
Scott McCaughey's The Minus 5 initially started out as a side project, acting as an outlet for songs he wrote while in the Young Fresh Fellows, but that didn't quite fit the sound of his principal band. Formed in 1993, with the notion that every album released would feature a different cast of musicians, McCaughey assembled Peter Buck of R.E.M., and Jon Auer and Ken Stringfellow from The Posies to record 1995's debut album Old Liquidator. Since then, The Minus 5 have released over a dozen albums ranging from power-pop garage oddities, country and folk, to psychedelic breakdowns, all the while maintaining McCaughey's trademark lyrical whimsy and undeniable pop hooks.
Outside of the Minus 5, Scott McCaughey has played and recorded as an auxiliary member of R.E.M. (1995-2011), he continues to front the Young Fresh Fellows, and this busy fellow also plays in Robyn Hitchock's band the Venus 3, The Baseball Project, Tuatara, and a Pogues cover band called KMRIA (Kiss My Royal Irish Arse).
This Friday on The Go-Go Radio Magic Show, Prince Palu and Oncle Ian will be talking to Scott McCaughey on the phone about The Minus 5's latest album, Dungeon Golds, as well as Mr. McCaughey's storied career as one of the Pacific Northwest's most beloved and hardest working musicians. Tune in at 6 PM ET, only on CJLO!
Hosted By Saturn De Los Angeles
Stories by Catlin Spencer, Tom Matukala and Celeste Lee
Produced by Tom Matukala

On a special edition of Champions of the Local Scene (5 pm, Wed. March 11), we have the team from Revolution They Wrote Festival in studio! Sarah from Best of the West will guest host, interviewing festival organizer Emily Schon about RTW: Concordia's Short Works Feminist Theatre Festival. Discussion topics will include this year's programming, why it was time to change directions from the traditional production of The Vagina Monologues, and festival beneficiary organization: Queer Concordia. Three original theatre pieces- written, produced, and performed by students will be presented at Café Cleopatra (March 13 & 14: 7:30 pm) and Georges-Vanier Cultural Center (March 15: 1:30 pm). Theatrical subjects include transphobia, abuse, drug use, and stereotypes. Actors Caite 'Calypso' Clark and Judy Kenigsberg will be in studio to read a scene from Michelle Soicher's play Eat/Fast- a piece examining the collide between tradition and sexuality as a young woman struggles to come out to her Bubbie on Yom Kippur. Tune in at 5pm to hear compelling radio theatre and to find out more about the talent comprising this important and unique festival. CJLO will be doing ticket giveaways for each night- so get ready! Finally, keep listening at 6 pm for a double edition of Champions of the Local Scene where Sarah and Jacob from Don't Mess This Up, Jacob will be talking comedy with some special (and mysterious!) guests from the Montreal Comedy scene... Get tuned!

A special edition of Best of the West (March 11 @ 9am) will feature an interview with Victoria based musician JP Maurice. JP was recently involved in a mockumentary shoot for a project called Breaking Up Broken Down about three musicians who go on tour in Europe and basically break up over the course of the series (four episodes). JP did the music for the series, which was filmed across his first tour of Europe. Sarah recently caught up with JP and they chatted about the Breaking Up Breaking Down experience, about being a touring musician and what's next on the agenda. Tune in for some answers and to hear some of JP Maurice's music from the Breaking Up Breaking Down soundtrack as well as from his latest album, IN ADDITION to the rest of the best of the west!

