
It's that time of year- both Concordia campuses are bustling, and CJLO is everywhere! We are pleased to partner with the Concordia Student Union on their Orientation, which promises a series of coffees, open-air pubs, BBQs and special concerts. Stay tuned over the next ten days to find out where you can get aquainted with CJLO and find out more about their programming here!
Tonight, we will be taking over Reggie's for our first CLASS DISMISSED of the year- our multi-genre DJ night! Come say hey and sign up to enter our POP Montreal back-to-school contest! You could win sweet POP prize packs, which include tickets to CJLO's POP co-presentations like HEALTH + FOG + dj. flugvél og geimskip on September 22 @ 11pm or Holy F*ck + Fake Palms + New Fries + Technical Kidman on September 22nd @ 9pm. Also available to win, POP Montreal et Blue Skies Turn Black présentent : Angel Olsen + Rodrigo Amarante + Best Fern happening September 23rd at 9pm! Come sign up at the DJ Booth at Reggie's (1455 de Maisonneuve O.) between 7pm and midnight tonight! This is the CJLO afterparty for the Clubs-in-the-Street Fair on Mackay today!
Speaking of clubs at Concordia, we'll be warming things up with a special broadcast of Champions of the Local Scene- live from The Hive Solidarity Coop Cafe Downtown (1455 de Maisonneuve O.)- 5 to 7pm tonight! We'll be chatting with tons of Concordia's raddest clubs and hearing all about their special initiatives for the 2016-17 school year! Tune in or come on down!
And see you at CLASS DISMISSED tonight? What better way to get acquainted with CJLO- our line-up is super tight!
7pm- Behind The Counter / Volunteer Co-ordinator Sonja- indie rock, experimental tunes!
8pm- Ashes to Ashes- Music influenced by the 1980s!
9pm- The Machine Stops / RPM Music Director Thinkbox, so expect some solids beats!
10pm- The Limelight / J-Nice- CJLO's longest running Hip Hop show!
11pm- Fukubukuro- mixed bag of audio surprises- mostly Japanese tunes!

The night started off a little slow waiting in line since I arrived there around 5:00, and no one was really there as of yet since the doors only opened at 7:00. Luckily I had a spot secured in line so I could be at the front. I met a couple of people who we're really friendly and were excited to see Haken and Thank You Scientist. There were also a few people from the Facebook group Prog Snob that recognized me, which I find was pretty cool.
We then entered in the venue, making my way to the stage and realized there were seats. Yes, seats! This was very unusual for a prog show, and I was fascinated by it. The fact that we can manage to sit down during the show and enjoy the performance. By all means, it was quite intimate. My friends and I were patiently waiting as soon as we sat down, I managed to check out some of the merch stuff and have my spot secured for the rest of the show. Prices were reasonable with shirts being 25 to 30$, and CDs and LPs from 25$ to 45$. I did regret not buying Affinity because I really wanted it. Maybe I'll ask for it as a birthday present or at Christmas.
Starting off with Thank You Scientist, this band had a unique sound of blending jazz elements with metal twist, in a way that I never thought possible. They also had a sax and trumpet player that reminded me a lot of Streetlight Manifesto. I do think that maybe it might have been one of their influences because I hear it in their music. Everyone was full of energy on stage, especially the lead singer. I noticed he was barefoot the whole show until the last portion of the set. They played the majority of songs off the newer record, Stranger Heads Prevail, and Maps of Non-Existent Places. They also played a cover of The Beatles song, "I Am the Walrus", which was really fun and made their own rendition of it in their style. I was really intrigued by their set, they delivered a tight performance.
It was time for Haken to take the stage. We were waiting for them to go on, when all of a sudden people were going to the front and I was like, what the heck is going on? I got up and managed to snag a spot near the monitor before anyone would take it. A few minutes had passed and security told us to sit down. A lot of people were frustrated that we couldn't stand, and people were about to take our spots. Luckily, my French was great and I told the people that those were our seats and my friends were sitting there with me. I don't know what caused them to get upset at me because we were originally there before we sat down again, they also were about to take our seats and move them. Like, what the hell? You shouldn't take someone's spot if they were there originally, first come first serve.
