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The Submissives - Do You Really Love Me?

Do You Really Love Me? is the latest release by Montreal's The Submissives, a project led by bedroom producer Deb Edison, who writes and produces these love yearning songs. The album has a DIY sensibility and aesthetic; a Sunday bedroom rock at work. The album strolls through a collection of 15 songs inspired by early rock 'n' roll, elements of surf and garage rock with themes dedicated to relationships, hopeless romantics, and heartbreak, but mostly just heartbreak.

Do You Really Love Me? resides in a pocket that exudes a lethargic attitude, and when contrasted with its subject matter offers us either an interesting take on it or a fascinating subversion of it, or its subjects. Adding to this feeling is the seemingly detuned sounds of the instruments, the slow delivery of the lyrics, the overdubbed vocal tracks that seem very slightly out of phase, and the impression that each song melts into the next. None of the 15 tracks is over three minutes, but the relatively short lengths of the songs do not make the album seem rushed at all. In fact, the pace of the album seems slow and deliberate.

Some album highlights include "Friend Named Betty", which I assume is the same Betty from The Submissives' previous release entitled Betty Told Me. A fun band narrative tied in from one album to another. "This Hum", which plods along. "Dream Life", the shortest track coming in at just over one minute in length, is infectious and reminds me of an intense day dream. The rhythm guitar drives the track forward, while the lead throws down a slide full of sounds.

In all, the album is a saunter through the heart broken, a reminder of the sluggish feeling of longing.

 

--Fredy M. Iuni hosts Hiway 1, Mondays at 7:00 pm on CJLO.

Tomorrow @ 2pm: Main Event Radio chats w/ WWE Universal Champion Kevin Owens

On a special edition of Main Event RadioRyan Rider will go 1-on-1 with the new WWE Universal Champion, Montreal's own Kevin Owens. It all goes down Wednesday at 2pm on CJLO 1690AM!

Main Event Radio has been the leader in combat sports radio since its launch in 2004 with coverage of the world of Combat Sports. Giving you all the latest scoops about Professional Wrestling - WWE, NXT, and TNA.

Tomorrow @ 1pm: Men I Trust on Ashes To Ashes

Tune into Ashes to Ashes tomorrow (September 6th) at 1PM to hear an interview with Quebec City group Men I Trust!  The band, consisting of Dragos Chiriac, Jessy Caron, Odile Marmet-Rochefort, and Emmanuelle Proulx, spoke about being in charge of their own careers, the Quebec City music scene, and shooting their first music videos for singles “Humming Man” and “Lauren.”  Catch Men I Trust in Montreal on Friday, September 23rd as part of the POP Québec event at Cabaret Lion d’Or, including Gabrielle Shonk and Millimetrik (plus special guests).

Ashes to Ashes is your weekly dose of music from the 1980's that has stood the test of time, featuring bits of indie rock, alt-country, electronic, hip-hop, funk, and even a dash of reggae; hosted by Alex, every Tuesday from 1-2 PM!

Pokemon Sun and Moon: A Journey into the Seventh Generation

It's only fair to issue a tsunami warning for the amount of information about to be covered: August flooded fans with a massive amount of updates for Pokémon Sun and Moon. So much so, that it was almost too much to handle. Rather than try and run the last month chronologically, we'll run through it feature by feature, starting with the newly-revealed Pokémon.

