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This week on Fatal Attraction, Patricia will be interviewing indie rock band "V For Escargot".

The band features Philippe Petit providing lead vocals and playing rhythm guitar, Daniel Desjardins on guitar, Guillaume Fecteau playing drums and keyboards, Mathieu Leduc-Bouchard on bass and the lovely Raya Star's singing.

Their next show will be on April 11^th at L'Escogriffe Bar Spectacle, and they will be performing with the Reverie Band!

V For Escargot is celebrating the recent release of their self-titled album, which can be purchased here.

To learn more about V For Escargot, you can check out their Facebook page here and tune into Fatal Attraction today at 4pm.

Sub Pop 2015

Is it fair to compare a band and their work after a lengthy hiatus? While No Cities To Love, Sleater-Kinney's first album in 10 years, has been universally lauded, the question still remains relevant, and one that should be considered while reviewing the LP. I've come to the conclusion that, invariably there will be comparisons made. People will compare the band as if it were the same thing, but truthfully, just because the members of the band are the same, after a hiatus of a decade, a generation; it is in some very real sense comparing apples to oranges. Well, perhaps it's not that drastic a comparison, but the point is there is something tangibly different going on and we're not talking about the development of a band over time. We're talking about individual growth apart from a group dynamic. Contextual, environmental, musical changes... life keeps moving forward. My choice is to view this album through clean lenses; ones not blurred by the past. However, regardless of how you see the band and their return, it would be hard pressed to say anything but that this album kills.

It begins with "Price Tag", which doesn't simply open the doors to the album; it busts the doors down as if destroyed by some Marvel character. A crunchy guitar line begins before the rest of the band throws it down, driving the track at full speed. The chorus is catchy but ominous, warning that "We never really checked, we never checked the price tag, when the cost comes in, it's gonna be high... the good jobs gone it's gonna be raw".
 
"Fangless" continues the momentum with a somewhat cleaner sound surrounded by a jagged synth line, which snakes through Sleater-Kinney's more traditional instrumentation.

"No Anthems" rumbles along. The low end is seemingly de-tuned, which leads to an intensity to the track. Further, the song seems to speak of the above change in the band. The chorus claims that "I'm not the anthem, I once was an anthem, That sang the song of me, But now there are no anthems, All I can hear is the echo, and the ring".

The more one listens to the album the more it ensnares its listeners. No Cities To Love is fantastic from start to finish. It growls and crunches, while informing and commenting on society at large, at least in part. And, let us not forget its call to action "We win, we lose, only together do we break the rules."

--Fredy M. Iuni hosts Hiway 1, Mondays at 7:00 PM on CJLO.

It's the official countdown to Ghostface Killah/ GZA/ Cappadonna show- next Friday, April 3 at Théâtre Telus! Got your tickets yet? CJLO - 1690AM will be interviewing Champagne Productions, the promotion company behind this show Wed at 6pm on Champions of the Local Scene and is pleased to co-present the event! Opening acts include The Moon Crickets and DJ Merciless, Lord Fury & Killah Priest. Tune in to hear the latest scoops from behind the scenes (like how you could meet Ghostface Killah & GZA before the show!) PLUS what else they've got coming up! A lucky someone will even win a pair of Ghostface tickets- find out how below!

Winners will be announced Thurs on Something For The Radio, your weekly Thurs afternoon Hip Hop dose at 3pm hosted by D-Shade and Redd Dredd. In the meantime, check out last week's episode where DJ Storm stopped by to chat up D-Shade- making a 2/3 reuinion of Montreal hip hop pioneers Shades of Culture at CJLO- listen for yourself!

Ghostface Killah/ GZA/ Cappadonna Contest Details:

text GHOSTFACE and a number between 1 and 100 to CJLO 1690AM (514-848-7471). You can enter more than once by commenting your name and the same number on our facebook post and twitter.  

There's something eerie about being photographed moments after being arrested - but who knew that someone's misery can also be another person's artistic masterpiece, or even a scoop that's just waiting to be nourished by the hungry pages of the tabloid?

There's more to a mugshot than just an image, and there's more a story than just seeing someone smiling (or posing with umph and enthusiasm, or with utmost distaste and disgrace) for the camera.

Put together by Canadian director Dennis Mohr and writer Rob Ruzic, Mugshot is a 2012 feature documentary screened at this year's International Festival of Films on Art that looks into our fascination for this strange photographic ubiquity. It's informative, engaging, and fun; it packs a lot of punches, and yet at the same time, it invites us to learn and know why we get so worked up over a simple photograph of someone that we may perhaps know.

The cowboy-slash-Western-like musical tone, gives an endless presentation of these mugshots - from those of centuries past to the ones you may see online nowadays - all panning back and forth on your screen, will simply either make you laugh, giggle, churn, and cringe at any given minute. They can also be really distracting when you're trying to listen to an expert's personal opinion or narrative about a certain photograph. But then, it cannot be helped when you're curious to find out what made that alleged criminal commit to these crimes in the first place.

What's even more fascinating is how the filmmakers plunge you - as the spectator - into the lives of the various interesting characters being interviewed in collecting these mugshots for their own pleasure - or perhaps someone else's pain. For instance, there's a publisher in the U.S. who puts out a popular weekly paper of all of the mugshots of recent arrests with their names and motives for the crime done; a freelance designer having field day collecting, analyzing, and reading into the behavior involved regarding ancient portraitures of criminals printed from the 1800s; and a peculiar historian who travelled all the way from the British Isles to North Carolina just to learn the backstory of every recorded criminal that has been documented. You'd probably think they're crazy and have no idea to what they're doing with their lives. Or maybe not.

There are polarizing opinions to this kind of photography as well as there's also people interviewed in this documentary who have been taken in mugshots that simply say that it is not one's own moment to ridicule someone who have been warranted an arrest for a petty crime. Portraiture can also be seen as profiling someone who is a criminal who has done something wrong - disregarding everything else that person else has done in their lives.

As a whole, Mugshot will definitely spark an emotion, or a myriad of it - whether you're amused by the celebrity shots of people getting arrested for doing no good, or upset at how and why some people decide to extravagantly shame alleged criminals without the consideration, or privacy. Or maybe wonder why some people will go out of their way to hunt down for criminals.

Regardless of how you feel, "Mugshot" does its job as both a feast for the eyes and a nifty one-hour underground history lesson packaged into an engaging contemporary documentary film. Timely in a decade in selfies and the like, this one is worth checking into the lens' other side.

For a photo that's worth a thousand words, a mugshot can have a deep meaning.

- Mugshot played as a part of the 2015 edition of the Montreal Festival international du film sur l'art