After that dilemma, the curtains closed and the intro from Affinity, appropriately titled "Affinity.exe", kicked in and it was a loud booming bass sound that pounded my whole body and I was so excited. They opened up with "Initiate", and it sounded spot on, exactly like on the record. Despite a few sound hiccups here and there, they managed to get everything sorted out and transitioned into "Falling Back to Earth", which surprised me, kicking into a 10-minute song right afterwards is crazy. The song was a lot better live than on record, and Ross' vocal performance was insane. He hit those high notes like an angel and down like an ox.
They then kicked into "1985", one of my favourite songs off Affinity, and Ross came out with glasses that looked something like out of an '80s movie (yes, I know haha). I also noticed the whole band was into the song. I was analyzing Diego's keyboard performance and he was super into it, changing sounds with his huge sound library. There were hints of old school retro sounds like 8-bit noises that you would hear on a Nintendo Entertainment System, and sweet sounds from his keyboard.
The highlight of the night was "The Architect", which I was personally excited to hear live. The fact that they can manage to pull this off is crazy. The song is 15 minutes and 45 seconds. Like I said before, it sounded exactly like on record and they played it perfectly. I was impressed and stood up and clapped at the end of the song.
Nearing the end of the set, Ross was encouraging everyone to come closer to the stage during "The Endless Knot". This was a song that I looked forward to hearing live because of its unique elements and blending dubstep. Yes, you heard me: dubstep into progressive metal! Everyone was all over and going crazy for this song, which was a highlight of the evening. "Celestial Elixir" was the last song and an epic performance, spanning at almost 17 minutes. Everyone was so into it, and was singing along. Moments like these always make me happy and give me chills.
Overall, Haken put on an amazing performance that I will never forget, and Thank You Scientist was a great opening band that I will check out now.
--Philliam hosts Turn On The Darkness every Tuesday at 2PM, only on CJLO 1690AM.

Do You Really Love Me? is the latest release by Montreal's The Submissives, a project led by bedroom producer Deb Edison, who writes and produces these love yearning songs. The album has a DIY sensibility and aesthetic; a Sunday bedroom rock at work. The album strolls through a collection of 15 songs inspired by early rock 'n' roll, elements of surf and garage rock with themes dedicated to relationships, hopeless romantics, and heartbreak, but mostly just heartbreak.
Do You Really Love Me? resides in a pocket that exudes a lethargic attitude, and when contrasted with its subject matter offers us either an interesting take on it or a fascinating subversion of it, or its subjects. Adding to this feeling is the seemingly detuned sounds of the instruments, the slow delivery of the lyrics, the overdubbed vocal tracks that seem very slightly out of phase, and the impression that each song melts into the next. None of the 15 tracks is over three minutes, but the relatively short lengths of the songs do not make the album seem rushed at all. In fact, the pace of the album seems slow and deliberate.
Some album highlights include "Friend Named Betty", which I assume is the same Betty from The Submissives' previous release entitled Betty Told Me. A fun band narrative tied in from one album to another. "This Hum", which plods along. "Dream Life", the shortest track coming in at just over one minute in length, is infectious and reminds me of an intense day dream. The rhythm guitar drives the track forward, while the lead throws down a slide full of sounds.
In all, the album is a saunter through the heart broken, a reminder of the sluggish feeling of longing.
--Fredy M. Iuni hosts Hiway 1, Mondays at 7:00 pm on CJLO.

On a special edition of Main Event Radio, Ryan Rider will go 1-on-1 with the new WWE Universal Champion, Montreal's own Kevin Owens. It all goes down Wednesday at 2pm on CJLO 1690AM!
Main Event Radio has been the leader in combat sports radio since its launch in 2004 with coverage of the world of Combat Sports. Giving you all the latest scoops about Professional Wrestling - WWE, NXT, and TNA.

