This incredibly long year is coming to an end. If you read any music publications, you've probably noticed it's list season. A season full of controversy, hot takes, safe choices. Just in time for last minute Christmas gifts, here is what the wonderful people at CJLO liked the most this year.
Hubert Lenoir - Darlene
A beautiful, bouncy discovery for me early on in the year that has remained in constant rotation. Hubert Lenoir is a huge force to be reckoned with, so it’s hard to believe that he’s just getting started.
U.S. Girls - In A Poem Unlimited
It took a while for this album to grow on me, but sometimes genius takes a long time to travel back to you. Meg Remy successfully blended synthy no-wave, disco beats with lyrics about patriarchy and systemic oppression. For me, a winning combination.
Booji Boys - Unknown Pleathers
Pledging my forever standom to Halifax’s Booji Boys.
Pusha-T - DAYTONA
I’m not a fan of long (read: bloated) albums, so I was pretty excited to hear an eight-track LP from PUSHA-T. To me, it was a long-awaited antidote to the sprawl found in most modern rap music, most notably with Drake. Also, the first track “If You Know You Know” slaps so hard.
Fucked Up - Dose Your Dreams
Speaking of sprawling, the latest Fucked Up record is a beast. Complex and layered, while taking influences from several genres that often don’t come to mind when you think of Fucked Up. The last track alone features vocals from Lido Pimienta and Mary Margaret O’Hara, two of my personal high priestesses.
Janelle Monae - Dirty Computer
Still mad this record did not get Best New Music. To what end, Pitchfork?
THE CARTERS - EVERYTHING IS LOVE
This record convinced me that Beyonce may be a better rapper than her husband Jay-Z. My one critique of this record was that Beyonce and Jay-Z were not called THE KNOWLES-CARTERS.
Cardi B - Invasion of Privacy
It’s true that the record is a bit front-loaded, but who among us did not expect - even demand - to hear “I Like It” at any party during the summer? And then “Bodak Yellow.” And then “Bickenhead.” And at that point, you might as well just play the whole record and then hit repeat.
Jeremy Dutcher - Wolastoqiyik Lintuwakonawa
One of the most stunning records made in ages that confronts the listener with important issues such as language, colonization, and the connection between a people and its land. The 2018 Polaris Prize winner.
Sloan - 12
A strong offering from Sloan, a band that has never once made a bad record. Do they already have a song in which they tell listeners that if it feels good, do it? Yes. Does their new song about doing what feels good, feel good? Absolutely.
Hubert Lenoir - “Fille De Personne I-III” - Darlene
My Donna Summer meets Black Sabbath meets David Bowie dreams have come true.
Ought - “Desire” - Room Inside the World
Probably tied with Habit for the best Ought song to date.
U.S. Girls - “Time” - In a Poem Unlimited
It’s a cover, but U.S. Girls makes it entirely their own. My Talking Heads meets ABBA dreams have come true.
Helena Deland - “Perfect Weather for A Storm” - From The Series of Songs “Altogether Unaccompanied”
I love a good crunchy guitar riff.
Bonjay - “How Come” - Bonjay
Alana Stuart’s vocals are unbelievable in this song.
Charlotte Day Wilson - “Doubt” by - Stone Woman
Another vocal stunner showcase.
Janelle Monáe - “Make Me Feel” - Dirty Computer
If you don’t play this song and then not play Kiss by Prince right after, I don’t even know who you are.
Amen Dunes - “Blue Rose” - Freedom
My Simple Minds meets U2 dreams have come true.
Jennifer Castle - “Crying Shame” - Angels of Death
I never relished in shame as much as I have listening to this song.
THE CARTERS - “APESHIT” - EVERYTHING IS LOVE
I mean, have you REALLY seen a crowd going apeshit?
*Not bands making records in 2018, necessarily.
Hubert Lenoir
Talented, brilliant, show-stopper, never-before-seen, once-in-a-lifetime.
DEVO
I long dismissed DEVO as a novelty band because “Whip It” is both notorious and ludicrous. But, I finally heard the first DEVO record, Q: Are We Not Men? A: We Are Devo!, and was blown away by the pulsating, frenetic, nervous energy.
