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The Cat Empire + Current Swell @ Metropolis

Presented by Evenko and Greenland Productions

Carmen from Plebeian Pleasures (Mondays 11 AM) reviews the frenzied night.

The Cat Empire killed two birds with one stone on April 11th, as they offered a second sold-out and stunning performance at Metropolis. Actually, forget "performance". It was a party.

A great deal of that fun was due to Current Swell, the perfect opener for an enthusiastic and packed audience. Coming all the way from Canada's West Coast, the band's indefinable sound contains nuances of folk, blues, reggae, psychedelic, pop, ska, heavy-country, and funk.

For 45 minutes, they jumped and laughed. Scott Stanton and Dave Lang had serious harmonica and guitar skills, but Ghosty Boy was the one leading the crowd with his crazy bass beats. Amongst the rock ambiance, they also included beautiful harmonies.

Towards the end of their set they said, "If you stamp your feet, Cat Empire will hear you. If you stamp them hard enough, you'll all end up under the stage". In a heartbeat, Metropolis was shaking and that's about the time everyone realized they were in for a treat.

People started interacting with each other and reminiscing about their previous Cat Empire experiences in between sets. It felt like a close get-together, and once "Brighter than Gold" started suddenly, everyone went insane. Arms and feet were everywhere, and it was awesome. There was an instant clash between the calm balconies and the hysterical front stage.

The Cat Empire's unique sound stands out from typical jazz and ska due to their unusual electric sound. Their set was diverse, offering their greatest hits and a soft focus on their last album, Steal the Light. More importantly, the fun was contagious. In "How to Explain", they proved their lyrics right, music is the language of the soul. Without holding back, people danced, cheered, and crowd surfed in a compact frenzied pit. It felt like a 35-degree Dominican Republic. The pit got real during "In My Pocket", and trumpeter Harry James Angus improvised "nananananas" on an increasingly fast drum, challenging the crowd to push themselves even more.

As if the night couldn't get more eccentric, keyboardist Ollie McGill played the "Super Mario" theme song, followed by a solo to introduce "The Wine Song". On this anthem, vocalist Felix Riebl invited the audience to put their arms around each other and unite in a gigantic circle pit. After seeing the crowd hug, he praised Montreal and said, "I love the way people interact with each other here". Their generous encore started with "Steal the Light" and finished with an endless version of "The Chariot". As the humble geniuses that they are, the octet did not want to leave the stage, and that ended the night perfectly. 

Many fans mentioned that they could not get enough and attended both parties. If you missed out, wear two shoes for dancing and pay a tribute to Bobby Marley's legacy in the comfort of your home with this video, or follow their American tour and catch the next Amigo Express!

Although the non-existence of cats almost ruined the night, the show gets a solid 12/10. 

Friday April 17th, 2015

Hosted by Catlin Spencer

Stories by Catlin Spencer Patricia Petit Liang

Produced by Patricia Petit Liang

News For Friday April 17th, 2015

by Patricia Petit Liang

 

Christopher Husbands has been sentenced to 30 years in prison with no parole after fatally shooting two people at Toronto’s Eaton Centre in 2012.

According to the Globe and Mail, Husbands has been convicted of two counts of second-degree murder, five counts of aggravated assault, one of count of criminal negligence and one count of carelessly discharging a firearm.

This is the first time in Canadian history that such a severe sentence has been given for second-degree murder.

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by Catlin Spencer

 

Although it has yet to finalized, Cirque du Soleil is preparing to announce its sale of the famous Quebec circus troupe. 

According to CTV News, the announcement is supposed to come Monday, despite co-founder Guy Laliberte telling workers Wednesday that the sale agreement has not yet been concluded. 

Sources say the deal includes U.S. private equity firm TPG Capital, Quebec pension fund manager the Caisse de depot and China's Fosun Capital investment fund. 

The Cirques headquarters are apparently to remain in Montreal, while opening a support office in Shanghai.

Reports say the deal is worth just under 2 billion dollars, a price that is less than what Laliberte was originally seeking.

