
"Oh just a melody, yeah that's how to please me" is a line from "Suckers" off Ra Ra Riot's new album Need Your Light, and well, they gave us much more than just a melody performing at Montréal's Bar Le Ritz PDB on Friday, April 15th. Filling the venue with their distinct synth-pop, string-infused sound, Ra Ra Riot had Le Ritz bursting with energy right from the opening song, "Too Too Too Fast", never letting the dance party stop throughout their hour-long set. Even bass player Mathieu Santos showed off his moves with some of the craziest leg manoeuvres I have ever seen.
The band played a good mix of new and old songs, and their set included a toned down acoustic version of "Bad Times", which featured lead singer Wes Miles and his acoustic guitar, eventually picking up in the second half of the song with the rest of the band joining in. Crowd favourites included their current single "Water", "Beta Love", and "Bouncy Castle" (which you could swear came right off an Electric Light Orchestra album). Wes didn't have much to say between songs besides some quick "thank yous", and of course the obligatory "this is our greatest Montréal show yet". With no time to waste at the end of their show, they played right into their encore that included "Dying is Fine" and "Need Your Light".
Ra Ra Riot wrapped up their North American "Need Your Light" tour in Geneva, New York the following night. The band will be on the road again soon, returning to Canada this summer to play Field Trip in Toronto and the Pemberton Music Festival in Pemberton, BC.
--Kerri Delaney
LOCAL
By Patricia Petit Liang
Protesters gathered in front of city hall to call for a ban on Montreal’s horse-drawn carriages on Sunday.
According to CTV News, the protests were prompted by a collision between a horse and a car on Thursday.
The SPCA has denounced Montreal’s caleche industry, stating that they receive numerous complaints about the carriages year round.
Mayor Denis Coderre is waiting for the completion of several reports and inquiries before taking any action on the issue.
NATIONAL
By Saturn De Los Angeles
Hundreds of people marched on the streets of downtown Halifax on Sunday to protest gun violence.
According to CBC News, the rally comes in response to three shooting deaths that happened in the past week - including the murder of 20 year old Daverico Downey.
Halifax Mayor Mike Savage joined the crowd, which was full of parents and children.
He declared that the city will make a greater attempt to stop these incidents from happening.
The event was organized by a local non-profit community group that teaches conflict resolution tactics to youth.
INTERNATIONAL
By Patricia Petit Liang
President Barack Obama has rejected North Korea’s proposal to stop their nuclear testing if the United States’ ends military exercises in South Korea.
According to the National Post, North Korean Foreign Minister Ri Su Yong suggested the idea to Obama, claiming that North Korea has the right to have nuclear weapons.
Ri claims that if North Korea and the United States cannot come to an agreement, the world will be at the brink of a thermonuclear war.
Hosted by Andrew Wieler
Stories by Patricia Petit Liang & Saturn De Los Angeles
Produced by Patricia Petit Liang

It is with great pleasure that we welcome Strange Froots, our Hip-Hop On Rotation Artists in Residence. Under the guidance of our team and various guest mentors, the Montreal's all-female hip-hop/r&b group composed of Sage, Naïka, and Mags will have the opportunity to record and produce an EP in our studio, have 200 copies pressed and distributed to campus and community radio across Canada. Learn radio skills and experience professional development workshops with some of Montreal's finest industry individuals. The residency will end with an official EP launch that will happen by the end of June 2016 -- Stay Tuned!!
We invite you Friday, April 29th at Reggie's at 9 pm to join us as we celebrate with some of our finest Hip-Hop DJs on the ones and twos. Strange Froots will be available for a meet and greet at 9pm.
More information: https://www.facebook.com/events/611921248984464/.

It's the end of another academic year, and that means: THE DIEGO AWARDS!
Named after a volunteer who sadly left the station to pursue their dreams (we miss you, Diego Ferro!), the CJLO Diegos is an annual awards ceremony created to celebrate a year of hard work and quality programming that our amazing DJs and Volunteers put into CJLO day after day. So let's celebrate their dedication and tireless effort in making CJLO 1690 AM a quality radio station, and also celebrate independent media and community radio at large.
Aaaaaaand the nominees are...