The Clean
A college rock band from New Zealand making music in the 1980s that’s more enjoyable to listen to than R.E.M. (a hot take, I know.) Their first record, Compilation, has such haunting, mesmerizing songs, such as “Tally Ho” and my personal favourite “Point That Thing Somewhere Else.”
Mister Yellowman
A reggae star best known for a song called “Zungunzungunzungunzeng,” but really shines through in his debut album, Mister Yellowman.
The Nerves
High-powered power-pop from L.A. The creators of the song “Hanging on the Telephone,” a song about being left on read with a crush, I think.
Salome LeClerc
One of the spookiest debut albums I’ve heard. A lush album with vocals that feel like heavy fog descending in the night.
LIZZO
The people’s rapper. The people’s flautist. The people’s Ursula. LIZZO for World Queen.
*Not necessarily records or bands from 2018, not ranked either
Queen
Bohemian Rhapsody, the film, is infuriating because of how wildly inaccurate it is. “Bohemian Rhapsody”, the song, is forever dope.
Metallica
Covered Queen and won a Grammy! But, I revisited the band late this year after binging (but not purging) Metallica documentaries, of which there are several. I think I have listened to “Eye of the Beholder” off of ...And Justice For All 50,000 times in one night.
Sloan - Twice Removed
An album I asked my friends to listen to so that they can appreciate finer details such as the lyrics to the song “Penpals” and Jay’s vocals in “Snowsuit Sound.” Officially requesting this to be on my tombstone: “It’s not the band I hate, it’s the fans.”
The B-52s - The B-52s
“Rock Lobster” isn’t even the best song off the record. I would put my money on “Dance This Mess Around.”
The Replacements
I read Trouble Boys by Bob Mehr and I fell very much in love with these frustrating, obfuscating weirdos from Minneapolis. Every Replacements record to me is perfect, even All Shook Down.
Ringo Starr
The Beatles, ranked:
1. Yoko Ono
2. Ringo Starr
3. John Lennon
4. George Harrison
5. Pete Best
6. Billy Preston
7. Paul McCartney. (Don’t @ me.)
Prince
Another weirdo from Minneapolis who made incredible records. I once had to DJ an art gallery drag show and my instructions were to play “artsy, quirky, oldie, contemporary songs.” So naturally, I played a lot of Prince.
Steely Dan
People around CJLO (read: Allison and Zach) are starting to know me as The Steely Dan Person, which is such an honour.
Neutral Milk Hotel - In the Aeroplane Over the Sea
Celebrated its 20th anniversary this year and its quirkiness still lives on in the hearts of outcasts in high schools everywhere. When I first heard this album in 11th grade, I didn’t really understand the appeal. But upon further reflecting on the time that was 1998, a (kind of) pre-internet, post-grunge world, it’s bizarre to me that here was this album with a bagpipe jam, lyrics about Anne Frank, and loving Jesus Christ. I’ve thought a lot about this record, maybe more than any of the records listed here.