Tune into Ashes to Ashes tomorrow (September 6th) at 1PM to hear an interview with Quebec City group Men I Trust! The band, consisting of Dragos Chiriac, Jessy Caron, Odile Marmet-Rochefort, and Emmanuelle Proulx, spoke about being in charge of their own careers, the Quebec City music scene, and shooting their first music videos for singles “Humming Man” and “Lauren.” Catch Men I Trust in Montreal on Friday, September 23rd as part of the POP Québec event at Cabaret Lion d’Or, including Gabrielle Shonk and Millimetrik (plus special guests).
Ashes to Ashes is your weekly dose of music from the 1980's that has stood the test of time, featuring bits of indie rock, alt-country, electronic, hip-hop, funk, and even a dash of reggae; hosted by Alex, every Tuesday from 1-2 PM!

It's only fair to issue a tsunami warning for the amount of information about to be covered: August flooded fans with a massive amount of updates for Pokémon Sun and Moon. So much so, that it was almost too much to handle. Rather than try and run the last month chronologically, we'll run through it feature by feature, starting with the newly-revealed Pokémon.
Among the reveals for the new generation, players were introduced to a new twist on some old favourites. In the region of Alola, certain first gen Pokémon develop new forms.
Now, that may seem like a lot to dish out and try to absorb in four weeks, especially considering that there are still two and a half months left until the games release, but there was more. So much more.
Hyper training was very briefly thrown in during one of the video updates. On the official website, it's explained as being able to increase a Pokémon's "individual strengths" after they've reached level 100. Players can do so by bringing Bottle Caps that they find to Mr. Hyper who is located "somewhere in the Alola region." There have been arguments on various YouTube channels since mid to end July as to whether or not Hyper Training is beneficial at all, and I personally doubt I'll ever get around to experimenting with it. I'm one of those players that usually drops the game once I've beaten all the gyms and caught as many Pokémon as I can, and by that time, my team is around level 85 or so.
The new villain team was announced and I couldn't be more excited to introduce Team Skull. Team Skull are Alola's no-do-gooders, stealing Pokémon and causing all kinds of headaches. They're lead by Guzma, who apparently failed at becoming an island captain and turned to a life of crime. He's followed by the team Admin, Plumeria, and their Grunts. If you have the chance, I highly recommend looking up the Team Skull battle theme. Some YouTubers have been able to isolate the theme music from the battle sound effects and it is pretty amazing.
In my last article I wrote about how it looked like players would be able to ride their Pokémon on land and through water. I was almost right. Players will be able to call on specialized Pokémon to get through certain areas much like Pokémon Ranger.
I also questioned the true purpose of the bracelet and the symbols that appeared correlating to a Pokémons typing. Turns out it's a new feature called Z-Moves. Much like Mega Evolution, a Z-Move can be used once per battle and the Pokémon the player is using must be holding a Z-Crystal that is the same type as the one on the players bracelet and know a move that is the same type as the crystals. According to Pokémon, Tomy International will be releasing a real Z-Ring bracelet for players to wear. When players use their Z-Crystals in the game, their actual bracelet will light-up, vibrate and play sounds. Now if it could help me track Pokémon in Pokémon GO, I'd be sold.
Now, Pokémon Sun and Moon seem to be moving away from the traditional path of Gym battles leading up to the Elite four challenge to become the Champion. Instead, it will have players take The Island Challenge. The Island Challenge is a rite of passage, where trail-goers must travel to each of the four islands and complete unique quests ranging from item hunting to tests of knowledge. It is only at the end of each island trial that the player will have a battle with a Totem Pokémon, who are more powerful than other Pokémon of their species- the top-percentage, you could say- and are able to call on allies to aid them in battle. There is then a Grand Trial on each island where players will battle against the islands Kahuna. Once a player has defeated a Kahuna, their trial on that island is complete, and they are free to move on to the next. The trial captains all represent the basic typing elements: Lana is a Water Pokémon expert, Mallow is a Grass-type expert, Sophocles specializes in Electric types and Kiawe uses Fire type Pokémon. At the moment, only one Kahuna has been announced: Hala of Melemele Island. He also happens to be your rivals grandfather. I imagine it a lot like being such good friends with Gary that you decide to fight Professor Oak instead. And then it turns out that Oak is a powerhouse because he's been using all the really good Pokémon from your PC.
