Devastation on the Nation Tour featuring Rotting Christ / Borknagar / Imperial Triumphant - April 1 - Foufounes Electriques

Animals As Leaders / Veil of Maya - April 6 - Corona Theatre

Abbath and Mayhem - April 7 - Corona Theatre

Killswitch Engage / August Burns Red - April 8 - MTELUS

 

"Eh, but I don't want to leave my house," you say stubbornly, not letting us give you things. Well, not to worry, because we have a way you can stay home and still get new music. Every day, CJLO's social media will be highlighting a different band in what we're calling our "Band Advent Calendar" (or “Band-vent Calendar” for short). For a second year, CJLO will reveal a new band that we're partnering with every day and as a "treat" that band will make a record of theirs free for you to download from their Bandcamp. Of course, while you're there, you could kick them some money for being awesome. Not saying... just saying...

Plus, along with these albums, you can expose yourself to some of the finest metal memes in an "educational" segment we're calling "Know Your Metal memes," pulled together by CJLO's resident Professor o' Memes, Chris the Frog from Sewer Spewer.

Finally, the metal shows will Voltron together on the last Sunday of the month to have a solid block of band performances, ticket giveaways, and general live on-air antics, so make sure to tune in on March 29th from 4:00 - 11:00PM, AKA the longest block of metal on radio in all of Montreal.

So keep that dial locked to CJLO all month long and keep checking back on our social media for all this and more, and in case you want a pro tip on where you can find the most loud shows, consult this fine list:

 

- Grade A Explosives - Sunday 4:00 - 6:00PM

- Burnt Offerings - Sunday 6:00 - 8:00PM

- The Noisy Loft - Sunday 8:00 - 9:00PM

- Sin After Sin - Sunday 9:00 - 10:00PM

- The Iron Club - Sunday 10:00 - 11:00PM

- Sewer Spewer - Monday Noon - 1:00PM

- Turn on the Darkness - Wednesday 1:00 - 2:00PM

- BVST - Wednesday 7:00 - 9:00PM

- Beyond That Graveyard III - Friday 9:00 - Midnight

 

Long live CJLO and all hail Metal March.

 

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