American Pleasure Club - A Whole Fucking Lifetime of This
Soccer Mommy - Clean
Booji Boys - Unknown Pleathers
Jeff Rosenstock - POST
BBQT - ALL FOR SHOW
Rotten Column - Are We Not Bags
Cloud Nothings - Last Building Burning by
Swearin’ - Fall Into the Sun
IDLES - Joy as an Act of Resistance
SOPHIE - Oil Of Every Pearl’s Un-Insides
Superchunk - What a Time To Be Alive
Mitski - Be The Cowboy
Deafheaven - Ordinary Corrupt Human Love
The Body - I Have Fought Against It, But I Can’t Any Longer by
JPEGMAFIA - Veteran
Iceage - Beyondless
FRIGS - Basic Behaviour
SOPHIE - “Immaterial”
The 1975 - “TOOTIMETOOTIMETOOTIME”
Cloud Nothings - “Leave Him Now”
Kurt Vile - “Check Baby”
Nap Eyes - “Every Time the Feeling”
Ryan Hemsworth - “Four Seasons”
Washing Machine - “Saint Rita’s Baby”
Mineral - “Aurora”
Playboi Carti - “Shoota (ft. Lil Uzi Vert)”
Parquet Courts - “Almost Had to Start a Fight/In and Out of Patience”
Motherhood - “Pick of the Pugs”
Frankie Cosmos - “Accommodate”
U.S. Girls - “Incidental Boogie”
Car Seat Headrest - “Bodys”
Camp Cope - “The Opener”
Radiohead at Bell Centre
Martha at The Clocktower (Ottawa Explosion Weekend)
Rotten Column and Washing Machine at the Sackville Legion (Sappyfest)
Hubert Lenoir at La Sala Rossa
Fiddlehead at La Plante
Yaeji at Centre Phi
Mitski at Club Soda
Superchunk at Bowery Ballroom
Thou at Saint Vitus
The Breeders at Theatre Corona
Most Memorable CJLO Moment of the Year
A three-way tie between the zine launch for SCORNED, our outrageously chaotic Big Shiny Tunes cover show, or my favorite metal band Pallbearer (!!!) doing a live session in the Oven. Every moment at CJLO is memorable!
Daughters - You Won't Get What You Want
Kamasi Washington - Heaven/Earth
La Luz - Floating Features
Lonely Parade - The Pits
Low - Double Negative
Noname - Room 25
Sleep - The Sciences
Stephen Malkmus - Sparkle Hard
Tim Hecker - Konoyo
Yo La Tengo - There's a Riot Going On
Bernice - "He's The Moon"
Rotten Column - "I'm a Bag"
Rick White - "Tomorrow"
Sick Thoughts - "Black Leather Glove"
Yee Grlz - "S.A.D."
Interviewing Jean-Hervé Peron of Krautrock legends Faust, Meeting the drummer of 60's garage rock obscuros 'The Zakary Thaks' and having him call out my stage name, and getting a photo with Nardwuar the Human Serviette
10. Ghost - Prequelle
Though I joke that this is by far the greatest 80's stadium rock record of the year, Ghost seems to be perpetually pulling a case of giving people what they didn't even know they wanted. Catchy, dark, and full of Satan, this album has is great though it does fall a bit flat at places.
9. The Ocean - Phanerozoic I: Palaeozoic
Oh those crazy Germans and their superbly done albums about another one of the geologic periods of Earth's history. What will they perfect next?
8. A Perfect Circle - Eat the Elephant
A Perfectly solid album that feels like a logical progression. Not as good as their first two records, but it holds its own. But really "The Doomed" makes this record glorious and cannot be denied.
7. Mantar - The Modern Art of Setting Ablaze
Despite the bad grammar in the title, this record rocks hard the way Mantar has come to be known. A heavy, sludgy, and ultimately awesome record delivered by just two people. Oh Germany, what can't you do?
6. Pig Destroyer - Head Cage
Pig Destroyer make a truly ugly record that in its ugliness shows us great beauty. Sure it's slower than previous albums, but being a sludgy, Southern influenced bit of grime is really the shining part of this record.
5. Author & Punisher - Beastland
As an industrial kid, I always hold out hope that it will make a triumphant return, and Beastland reinvigorates my hope that new artists want to jump into the industrial realm and innovate. This record is Skinny Puppy in 2018, and nothing is wrong with that.
4. Dirt Cannon - What Eats You
Southern metalcore still lives and it is embodied by the fine gentlemen in this Quebec group. A bit short, but it makes up for its length with catchy hooks. If you're looking for a bit of a throwback or the second coming of Every Time I Die's The Big Dirty, look no further.
3. Harakiri for the Sky - Arson
Still one of the best "post black metal" bands releasing things today, Harakiri for the Sky is able to produce a heavy, haunting record. Again, this is just two guys, and between them and the fine NYC gents in So Hideous, whatever post black metal is sits in good hands. Deafheaven wishes they could make songs like this.
2. Coheed & Cambria - Vaxis I: The Unheavenly Creatures
After a dismal record about family, Claudio Sanchez finally puts out a record about space bullshit and it's pretty solid. Able to have great jams like "Walk Among Us" and "The Dark Sentencer" next to Prize Fighter Inferno-esque things like "Unheavenly Creatures" really shows the varied ability of the band, and they are better off for it.