What a mooch.
With that, September is here and no doubt more updates and reveals are soon to come. What else could Sun and Moon possibly throw at us?

TONIGHT AT 5PM : Pete Douglas interviews Thanya Iyer's upright bassist, Alex K.S., and drummer, Daniel Gelinas, on The Groove Master's Hour! - Come join them for their album launch this Saturday at Resonance Café! Come on down to enjoy some lovely, funky tunes off of their debut folk-jazz infused album!
The Groove Master's Hour, is one of the many shows at CJLO 1690 AM that brings new, cutting edge music to listeners all around Montreal - Fridays from 5-6pm.

Vast Moyie is a producer/DJ/personality representing the GUILD conglomerate in Pheonix, Arizona. This collective of DJ’s and producers are throwing plenty parties and bringing a community of open minded music lovers together. Influenced by counter culture, Vast blends space, strange hip hop, and experimental electronic sounds to bring you an alternative learning experience. He has already released a handful of EP's with amazingly creative instrumental tracks. He is releasing a new EP on September 3rd and Honeydrip will be having him on her show Waves of Honey, calling in all the way from Arizona. He is also preparing a special mix featuring his new tracks so be sure to tune in to Waves of Honey on. It’s gonna be a good one!
Hosted by Patricia Petit Liang
Stories by Patricia Petit Liang
Produced by Patricia Petit Liang
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LOCAL
By Patricia Petit Liang
The new Montreal Children’s Hospital has been scheduled to receive $5 million worth of repairs on its ventilation system.
According to CTV News, the pediatric intensive care unit will be closed while the hospital is being renovated.
Children will be sent to the Royal Victoria Hospital’s adult intensive care unit while newborns will be transferred to another wing of the Children’s hospital.
NATIONAL
By Patricia Petit Liang
A Canadian citizen was discovered amongst the dead following the catastrophic earthquake in Italy.
According to CBC News, the magnitude 6.2 earthquake killed more than 240 people.
Citizens of Italy are still being hit by aftershocks while rescue workers and medical professionals are rushing to their aid.
INTERNATIONAL
By Patricia Petit Liang
Colombian officials have reached a peace deal to end their 52 year war with the FARC.
According to Reuters, the government and the Revolutionary Armed Forces of Colombia came to an agreement to end the conflict that caused the deaths of more than 220,000 people and the displacement of millions.
The agreement will be voted on by Colombians in a referendum on October 2nd and took more than four years to negotiate.

Tavis E. Triance & the Natural Way + Birds of Paradise @ Divan Orange - August 17, 2016 - Presented by Greenland Productions
When I left Le Divan Orange last night I was torn between feelings of elation and guilt. The elation came from knowing that I was one of only a handful of people who witnessed such a special night of music by two incredible bands, and the guilt came from that very same source. I always feel a little guilty when I get excited knowing that have I witnessed something special, but that it comes at the detriment of the artists playing to a nearly empty room. That said, from where I was standing, right up in front of the stage, you wouldn't have known that there was only a smattering of people behind me, because both bands, Birds of Paradise and Tavis E. Triance & the Natural Way, performed as if the crowd was spilling out onto Saint Laurent Blvd.
Birds of Paradise, a duo comprised of Roy Vucino and Hannah Lewis, who also make up the core of the punk band Red Mass, opened the night with an incredible performance in which they presented their new sound. The last time I saw Birds of Paradise was about a year and a half ago when they played Salon Sweet Williams' inaugural live music show, but back then they were more of a murder-ballad psych-folk outfit playing with a live drummer and saxophone player. Since then they have pared down to a two-piece and have gone in a much more electronic direction with drum machines and samplers, but that is not to say that the old elements of country, folk and blues are gone, more like they are enhanced and manipulated. The first song saw Vucino playing slide on a well amped acoustic guitar, conjuring up the spirits of the Mississippi delta with its haunting sound that would have made Elmore James proud.