The MAPL Award
...for top Canadian Content supporter (that isn't a show dedicated to CanCon, such as Champions of the Local Scene).
Noisy Loft
World Beat News
Burnt Offerings
Sewer Spewer
The Groove Master's Hour
The CBC 3 Award
...for Top NewCon supporter (excluding Charts & Crafts)
Impossible Music
The Commonwealth Conundrum Show
Noisy Loft
Sublime State of Doom
Dirty Work
The Keener Award
...for Excellence in Volunteer Commitment
Remi Caron-Liss
Saturn De Los Angeles
Emeline Vidal
Patricia Petit Liang
Phil Aveline
Jocelyn Beaudet
The Absolutely Fabulous PR Award
...for constantly repping your show, the station, and consistently taking initiative in organizing and promoting events with CJLO
Chubby Nnebe
Krystal & Camille St. John
Raphael McKenzie
The Starting Rotation team
Patricia Petit Liang
The Fox News Award
...for Excellence in Journalism
Patricia Petit Liang
Emeline Vidal
Sam Obrand
Pauline Nesbit
Julia Bryant
The Lester Bangs Award
...for Excellence in Music Journalism
Fredy Iuni
Krystal St. John
Sean Zumbusch
Thinkbox
Matt Leitman
The ACE Award
...for Excellence in Online Journalism
Remi Caron-Liss
Danilo Bulatovic
Patricia Petit Liang
Krystal St. John
DJ Spacepirate
The Wayne and Schuster Award
...for Best Team (that hosts a show)
Paul & Ian (The Go-Go Radio Magic Show)
Krystal & Camille (The Trend)
Rebecca & Danny (The Commonwealth Conundrum Show)
Remi & Danny (At the Movies)
Amrew & Jay (The Limelight)
The CJLOL Award
...for Funniest Show
BVST
Fatal Attraction
The Commonwealth Conundrum Show
Starting Rotation
New Media & Politics 2.0
The Ol' Gil Award
...for Most Underrated Show
Brave New Jams
Gospel Unlimited
At the Movies
Colours That Can't Be Seen
The Commonwealth Conundrum Show
The Welcome to the Jungle Award
...for Best New Show
Slax Trax
Sewer Spewer
Computer Sourire
Electric Café
Diggin' in the Crates
The Trend
The CBC Award
...for On-Air Professionalism
Julian McKenzie (The Starting Rotation)
Alex Viger-Collins (Ashes to Ashes)
Matt Leitman (Radio Fun)
Zack Slax (Slax Trax)
Erica Bridgeman (The F Hole)
Fredy Iuni (Hiway 1)
The Maury Povich Award
...for Best Talk Show
The Trend
Fatal Attraction
The Starting Rotation
Cinema Smackdown
New Media & Politics 2.0
The Lucky Dube Award
...for Best World Show
Live Wire
More Fyah
Anatomy of Caribbean Music
Beat the World
Caribbean Callaloo
The Niche Award
...for Best Specialty Show
The F Hole
Colours That Can't Be Seen
At the Movies
Yonic Youth
Shibuya Crossing
The Richard D. James Award
...for Best RPM Show
Waves of Honey
Computer Sourire
The Machine Stops
Vibe Room
Autobeat
The Yank Crime Award
...for Best Rock Show
Slax Trax
The Go-Go Radio Magic Show
Behind the Counter
Dirty Work
Sewer Spewer
The Bad News Brown Award
...for Best Hip Hop Show
Diggin' in the Crates
The Limelight
Something for the Radio
Vibe$tation
The Lemmy Kilmister Smelt Your Face Award
...for Best Metal Show
Burnt Offerings
Noisy Loft
Sublime State of Doom
Turn on the Darkness
Into the Coven
The Rob Fleming Award
...for Best Mix Tape
Remi Caron-Liss,"An Ode to the Sun"
Chris Noel "Au Revoir Montréal"
Good Luck to All Our Nominees!
LOCAL
by Patricia Petit Liang
An accident involving the collision of vehicle and a horse-drawn carriage prompted activists to call for a ban on Montreal’s caleche industry, on Thursday,
According to CTV News, a video surfaced of a white horse stumbling on top of the roof of a car at an intersection.