1. Zeal & Ardor - Stranger Fruit
It's hard to be original, and Zeal & Ardor is doing more original things than anyone has any right to. Mixing elements of black metal and Southern slave spirituals to a sound that I am calling "Blackened gospel," this second record somehow manages to still sound original even as it gives us more, albeit with more polish, of the first. It even manages to throw in some social commentary starting with the album title. If you slept on this and the last record, you need to get on it, because it is great.
Gost - Garruth
Do you like black metal vocals in your harsh electronica? Then Detroit's Gost has you covered.
CJLO Presents: Burned in The Oven: Volume 2 - It felt wrong of me to put this in the top 10 since I worked on it, but I would be remiss if I didn't take another opportunity to push a record that we at CJLO made thanks to so many bands coming in and rocking out in our recording studio. You can judge how much you love it by going to CJLO's Bandcamp and downloading it for free dollars.
A tie between CJLO bringing Destroyer of Light to play at Piranha and Pallbearer stopping by and doing a session in the Oven.
The Internet - Hive Mind
Jai Nitai Lotus - Affirmations
Aiza - Adieu
Anderson .Paak - Oxnard
Bas - Milky Way
J Cole - KOD
Shad - A Story About War
Marco Polo Masta Ace - A Breukelen Story
Black Thought - Streams of Thought
Stimulator Jones - Exotic Worlds and Masterful Treasures
Rapsody at Female Hip Hop Showcase SXSW
Jai Nitai Lotus Album Launch at Espace Knox
H.E.R. at MTELUS
No Moon - Sirens EP [Mechatronica]
Forest Drive West - Apparitions [Livity Sound]
Skee Mask - Compro [Ilian Tape]
Watching Airplanes - Psyop [Banlieue Records]
Pinch and Peverelist present In Deep [Livity Sound]
Color Plus - Color Plus EP [Vanity Press]
Tropical Interface - OM1 [Orange Milk]
Tessela and Lanark Artefax - Blue 01 [Whiti.es]
Aphex Twin - Collapse EP [Warp]
Chevel - Always Yours [Different Circles]
Liu Chang - False Start EP
Text Chunk - No Fun [Kudatah]
AMAZONDOTCOM - “Polimnia”
The Newcomer - “My Year of Sleep”
Miracles - “Palms (TenTwentySeven Remix)”
East Man & Saint P - “Can't Tell Me Bout Nothing”
Satanicpornocultshop - “What a Fool Believes”
L U C Y - “Okiniiri Riddim”
uon - “J”
Douala & Antonio Mazar - “Over Time”
P.H.O.R.K. - “No Afterlife”
Strick - “Smoke Detection (James Bangura Re-Fix)”
DJ Quesadilla - “Chemestry”
mionn - “H4JIM3M4SH1T3”
* denotes hosted by Multiple Tabs
Blaise Deville - Construct #50
LCL Stream - MERCURIAL*
s.M.i.L.e. Radio: Mind Club Takeover
DJ SKYNET - Mix 005*
Mumdance - Shared Meanings
nonobjekt01 w/v1984 & Sentinel
Color Plus - Record Release Mix for PopGun (ok it was dec '17 but whatever)
The Trilogy Tapes - RA Label of the Month Mix
Isabella Lovestory - “dondestas”
Brockett Parsons - The Brockettship
Kamaal Williams - The Return
U.S. Girls - In a Poem Unlimited
Ought - Room Inside the World
Yonatan Gat - Universalists
Jon Hopkins - Singularity
Shopping - The Official Body
Superorganism - Superorganism
Lydia Kepinski - Premier Juin
Knife Knights - 1 Time Mirage
Ayalew Mesfin - Hasabe (My Worries)
John Coltrane - Both Directions at Once
The Beatles - The Beatles
Bob Dylan - More Blood, More Tracks
Amnesty - Free Your Mind
Yonatan Gat/TEKE::TEKE at Distorsion Psych Fest
Ought/Snail Mail at Theatre Fairmount
Shopping at Bar Le Ritz PDB
IDLES at Theatre Fairmount
Bush Tetras at Pop Montreal
Femi Kuti & The Positive Force at MTELUS
!!! at Montreal Jazz Festival
Tough Age at Brasserie Beaubien
LCD Soundsystem at Place Bell
Lady J and the Jazz Cigarettes at Casa Obscura
This year, I'm flipping my list on its head a little bit. Instead of favorite albums and tracks to taste, I'm picking my favorite tracks (in no particular order) in hopes that you might like them enough give the rest of the record a try! I've even made it easy for you - you can listen to (almost) all of my song picks on a playlist.