  • Komala, the Normal type Koala Pokémon was officially announced.
  • Bounsweet, the Grass type fruit Pokémon.
  • Wimpod, the crustacean Bug/Water type, which I have my fingers crossed, gets a Kabutops-esque evolution.
  • Comfrey, the flower-crown Fairy type. It's a flower crown. It goes along well with the key-ring.
  • Mimikyu, my cosplay child received an official North American release.
  • Mudsdale, the Ground type Clydesdale horse I didn't know I was waiting for.
  • Bewear, the cartoony red panda Normal/Fighting type bear also received an official release.
  • Morelull, the Grass/Fairy type that looks like a studio Ghibli mushroom child.
  • Pyukumuku, the... Water type sea cucumber... that attacks by... punching you... with its insides. Lovely, Game Freak. Just lovely.
  • Wishiwashi, the Water type with two forms. In its solo form, it's just a little unsuspecting fishy, but with its ability Schooling- it transforms into its School form from which even Gyrados flee! According to its Pokedex entry.
  • Oricorio, a dancing bird Pokémon with alternate forms. Baile style is Fire/Flying, Pom-Pom style is Electric/Flying, Pa'u style is Psychic/Flying and Sensu style is Ghost/Flying.
  • Minior, the small Rock/Flying meteor child of Solrock and Lunatone. Its Shields Down ability allows it to be invulnerable to status conditions and have a higher defence as long as its HP is above half. Below fifty percent of its HP however, its shield breaks and it becomes faster and better at attacking. It also comes in four different colours.
  • Gumshoos, the Normal type evolution of Yungoos and further evidence that the Pokémon team may be poking fun at Donald Trump.
  • Fimantis, the Grass type pre-evolution of Lurantis. At first, I expected Lurantis to be Grass/Bug due to its praying mantis styling, but it's actually pure Grass. And I'm okay with that.
  • Mudbray, the pre-evolution of Mudsdale. Also the first donkey Pokémon.
  • Turtonator, the Fire/Dragon turtle. Its face. I can't. It looks like a Florida soft shelled turtle and it's constantly looking over its shoulder at you.
  • Crabrawler, the fighting type mantis shrimp. Why it's not half Water I'm not quite sure.
  • Sandygast, the living sandcastle and its evolution Palossand are Ground/Ghost.
  • And finally, Stufful, Bewears pre-evolution. My favourite thing about Stufful is it's attack animation and the fact it has a tag on its butt. Like an actual stuffed animal.

Among the reveals for the new generation, players were introduced to a new twist on some old favourites. In the region of Alola, certain first gen Pokémon develop new forms.

  • Alolan Raichu becomes an Electric/Psychic type, and gains the ability Surge Surfer which means its Speed will double on Electric terrain.
  • Alolan Meowth becomes a Dark type, with its Pokedex entry stating that it's form changed due to the pampering it received after being gifted to the royal family, making it selfish and prideful.
  • Alolan Marowak, who is my top pick out of the new forms, becomes a Fire/Ghost type and is an excellent nod to Hawaiian fire dancers.
  • Alolan Exeggutor becomes a giraffe. I'm not kidding. It's typing changes to Grass/Dragon of all things and it literally looks like a tall palm tree with legs. This may be a throwback to Exeggutors old Pokedex entry in Gen three, which read "Exeggutor originally came from the tropics. Its heads steadily grow larger from exposure to strong sunlight. It is said that when the heads fall off, they group together to form Exeggcute."
  • Alolan Vulpix and Ninetales are a close second favourite in new forms. Both become Ice types with Ninetales becoming Ice/Fairy and my goodness are they majestic.
  • Alolan Sandshrew and Sandslash also become Ice types with the addition of Steel. I'm not so much a fan of Sandshrew's design but Sandslash is definitely a keeper.

Now, that may seem like a lot to dish out and try to absorb in four weeks, especially considering that there are still two and a half months left until the games release, but there was more. So much more.

Hyper training was very briefly thrown in during one of the video updates. On the official website, it's explained as being able to increase a Pokémon's "individual strengths" after they've reached level 100. Players can do so by bringing Bottle Caps that they find to Mr. Hyper who is located "somewhere in the Alola region." There have been arguments on various YouTube channels since mid to end July as to whether or not Hyper Training is beneficial at all, and I personally doubt I'll ever get around to experimenting with it. I'm one of those players that usually drops the game once I've beaten all the gyms and caught as many Pokémon as I can, and by that time, my team is around level 85 or so.

The new villain team was announced and I couldn't be more excited to introduce Team Skull. Team Skull are Alola's no-do-gooders, stealing Pokémon and causing all kinds of headaches. They're lead by Guzma, who apparently failed at becoming an island captain and turned to a life of crime. He's followed by the team Admin, Plumeria, and their Grunts. If you have the chance, I highly recommend looking up the Team Skull battle theme. Some YouTubers have been able to isolate the theme music from the battle sound effects and it is pretty amazing.