Montreal Mayor Denis Coderre has stated that efforts will be made to improve the city’s caleche industry as he feels horse-drawn carriages are part of Montreal’s identity.
Animal-rights activists will stage a protest at Montreal’s city hall on Sunday.
NATIONAL
by Emeline Vidal
Senator Mike Duffy was cleared of all 31 charges against him, on Thursday.
According to CBC news, judge Charles Vaillancourt found that Duffy's expenses were "unorthodox" but "honest and reasonable".
Vaillancourt criticized the Harper administration, and maintained that Duffy had been an unwilling participant in a larger scheme.
Duffy appeared in court over multiple counts of fraud and bribery covering more than $90,000 of inappropriate living expenses, $50,000 of personal expenses reported as Senate expenses, and allegations of breach of trust through his association of with former chief of staff, Nigel Wright.

"Au Revoir Montreal" is a spring mix tape by Chris Noel from Audio Penpals, Fridays at 4PM only on CJLO.
I DJed a bit over the past few years and would play mostly cumbia and reggae so this mix kinda represents the music that I've really liked and songs that I think people responded well to. It starts with a very traditional song and gets more 'accessible' after the first four minutes. It's titled "Au Revoir Montreal" because I'm moving to LA and these songs will always remind me of the time I spent in Montreal.
Press play:
Track list:
Aurita Castillo y Su Conjunto, "Chambacu"
Santogold feat. M.I.A. and Gorilla Zoe, "Get It Up" (Radioclit Mix)
Schlachthofbronx feat. Double J, "Juego"
Niña Dioz feat. Li Saumet, "La Cumbia Prohibidia"
Gilberto Torres x Baby Cham, "Baby Man" (Captain Cumbia Mashup)
Palov feat. Panama Cardoon, "Favelas"
Los Reales de Cajamarca, "Loca Juventud" (Tremor Remix)
Limpia x Cypress Hill feat. Fugees, "Cumbia Loca Pa'Bye Bye" (Captain Cumbia Mashup)
Kill Emil, "Danza de la Violencia"
Bomba Estéreo, "Fuego"
Systema Solar, "Crees que soy Sexy?"
Azealia Banks, "Grand Scam" (Lyrical Exercise)
Amon Tobin, "Verbal" (Instrumental)

Recently on Beyond the Black Rainbow, I spoke with Moogfest's Festival Director Marisa Brickman, giving us a taste of what to expect of this year's festival happening from May 19 - 22, 2016 in Durham, North Carolina.
Moogfest is a festival positioned as a platform for communication, creativity, and experimentation within the realms of technology, music and art. It pays tribute to Dr. Robert Moog, pioneer and innovator/inventor of the infamous synthesizer that bears his name. This annual event bills itself to welcome "futurist thinkers, inventors, entrepreneurs, designers, engineers, scientists, artists and musicians" as they offer workshops, lectures, exhibits, and performances.
Read along to follow my conversation with Brickman for a preview of what to expect in this year's edition, or click here to hear it as it first aired on April 18th. And stay tuned for CJLO's on-the-ground coverage of this year's Moogfest from yours truly...
Julie Matson: How are you?
Marisa Brickman: I'm good. Ya, we are releasing the schedule, and we currently have 324 sessions of various workshops, conferences, and live performances, happening so its pretty good!
Julie: Ya, I was wondering actually, just looking at the website again today, I was like how? I don't even? I can't even imagine the beginning of an undertaking of trying to fit that into one schedule in such a short amount of week-time, you know?
Marisa: It’s awesome, we are really excited, it's going to be really amazing.
J: And I'm really excited. Okay. So I'm going to start off by, actually just start talking a little bit about you, and why we're talking with you in particular. So, Marisa, how about you introduce yourself? It's easier for you to kind of talk about who you are and what you do with the festival, and then we'll go from there!
M: Sure! Yeah I’m Marisa Brickman, I’m the Festival Director for Moogfest. So, you know, I’m essentially running the show over here, steering our programming committee, the production team, marketing, social media, um, local community partners, pretty much trying to keep everyone on track.