Andrew W.K. - “Music is Worth Living For" from You're Not Alone
I heavily considered just making this squealing, synthy insanity, repeated ten times over, the entirety of my list for this year, mostly ̶a̶s̶ ̶a̶ ̶j̶o̶k̶e̶ because it's such an epic, over-the-top ode to persevering by the king of partying (and positivity).
Ghost - "Pro Memoria" from Prequelle
Upping the ante with full-on 70s style piano-heavy pomposity, this song has everything I fundamentally hate: keys, strings and clean vocals. That said, I can't not include a song whose chorus is "Don't you forget about dying / Don't you forget about your friend Death / Don't you forget that you will die". Inspirational.
Zeal & Ardor - "Ship On Fire" from Stranger Fruit
Once again combining black metal elements with Satanic spirituals, this song adds a dancehall stomp to the mix to great effect. By the time the monastic chants chime in, intoning spells from a 15th century grimoire (!), you'll be a believer.
Nashville Pussy - "Testify" from Pleased to Eat You
This is about as Southern-fried as it gets... organs, church choir choruses and finger-lickin'-good guitar melt together in a high-energy handclapper that'll have you rolling in the pews.
Nightseeker - "Thunder and Lightning" from 3069: A Space-Rock Sex Odyssey
This song sounds like it straight up time-traveled from the early 70s directly into my life, and transcends its FUBAR joke band origins as well as the mostly cock-rock bombast of the rest of the record (which is still excellent). Slot this one in between "Radar Love" and "(Don't Fear) the Reaper" for the roadtrip of your life.
Monster Magnet - "When the Hammer Comes Down" from Mindfucker
Faint shades of T. Rex's "Children of the Revolution" tinge this colossus, which is fitting for Monster Magnet's signature 70s spacemetal sound. Packed wall-to-wall with swagger, Dave Wyndorf knows the key to rock is to not fix what ain't broke, and this song, and the album it's pulled from, is working just fine.
Le Kraken - "Orgue" from De paille et d'or
An extremely late entry to the list, these Montrealers are back with their first new record in six years, and it's a monster. Their signature super-heavy post-metal sound is back, and I forgot how much I missed the dueling vocals, which absolutely pummel this track.
ASG - "Lightning Song" from Survive Sunrise
Bringing desert rock to the Wilmington, NC coastline since 2001, I've always loved this band's shining, soaring stoner sound, polished to perfection on this track. Unrelenting riffs with a sunbleached haze, this will bring a bit of summer to your coldest days.
Dirt Cannon - "Hire Consciousness" from What Eats You
This year's list seems to have collected quite a few motivational tracks, and this one is perhaps the granddaddy of them all. "Today, if I'm busy doing / I won't get caught thinking / And I'll thrive", scream the lyrics, over Southern metalcore breakdowns that hearken back to simpler times, when skinny jeans and circle pits were all that mattered.
Spectral Wound - "Slaughter of the Medusa" from Infernal Decadence
Living up to its album's name, this song manages to sound majestic and terrifying in equal measure. This is black metal without the bullshit, a pure distillation of the genre with riffage for days. Listen to it here.
In honorable mentions, plenty of other bands had great releases this year, including Clutch, High on Fire, High Priestess, Uncle Acid & The Deadbeats, King Witch, Behemoth, Psychedelic Witchcraft, and Zeke!