In my last article I wrote about how it looked like players would be able to ride their Pokémon on land and through water. I was almost right. Players will be able to call on specialized Pokémon to get through certain areas much like Pokémon Ranger.

I also questioned the true purpose of the bracelet and the symbols that appeared correlating to a Pokémons typing. Turns out it's a new feature called Z-Moves. Much like Mega Evolution, a Z-Move can be used once per battle and the Pokémon the player is using must be holding a Z-Crystal that is the same type as the one on the players bracelet and know a move that is the same type as the crystals. According to Pokémon, Tomy International will be releasing a real Z-Ring bracelet for players to wear. When players use their Z-Crystals in the game, their actual bracelet will light-up, vibrate and play sounds. Now if it could help me track Pokémon in Pokémon GO, I'd be sold.

Now, Pokémon Sun and Moon seem to be moving away from the traditional path of Gym battles leading up to the Elite four challenge to become the Champion. Instead, it will have players take The Island Challenge. The Island Challenge is a rite of passage, where trail-goers must travel to each of the four islands and complete unique quests ranging from item hunting to tests of knowledge. It is only at the end of each island trial that the player will have a battle with a Totem Pokémon, who are more powerful than other Pokémon of their species- the top-percentage, you could say- and are able to call on allies to aid them in battle. There is then a Grand Trial on each island where players will battle against the islands Kahuna. Once a player has defeated a Kahuna, their trial on that island is complete, and they are free to move on to the next. The trial captains all represent the basic typing elements: Lana is a Water Pokémon expert, Mallow is a Grass-type expert, Sophocles specializes in Electric types and Kiawe uses Fire type Pokémon. At the moment, only one Kahuna has been announced: Hala of Melemele Island. He also happens to be your rivals grandfather. I imagine it a lot like being such good friends with Gary that you decide to fight Professor Oak instead. And then it turns out that Oak is a powerhouse because he's been using all the really good Pokémon from your PC.

What a mooch.

With that, September is here and no doubt more updates and reveals are soon to come. What else could Sun and Moon possibly throw at us?

5PM ON THE GROOVE MASTER'S HOUR: An Interview w/ Thanya Iyer's Bandmates

TONIGHT AT 5PM : Pete Douglas interviews Thanya Iyer's upright bassist, Alex K.S., and drummer, Daniel Gelinas, on The Groove Master's Hour! - Come join them for their album launch this Saturday at Resonance Café! Come on down to enjoy some lovely, funky tunes off of their debut folk-jazz infused album!

The Groove Master's Hour, is one of the many shows at CJLO 1690 AM that brings new, cutting edge music to listeners all around Montreal - Fridays from 5-6pm.

VAST MOYIE ON WAVES OF HONEY

September 4th @10 pm - tune into Waves of Honey for an interview with Vast Moyie

Vast Moyie is a producer/DJ/personality representing the GUILD conglomerate in Pheonix, Arizona. This collective of DJ’s and producers are throwing plenty parties and bringing a community of open minded music lovers together. Influenced by counter culture, Vast blends space, strange hip hop, and experimental electronic sounds to bring you an alternative learning experience. He has already released a handful of EP's with amazingly creative instrumental tracks. He is releasing a new EP on September 3rd and Honeydrip will be having him on her show Waves of Honey, calling in all the way from Arizona. He is also preparing a special mix featuring his new tracks so be sure to tune in to Waves of Honey on. It’s gonna be a good one!

NEWS FOR FRIDAY, AUGUST 26TH 2016

Hosted by Patricia Petit Liang

Stories by Patricia Petit Liang

Produced by Patricia Petit Liang

 

 

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LOCAL
By Patricia Petit Liang

The new Montreal Children’s Hospital has been scheduled to receive $5 million worth of repairs on its ventilation system.

According to CTV News, the pediatric intensive care unit will be closed while the hospital is being renovated.