J: That’s amazing, and I applaud you in advance because I know how big this festival is. How long have you been involved with the festival?
M: Since last July. So, you know, Moogfest has, um, obviously been around for quite some time. It was originally, ah, it was a New York event, back in the early 2000s, guys getting together and paying honour to (Dr. Robert) Bob Moog. You know, the Moog factory moved to Asheville, which is where they are now, and the festival eventually moved to Asheville. It happened for a few years in Asheville, but then recently it relocated with some new partners, and a new team to Durham, North Carolina, last July. So I moved here in July of 2015, and have been basically kind of building the groundwork here in a new city.

J: Amazing. That sounds like a feat. Has it been going well? I know it must be a lot for you being new, in a new city, with a festival in a new city.
M: Yes, I mean, I was actually born in a city, about twenty minutes away from here in Chapel Hill, North Carolina. So, I’m somewhat familiar with the area. But I mean Durham - it is a completely different place than it was back in the 2000s. Obviously, Duke University is here, there’s North Carolina Central, and just kind of generally, this whole area has tons of universities. So it’s an amazing place as far as research, innovation, new thinking, so it's been fun and it hasn't really been that challenging.
I think any time you move to a new city and you try to start something from scratch with a new team of people, and you know, a certain set of local politics and new relationships, I think it’s challenging. I think the festival itself is a fun challenge. And then integrating yourself within a new community and figuring out how all of that works is a separate challenge.
J: Umhum, I'm excited to come. And just check it out, and see what's happening. I've never been to North Carolina, so I'm definitely looking forward to it. So, I want to talk a little bit about the festival itself… And there's a lot, as we kind of were hinting at, there's a lot that is happening. In terms of events and classes etc etc, and I was just wondering, from the organizers’ perspective, what it looks like to come up with the theme that you've come up with for this year and, how that sort of plays out with going to achieving that, you know from the ground up, how does it start? It would be amazing to get so-and-so artist or, what can we build around that… or? You know? Do you have any little insights, or little tidbits that might be insightful for that kind of process?
M: I mean I think it’s a pretty natural and organic process. Generally, the festival, it’s all about exploring the tools that are used for creative expression. You know, Bob Moog himself was a synthesizer design pioneer. He worked in partnership with artists such as Wendy Carlos, Steve Emerson, Sun Ra and really designed new synthesizers and tools that they can use in their music. I think that kind of pioneering spirit and collaboration is something that is really the baseline and underlying tenet of Moogfest. We had a variety of different programming partners from various fields and industries who have helped put together and shape the program that we have.
So, a theme like Afrofuturism, for instance, is a pretty hot topic in Durham, which is a 50% African-American community. The GZA, as you know, is one of our headliners. He’s obviously pretty well known for being an academic in addition to being the genius behind the WuTang Clan. We have him coming to talk with one of the leading African-American professors from Duke. They’re talking about time traveling and Hip Hop. Chuck Lightning of Wondaland [Collective] is curating the whole Afrofuturism program. There is a local community organization called the Hayti Cultural Center, which is also launching their own Afrofuturisms program, and we are collaborating with them. So, it kind of comes in a variety of different ways.
I think something like Transhumanism is very appropriate for an event like Moogfest, where people are becoming technology, or how are we using technology to form our bodies, our selves and our minds. One of our keynote speakers is Dr. Martine Rothblatt, who is a transgender woman who started [Sirius] satellite radio, she runs United Therapeutics, has a new book coming out, has a robot version of her wife, and is very pioneering when it comes to that type of discussion how technology is transforming the future of our lives. She is actually even more appropriate with the HB2 [legislation] controversy that is happening here. I could keep going on and on here, but I think those are two good examples that show the diversity of Moogfest, from the Afrofuturism angle to the Transhumanism angle.

J: The program looks amazing. I'm pretty excited that it's so full spectrum. I really love how there's a whole film component as well, and it’s not just a film component. It’s amazing, several films are being scored by really amazing people, just like, sidebar, on top of them performing live, and I really am blown away by the program itself. Is there something that you are really happy with? You know, in the planning process, was there anything that you wanted, that would be really amazing to get so and so. Or, what if we incorporated this theme, or this kind of master class? Something that you have a personal connection to that that worked out and you're like “wow, this is cool!”