Even with both members using different beat makers, it was the live elements that were still the main ingredients. Vucino played acoustic and electric guitars and Lewis picked up an electric bass for a few numbers, but maybe the two most important elements were the songwriting and Lewis' coming into her own as a singer. While Vucino has always been great at writing songs for other singers, it seems with Lewis finding her voice he has found his perfect collaborator. Her voice is a blend of golden age country and new wave. Think Deborah Harry cutting her teeth in Nashville instead of the Lower East Side.
Speaking to them outside before the show it was obvious that they are both excited about this new direction the band has taken and the freedom it allows them in both creating and touring the music. With their debut full length album in the middle of being recorded, settling on the sound and identity of BOP has not only allowed them to separate it from Red Mass, but create something that is truly unique and hard to categorize. As for the recording, the more pop songs on the album were done at Breakglass Studios in Montreal back in June and they will be heading to New York City next week to work with famed producer Martin Bisi (Sonic Youth, Swans) at his legendary BC Studio on the more experimental songs. The album will be comprised of new material as well as reworkings of classic Red Mass songs like "Saturn" and "Male Models". While neither of those songs made it into the set list for last night, they closed their set with an obscure Red Mass single "Let the Gold Flow", which was previously available only through the Distroboto machines in bars around Montreal, and if it and the rest of the show are an indication of what to expect on the album, you'll want to set some money aside for the October release. However I would strongly suggest that you make sure to catch them live before these two chameleons decide to reinvent themselves again.
When Tavis E. Triance & the Natural Way hit the stage it was more like an all-star collective than a band. It is a musical project that Triance recorded last summer that will be released on Tonic Records as "A Brief Respite from the Terror of Dying", but the project has more of a 'ships passing in the night' kind of feel and not one meant for the long term. Reaching out to some old friends from his days in Montreal when he fronted the debaucherous Royal Mountain Band, the whole thing has a Rolling Thunder Revue or Delaney & Bonnie & Friends vibe, loose yet tight, free yet driven. Leading the way Triance alternated between organ and guitar, joined by Brad Barr (The Barr Brothers) and Jason Kent (Sunfields) on guitars, Seamus Cowan (Bullmoose, Spoon River) on bass, George Donoso III (The Dears, The High Dials) on drums, and Jeff Louch (Royal Mountain Band, Dear Denizen) on keyboards. Stepping to the mic, Triance told everyone they could move closer to the stage, and then kicked off a night of music that would prove that he and this band were not interested in taking any prisoners.
Even though they were playing songs from an album that has yet to be released (there are three unmastered songs available to listen to on SoundCloud) it never felt unknown. Anyone who is a fan of the Royal Mountain Band or Spoon River knows that Triance has a special skill in writing songs that are so full of hooks and boogie worthy that they feel like old favorites upon first listen. Add that to this killer band and there was no way this night was going to be anything less than magical. Personally some of the highlights included Donoso's thunderous attack of the drums and Barr channelling his inner guitar god, pulling off face warping solos like I have never witnessed any of the times I've seen The Barr Brothers live over the years. The only thing that I felt was missing was a horn section to tie it all together in the background, and having listened to those three available tracks repeatedly as I write this, hearing the horn arrangements on "Bye Bye to the Wicked One" and "All You've Got Is People" it appears that is exactly how these songs are meant to be heard. Now if we are lucky this will not be the only time that Tavis E. Triance & the Natural Way grace a stage in Montreal and hopefully next time more people will be wise enough to see them and there will be a horn section in tow.
--Prince Palu hosts The Go-Go Radio Magic Show, every Friday night from 6 to 8pm. Tune in. Turn on. Freak OUT! Only on CJLO.