Children will be sent to the Royal Victoria Hospital’s adult intensive care unit while newborns will be transferred to another wing of the Children’s hospital.

NATIONAL
By Patricia Petit Liang

A Canadian citizen was discovered amongst the dead following the catastrophic earthquake in Italy.

According to CBC News, the magnitude 6.2 earthquake killed more than 240 people.

Citizens of Italy are still being hit by aftershocks while rescue workers and medical professionals are rushing to their aid.

INTERNATIONAL
By Patricia Petit Liang

Colombian officials have reached a peace deal to end their 52 year war with the FARC.

According to Reuters, the government and the Revolutionary Armed Forces of Colombia came to an agreement to end the conflict that caused the deaths of more than 220,000 people and the displacement of millions.

The agreement will be voted on by Colombians in a referendum on October 2nd and took more than four years to negotiate.

Tavis E. Triance & the Natural Way + Birds of Paradise @ Divan Orange

Tavis E. Triance & the Natural Way + Birds of Paradise @ Divan Orange - August 17, 2016 - Presented by Greenland Productions

When I left Le Divan Orange last night I was torn between feelings of elation and guilt. The elation came from knowing that I was one of only a handful of people who witnessed such a special night of music by two incredible bands, and the guilt came from that very same source. I always feel a little guilty when I get excited knowing that have I witnessed something special, but that it comes at the detriment of the artists playing to a nearly empty room. That said, from where I was standing, right up in front of the stage, you wouldn't have known that there was only a smattering of people behind me, because both bands, Birds of Paradise and Tavis E. Triance & the Natural Way, performed as if the crowd was spilling out onto Saint Laurent Blvd.

Birds of Paradise, a duo comprised of Roy Vucino and Hannah Lewis, who also make up the core of the punk band Red Mass, opened the night with an incredible performance in which they presented their new sound. The last time I saw Birds of Paradise was about a year and a half ago when they played Salon Sweet Williams' inaugural live music show, but back then they were more of a murder-ballad psych-folk outfit playing with a live drummer and saxophone player. Since then they have pared down to a two-piece and have gone in a much more electronic direction with drum machines and samplers, but that is not to say that the old elements of country, folk and blues are gone, more like they are enhanced and manipulated. The first song saw Vucino playing slide on a well amped acoustic guitar, conjuring up the spirits of the Mississippi delta with its haunting sound that would have made Elmore James proud.

Even with both members using different beat makers, it was the live elements that were still the main ingredients. Vucino played acoustic and electric guitars and Lewis picked up an electric bass for a few numbers, but maybe the two most important elements were the songwriting and Lewis' coming into her own as a singer. While Vucino has always been great at writing songs for other singers, it seems with Lewis finding her voice he has found his perfect collaborator. Her voice is a blend of golden age country and new wave. Think Deborah Harry cutting her teeth in Nashville instead of the Lower East Side.

Speaking to them outside before the show it was obvious that they are both excited about this new direction the band has taken and the freedom it allows them in both creating and touring the music. With their debut full length album in the middle of being recorded, settling on the sound and identity of BOP has not only allowed them to separate it from Red Mass, but create something that is truly unique and hard to categorize. As for the recording, the more pop songs on the album were done at Breakglass Studios in Montreal back in June and they will be heading to New York City next week to work with famed producer Martin Bisi (Sonic Youth, Swans) at his legendary BC Studio on the more experimental songs. The album will be comprised of new material as well as reworkings of classic Red Mass songs like "Saturn" and "Male Models". While neither of those songs made it into the set list for last night, they closed their set with an obscure Red Mass single "Let the Gold Flow", which was previously available only through the Distroboto machines in bars around Montreal, and if it and the rest of the show are an indication of what to expect on the album, you'll want to set some money aside for the October release. However I would strongly suggest that you make sure to catch them live before these two chameleons decide to reinvent themselves again.