M: I think, you know getting Blood Orange was pretty big to perform in North Carolina. He doesn’t tour that much at all, so having him come to North Carolina is exciting. Robert Rich, who is super hot right now, has never been to North Carolina. Mike Snow are coming to kick off their entire US tour. Gary Numan is performing for three nights, doing an album triptych, so he's performing three different albums each over a series of three nights in different venues.
Every time I look at what we have in the program gets me really excited. We have an old theatre which showcases architects of sound and many avant-garde artists with radical compositions, So there you've got Sunn O))), Explosions In The Sky, Oneohtrix Point Never, Laurie Anderson, Alessandro Cortini, Daniel Lanois, Tim Hecker, Ben Frost, Arthur Russell. So, that particular venue is a beautiful old theatre, we programmed that particular location to the venue, you know, the production will be really high levels. There's an old armoury here, that literally used to be an armoury that had an old brick building, we are transforming it into a nightclub.
There we will have Godfathers of electronic, house, disco and techno, like The Orb, DJ Harvey, Bicep, The Black Madonna, Jlin, Qrion, and UV boi. So its kind of, I think, generally what we do at Moogfest is show a spectrum of artists along a certain scale, and a spectrum of genres, and artists that represent each niche, from classic artists to new artists, etc.
J: I really like that about your festival actually. Because I find my show is focused on, I play more experimental electronic music. That's what i'm drawn to, and whenever I talk about music with people that don't necessarily know what that is, they just assume it's one certain thing and i'm like no! And so I really appreciate and respect the diversity that you've put together and pulled off in such a way. It’s very exciting and very diverse and interesting. You know the program is really, really spectacular and I'm very excited to just come and be a part of it. What is one of your guilty pleasures that you're pretty excited about?
M: I wouldn't say any of them are guilty pleasures. It’s all pretty heady. But I do think that if you were to have to select what someone may consider a guilty pleasure it would probably be more in the pop sound of things, you know, like Grimes, who I am pretty excited to see. You know, I had a magazine for fifteen years, and we did one of her first interviews and fashion shoots six years ago. I think she is a real badass, I’m really excited to see what she is going to do. As I start to see people’s tech riders and stage plots, and understand what we are going to be doing for their production, I think “whoa!” I can’t believe we are going to be doing that! A lot of these artists are on big tours, playing big festivals. We are a small festival, only 4500 people. These artists are bringing their shows here that are the same exact shows they are taking to Coachella.
J: Yeah that's spectacular.
M: I don't think anyone here really understands what they are in for. Everyone on our team, we are here together as a group trying to build something that we believe doesn't exist, that we’re inspired by. And everyone that is involved, our talent buyer is also a music manager, and a booking agent and a music lawyer, and is super well-connected in the music industry, and has impeccable taste and specializes in electronic music. Emmy, one of the creative directors form Moog music, she obviously works with artists at Moog. Our CEO runs an agency that specializes in cultural outreach in activist projects.
Our program manager used to work at Lincoln Theatre, and is from the UK, and has done several festivals in the UK. It is a really diverse group of people. Sometimes that is challenging, in my position, in wrangling people, but ultimately it has gotten us to a really great place, having this many people have a voice in how this project unfolds.

J: I think, yeah. I'm looking forward to it and very excited. Is there anything that you feel like i've missed out? About asking or regarding the festival or MOOGFEST.com? Is there anything that you feel like I’ve missed, or that you want to put a special focus on?
M: I mean I think definitely check out the schedule and workshops that we have. There are workshops on how to sonify plants, how to build an immersive audio visual environment, we have theremin workshops for kids, we have IBM Watson coming to do cognitive tech for developers. We have creating music tech for kickstarter. It is a pretty good combination of inspiring programming that is also very educational.
I think some conferences or festivals sort of gravitate more B2B platform information, like how to build your Facebook pages, or why the net is killing the music industry. We aren’t about that at all. We want to really inspire people to think in a different way, or just to think, generally. I highly suggest anyone to take a real deep dive into our website, we have the full schedule up; you can click through and read about every individual workshop. We have nine interactive art installations that will be scattered across the city.