I went to go see Cannibal Corpse and Behemoth: A sordid tale
Cannibal Corpse holds a special place in my heart. Being that they are one of the most well-known bands in death metal (perhaps even the flagship of the genre), I discovered them early in my voyage into the world of heavy metal. Their famed gory album covers would always get impassioned reactions from friends, classmates, teachers, and other members of the community. The cover of Bloodthirst was always good for getting elders to gasp in horror, as was Butchered at Birth. Behemoth are also a band, and I enjoy them greatly. I got on the metro and made my way to Metropolis.
The first band that played was Tribulation. They are band of fellows that play some blackened death metal of the atmospheric variety, though not of the kind that involves keyboards. No, these gentlemen create deathlike soundscapes through the power of their guitars. Their songs, while atmospheric, are also catchy. The moshing was not super intense, but it was still impressive considering that they were the first band to play for the evening. Very good stuff.
Aeon were next. Their brand of death metal is more technical, though they also have quite a bit of groove sections in their songs. Their songs were not as catchy as the other bands that night, but it was still an interesting view and sound to behold. People seemed to want to move around a little bit more than earlier in the evening. It was OK.
The third band of the night was Cannibal Corpse. This was a fabulous set. They played a number of newer songs, but classics like "Skull Full of Maggots" and "I Cum Blood" were still present. George "Corpsegrinder" Fisher proved himself to be a charismatic front man as he spoke to the crowd as a leader of metalheads. There was some extreme moshing, and it was as intense as some of the most intense pits that I have ever seen. People were in a frenzy. The insanity reached its peak for "Hammer Smashed Face", as everyone from the back ran to the front to take part. Just about the entire floor was embroiled in the moshing. It is a rare sight to see an audience react like that, and I was glad to see it.
The last band was Behemoth. They had an elaborate stage setup, and were dressed to the nines. The band launched into a set full of their unique brand of black metal. I was actually taken aback by the talent of their drummer, Inferno. It's all too common to hear crazy drumming on albums, and then drumming that doesn't quite match the recording in a live setting, but no. This guy is super precise and hits cleanly with power. They trawled through the many songs from their catalogue, and created a suspenseful air of brutality with their instruments and voices. It was great. I would definitely see this again. After the show ended, I beamed good feelings all the way home on public transit. Yes I did.
--Sean Z. is the host of Sublime State of Doom, every Monday at 8 PM only on CJLO 1690AM.
Hosted by: Celeste Lee
Stories by: Patricia Petit-Liang, Caitlyn Spencer. Alexa Everett
Produced by: Emeline Vidal

"Winter Nights, Spring Days, Summer Nights" is a winter survival mix tape curated by Remi Caron-Liss from At the Movies with Iconic Sounds (Tuesdays 8 AM).
Winter Nights (Light in the darkness): Cold, Dark, Magical
Spring Days (New beginnings): Joyfulness, Energized, Invigorating
Summer Nights (Love is in the air): Reminiscing, Late Nights, Starry-Eyes
Press play:
Winter Nights/Spring Days/ Summer Nights from Remi Caron on 8tracks Radio.
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"Winter's Eerie Haven" is a winter survival mix curated by Joana Cumo from Je Suis TBA (Mondays 9 PM). Winter is so indie, I'm DYINGGGGG!
Press play:
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"今年の冬から、さよなら。Farewell, Winter" is a winter survival mix curated by Saturn De Los Angeles, CJLO News team member and host of Shibuya Crossing (Wednesdays 2 PM). "A cornucopia of emotions. Both good, bad, euphoric, anger, disappointment, joy, anticipation and lots of deep meditation."
Since words nor hand-drawn illustrations cannot suffice, this mix is in a way a personal (and totally watered down) window of how I not only feel about this year's roller coaster of a Winter season, but how this time of year has become a turning point in my own personal journey - just a few months long after I had just set foot in Japan, and at a moment's notice, back home where I am.
Goes to show how fragile life can be and how fragile we can all be emotionally with a simple drop of a snowflake, or a million of those at the very least.
This is my first time making a mix tape since I was a kid. Regardless of the language this is in, I hope you enjoy listening to it as much as I had put it together.
お楽しみ下さい。(Please enjoy!)
-S
Press play:
今年の冬から、さよなら。Farewell, Winter. from satyyy on 8tracks Radio.
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