When Tavis E. Triance & the Natural Way hit the stage it was more like an all-star collective than a band. It is a musical project that Triance recorded last summer that will be released on Tonic Records as "A Brief Respite from the Terror of Dying", but the project has more of a 'ships passing in the night' kind of feel and not one meant for the long term. Reaching out to some old friends from his days in Montreal when he fronted the debaucherous Royal Mountain Band, the whole thing has a Rolling Thunder Revue or Delaney & Bonnie & Friends vibe, loose yet tight, free yet driven. Leading the way Triance alternated between organ and guitar, joined by Brad Barr (The Barr Brothers) and Jason Kent (Sunfields) on guitars, Seamus Cowan (Bullmoose, Spoon River) on bass, George Donoso III (The Dears, The High Dials) on drums, and Jeff Louch (Royal Mountain Band, Dear Denizen) on keyboards. Stepping to the mic, Triance told everyone they could move closer to the stage, and then kicked off a night of music that would prove that he and this band were not interested in taking any prisoners.

Even though they were playing songs from an album that has yet to be released (there are three unmastered songs available to listen to on SoundCloud) it never felt unknown. Anyone who is a fan of the Royal Mountain Band or Spoon River knows that Triance has a special skill in writing songs that are so full of hooks and boogie worthy that they feel like old favorites upon first listen. Add that to this killer band and there was no way this night was going to be anything less than magical. Personally some of the highlights included Donoso's thunderous attack of the drums and Barr channelling his inner guitar god, pulling off face warping solos like I have never witnessed any of the times I've seen The Barr Brothers live over the years. The only thing that I felt was missing was a horn section to tie it all together in the background, and having listened to those three available tracks repeatedly as I write this, hearing the horn arrangements on "Bye Bye to the Wicked One" and "All You've Got Is People" it appears that is exactly how these songs are meant to be heard. Now if we are lucky this will not be the only time that Tavis E. Triance & the Natural Way grace a stage in Montreal and hopefully next time more people will be wise enough to see them and there will be a horn section in tow.

 

--Prince Palu hosts The Go-Go Radio Magic Show, every Friday night from 6 to 8pm. Tune in. Turn on. Freak OUT! Only on CJLO.

CJLO'S Rock/Punk/Indie/Metal ARTIST RESIDENCY!

Are you an entry-to-medium level artist? Want to record an EP?
CJLO has what you need to kickstart your music career.  
The "On Rotation” Multi-Genre Artist Residency Program!!

Under the guidance of our CJLO team, you and your band will have the opportunity to record and produce an EP in CJLO’s studio / host a radio special, and organize / promote a show. The residency will also offer various workshops related to the fundamentals of “behind-the-scenes” within the music industry, such as PR, Management, and Touring, to name a few. 

The CJLO Artist Residency is OPEN for Rock/Punk/Indie/Metal Bands 

Residency Schedule: a 3-month band in-residency programs ! 
Recording Time:  Must be available between September 19th - October 25th
Mixing and Mastering Time: October 25th - November 12
Workshops: October. (official date TBA)
Show Launch: Beginning of November (official date TBA)

Application Deadline: September 10th at 11:59pm

Required
-Application Forms
-Letter of Intent
-200 words Bio
-Demo or Releases / Live Video / Audio (SoundCloud, YouTube, Bandcamp)
-Photos or Posters

All this is possible thanks to the generosity of the Community Radio Fund of Canada's Radiometers grant!

The wait is over! Apply here
Spread the word!!! Share It!!

Boris Performing Pink @ Bar Le Ritz PDB

Presented by Blue Skies Turn Black

On a muggy Wednesday night in August, C H R I S T and Boris played a sold out show at Bar Le Ritz PDB to celebrate the 10th anniversary of Boris' classic album, Pink.

The opening act was the local minimal instrumental post-metal band C H R I S T. They were covering for the grindcore band SHITSTORM, who could not come to any of the shows of the tour for unknown reasons (assuming their name not being mentioned in any of Boris' Facebook events despite being on the official tour poster meant that they could not come). Legendary drone metal pioneers Earth also could not show up, but they were not planning on playing in any of the two Canadian shows (the other one being at Lee's Palace in Toronto).