A bevy of information to dive in to, hopefully it will be a little bit easier for people to wrap their heads around. We are super excited to get all of this information out there, and to get people excited about everything that is possible.
J: That’s great. I’ll definitely be checking that out and, recommending everybody to you. If people want to sign up for workshops, it will be pretty straightforward on the website?
M: Yeah. We're going to give everybody a few weeks to digest it. We will be alerting people when the signups are open; some of the workshops are only twenty people. So, I think we will give everybody some time to figure out what they want to do before there is a mad rush to sign up.
J: Thank you, thank you for that! I appreciate that. Well, perfect! Thank you so much for taking the time out to talk with me, I really appreciate it. I always like to get the insight into people that are actually putting this together, rather than just interviewing artists, because I know that it's more special than just going to see a live band, you know?
That's what I like to have my listeners, and our audience to be witness to, and to actually realize that people put thought into these things, it's not just like “You know what would be a really cool dance party?” So this is why I really love to interview organizers and people that are putting on the shows. That’s its own special art form and talent and, you know, I like that little bit of insight, and you had so much insight for me- I love it.
M: Awesome! Yeah, I’m super excited that you guys are excited, and I look forward to welcoming you to Durham!
---
Catch Julie on Beyond The Black Rainbow as she puts back the experimental back into experimental music every Monday at 4pm EDT. Be sure to also catch our coverage of this year's Moogfest, only on CJLO.
Photos: Moogfest 2014; Festival Director Marisa Brickman, Kraftwerk @ Moogfest 2014- All photos courtesy of Moogfest.
Hosted by Catlin Spencer
Stories by Saturn de Los Angeles, Catlin Spencer & Patricia Petit Liang
Produced by Catlin Spencer
-------------------------------------------------------------------------------------------------------
LOCAL
by Saturn De Los Angeles
The City of Montreal is suing a pair of security guards for allegedly failing to look after one of their buildings.
According to the Montreal Gazette, the City is seeking 1.5 million dollars in damages from the employee's workers union, as it believes the guards on duty ignored an intrusion alarm back in February.
The alarm was triggered by a water pipe that had burst, and ended up flooding the building's basement in the middle of the winter's cold snap.
As of Wednesday, the union's spokesperson says they have yet to comment after speaking with lawyers.
According to CTV News, the women are among seven people in the province who have tested positive in recent months.
So far, BC Centre for Disease Control epidemiologist Dr. David Patrick says they're being monitored but none of those diagnosed require hospital treatment at the moment.
Patrick adds that outbreaks of the Zika Virus rank far below those of SARS and the avian flu in Canada.
On Tuesday, the United Nation’s General Assembly met to scrutinize the anti-drug treaties put in place eighteen years ago and end the global war on drugs.
According to CBC News, the UN has urged governments to rethink global anti-drug measures-
Officials and academics agree that the war on drugs has been a failure, and that changes must be made in order to keep citizens safe.
East-coast band Nap Eyes finished off their off their North American tour for their second full length album, Thought Rock Fish Scale, on Friday, April 8th at Casa del Popolo.
For those of you who haven't heard Nap Eyes before, they're officially defined as alternative folk. Lead singer Nigel Chapman's lyrics are deeply insightful, and his dead pan couldn't-be-less-interested vocal style contrasts perfectly with the feel-good melodies produced by the rest of the band that includes Josh Salter (bass), Seamus Dalton (drums), and Brad Loughead (lead guitar).
Thought Rock Fish Scale was recorded live over a four day period while the band was staying at an east-coast beach house. The influence of this environment clearly comes out when listening to the album. With a truly laid back sound, it's the perfect music to play softly in the background while you stare out the window contemplating life's big questions.
Nap Eyes' set at Casa was just over 40 minutes. Kicking it off with "Mixer", the band kept the mood light throughout the show chatting about Montreal and how excited they were to get some much needed sleep now that they were almost home. They played a good mix of songs from their current album and their debut, Whine of the Mystic, which was re-released just under a year ago. The set ended with a 9 minute extended version of "No Fear of Hellfire".
These guys really are a great Canadian band; be sure to keep an eye out for them in the future.