April 16th, 2015

Hosted by: Sam Obrand

Stories by: Tom Matukala, Julian Mckenzie, Emeline Vidal

Produced by: Emeline Vidal

Double Champs tonight! Punchline 13 in studio live at 7pm- talking Pouzza Fest!

Tonight we will have a special double edition of Champions of the Local Scene, with Montreal band Punchline 13 live in studio at 7pm. Punchline 13 wil be playing Pouzza Fest May 17 & 18th at TRH Bar- 3699 St Laurent, more information here! Tune in tonight at 7pm for this special episode hosted by Abby of Psychic City.

Champions of the Local Scene @ 6pm- Interview w/ Ryan Playground & Taking Hold Program

Today on a special edition of Champions of the Local Scene, we have Montreal DJ/ producer Ryan Playground in studio with participants from the Taking Hold program. Taking Hold is a program to empower and educate girls aged 13 to 15 through music production. The program is run in seven high schools across Montreal through the Black Community Resource Centre. Recently, participants had a chance to write a song with Montreal singer/songwriter Sarah MK, a frequent performer at the Montreal International Jazz Festival, with production by Ryan Playground. The girls recorderd the song at Planet Studios which will make its radio debut tonight at 6pm! We will chat with the girls about their experiences and hear what else they are excited about musically. Ryan Playground will do a DJ set and we will talk with program facilitator Tessa Star. Tune in tonight at 6pm!

April 15th 2015

Hosted by Saturm De Los Angles 

Stories by Celeste Lee, Tom Matukala and Catlin Spencer

Produced by Tom Matukala 

April 14th, 2015

Hosted by: Celeste Lee

Stories by: Patrcia Petit-Liang, Alexa Everett, Caitlin Spencer

Produced by: Emeline Vidal

Nanimal - Presentation

Summer, where are you? Nanimal, a Montreal-based band releasing their debut full-length Presentation, seem to have an idea. It's a follow-up to their previous release, Karma Kamikaze EP, which was recorded at Montreal's finest radio station, CJLO (heard of it?). Nanimal make music you listen to with the windows open and your mind adrift.
 
More than just wanting to blast this record out of your speakers, Presentation's exuberant energy creates a desire to see Nanimal live. Often bands whose music fall into that increasingly meaningless term "noise rock" or "indie-rock" struggle to translate the booming energy of their live sound into a recording. One of the primary reasons Presentation works so well is the production doesn't shy away from the rawness of what's being emoted, but rather embraces and emphasizes it, which ultimately creates an energetic atmosphere that's hard to ignore.
 
Opening track "Mother Father" sets the tone for the record clearly. Title track "Presentation" gives us some great advice, "You don't let no bullshit change nothing / I've changed, I think, it's in the presentation". It almost sounds silly, but for anyone in that weird mid-20's stretch, it's a statement that's all too relatable. The record is diverse, and doesn't stick to any sonic or lyrical structure throughout, which keeps your attention intact. Album stand out "Only If You Say" veers off into swirling post-punk territory, while "Call The Airline" is driven by jangly guitar tones and one of the best songs on the record.
 
Sonically, the record evokes multiple references, notably the Pixies and the raw guitar crunch of Steve Albini produced records. Fans of Parquet Courts, White Lung, and Greys will find plenty to love here, but to be clear the reason this record works is because Nanimal have their own distinct voice. That voice is laced with personality, wit and at times, aggression. It feels familiar but stands on its own, and this makes the record both highly palatable and engaging even on first listen.
 
Rating: 4/5
Best For: Convincing yourself it's not freezing outside. Still.

 

--Kenny Chatoor is former CJLO radio DJ and magazine contributor currently living in Ontario, "Yeah things are good, there is definitely nothing like CJLO in Toronto though, which is a bummer."

April 10th, 2015

Hosted by Patricia Petit Liang

Stories by Catlin Spencer and Patricia Petit Liang

Produced by Tom Matukala and Patricia Petit Liang 

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