I've later noticed how great the one-two punch of SHITSTORM and Earth could have been. SHITSTORM has the raw energy of Boris' more straightforward songs, amplified and sped up tenfold; while Earth has been a major influence on Boris' early drone-heavy music. Interestingly, much like Boris, Earth has recently moved from their signature drone doom to a more organic, nuanced, stoner and post-rock influenced sound. Pink, the Boris album that is the basis of this tour, has all of these influences. In that respect, SHITSTORM and Earth are excellent picks for opening bands.

C H R I S T, in comparison, sounds much less oppressive, but still quite somber. Their entire performance felt to me like a huge build-up to their last song, with distorted guitars and booming percussions getting louder and louder, with layers of synths and guitars getting built on top of each other as the show continued. While I enjoyed the repetitive, relentless, almost hypnotic nature of the music, I could not help but feel a little disappointed by the show's climax, which did not have an explosion of on-stage energy, much to my dismay.

When C H R I S T finished their set, their equipment had to be loaded off the stage so that Boris' own could be prepared. That's when I noticed that two-thirds of the back of the stage was covered with amplifiers—there must have been a dozen of them for a three-piece band. That's also when I realized that they weren't messing around. This was going to be loud.

Takeshi, Wata, and Atsuo came on the stage, all dressed in black, and opted to play the first song off of Pink (which they performed in its entirety), titled "Farewell", at the very end of their set. Perhaps because they thought that the song would not fire up the crowd, perhaps because of its title. Nonetheless, the first song of the set, "Blackout", has a similar gloomy vibe, but it wasn't the "accept the darkness into your life" of "Farewell." It was more like "the darkness will devour you whole." To add to the effect, the smoke machine was consistently used during their more somber songs (including both "Farewell" and "Blackout"), shrouding the band with an air of mystery. Considering that my friend and I were in a packed and ridiculously hot place, the smoke also gave us the impression that they were trying to simulate a metalhead's vision of Hell.

Just as the feedback and fuzz rips apart your very being, the song abruptly cuts to make way to the title track, "Pink", a more upbeat, mosh pit friendly noise rock track. And mosh pits there were – as soon as Takeshi's familiar "OOWWWW!" resonated throughout the venue, I turned around and saw that the shovefest had begun. During later commotions, I also discovered that the only crowd surfer of the night (supposedly) was none other than CJLO's own Orin Loft, of The Noisy Loft.

Unfortunately, the vocals were buried beneath the other instruments. In contrast, Wata's guitar was crystal clear, Takeshi's bass and rhythm guitar (his double necked instrument had both of these in one) grooves could be felt in your bones, and Atsuo assured everyone that both his drumming and his performance would be memorable. The guitar solos interspersed throughout all the songs pierced your ears like a banshee's scream, despite the guitarist keeping a statue-like face during the entire show. The only times Wata has shown any kind of expression is a slight smirk when drummer/hype man Atsuo cheered her on for her stellar performance, and at the very end of the show, when hearing the audience's applause.

The sweaty mass of concert goers notwithstanding, Atsuo was by far the person who had the most fun during the night. He had the best "jam faces"—the only times his face was not contorted by a mix of joy and intense focus was when he was hyping up the audience, either by lifting up a single drumstick or the classic "I can't hear you!" gesture, banging the gong behind him louder and louder every time he would do it.

After the cheers clamoring "Boris! Boris! Boris!" and the encore that would ensue had faded out, I stepped out of the venue content, feeling almost cleansed by the sheer energy of the fans and the music. It was almost exactly what I expected: loud, fun, and alternating between oppressive walls of noise and crowd empowering walls of noise. You know you've done something right when you think of a hot, humid, smoky, and deafeningly loud place, and think: "Man, I wish I was in Hell again."

 

--DJ Lawrell hosts Fukubukuro every Sunday at 9PM, only on CJLO. With moods ranging from serene to hotblooded, light-hearted to upsetting, minimalistic to ear-shatteringly loud; the fun part of Fukubukuro is not knowing what you'll get every show.

 

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