Without a doubt, my most memorable CJLO moment of the year was our live broadcast from the Heavy Montreal site. In a picturesque garden surrounded by flowers, we talked about our experiences at the festival while bands stumbled in and out to be interviewed live on air. There's no better way to spend a Sunday afternoon! On a personal note, after attempting (and failing) to see Monster Magnet live for the better part of a decade, it finally happened for me this year, and it was everything I had hoped for!
Lydia Képinski - Premier juin
Kali Uchis - Isolation
Bagarre - CLUB 12345
For Esmé - Righteous Woman
Fanny Bloom - Liqueur
Cam Maclean - Wait for Love
Buddy - Harlan & Alondra
Let's Eat Grandma - I'm All Ears
Ragers - Raw Footage
Cadence Weapon - Cadence Weapon
Ariane Moffatt - Petites mains précieuses
Choses Sauvages - Choses Sauvages
George Clanton - Slide
Kacey Musgraves - Golden Hour
Metric - Art of Doubt
Yes Mccan - OUI (tout, tout, tout, toutttte)
Helena Deland - From the Series of Songs "Altogether Unaccompanied", Vol. I-IV
LaF - Hôtel délices
Bad Nylon - Bébé t'es unique
Marie-Gold - Goal : Une mélodie
Dylarama - Certified Cutie
Hatchie - Sugar & Spice
MorMor - Heaven’s Only Wishful
Half Waif - Lavender
Kacey Musgraves - Golden Hour
Florence + The Machine - High as Hope
Helena Deland - From the Series of Songs “Altogether Unaccompanied” Vol. I & II
Rae Morris - Someone Out There
Mistki - Be the Cowboy
AURORA - Infections of a Different Kind (Step I)
MGMT - Little Dark Age
Mitski - “Nobody”
Kacey Musgraves - “High Horse”
Florence + The Machine - “Hunger”
AURORA - “Forgotten Love”
Hatchie - “Sugar & Spice”
MorMor - “Heaven’s Only Wishful”
Taylor Swift - “Getaway Car”
Flower Face - “Baby Teeth”
ATTLAS - “Want”
The Goon Sax - “We Can’t Win”
Top Concerts
Beverly Glenn-Copeland at La Sala Rossa
Limp Wrist at La Sala Rossa
Let’s Eat Grandma at Bar Le Ritz PDB
Jessica Moss at Casa del Popolo
Hatchie at Bar Le Ritz PDB
Kraus at l’Escogriffe
Moses Sumney at La Sala Rossa
Girl Ray at Théâtre Plaza
Drip at Bar Danse Entre-Nous
Cheap Wig at Casa del Popolo
NCT- NCT 2018 EMPATHY
NCT’s concept, as a group, is fascinating: while all (eighteen!) members belong to the supergroup NCT, they are then divided into smaller performing units, or groups of themselves, according to a variety of criteria and exploring a wide range of genres, from cheerful teen pop to intricate urban hip-hop. While subunits such as NCT Dream or NCT 127 have put out great music this year as well (the latter’s first full album also being included in this list), it is NCT 2018 EMPATHY that takes the cake for me as best album of the year, as it regroups all eighteen members in all their various units to explore NCT’s skills both in musicality and performance potential. To be fair, the rest of this list might be stronger in terms of music—but NCT’s strength as a group goes far beyond their talent as singers, rappers, and performers; it also takes root in their wondrous versatility, and NCT 2018 EMPATHY couldn’t have been a better way to prove it.
DAY6 - Shoot Me or DAY6 - Unlock
It’s impossible to choose. As I’m writing this, DAY6 is set to release yet another EP, titled Remember Us, and it definitely would have made this list if I had had the chance to hear it beforehand. There’s an undeniable pull to each and every DAY6 song there exists that always speaks of honesty and raw talent, and the tracks on both Shoot Me and Unlock are no exception. I find it hard to have just one favourite band, but if I had to choose, DAY6 would take the title, no questions asked.
Coeur de Pirate - en cas de tempête, ce jardin sera fermé.
Béatrice Martin. Queen of music. Queen of being a woman. Queen of being French-Canadian. Queen of turning herself into a meme on the Internet, owning up to that image, and still remain a socially aware and outspoken individual, using her platform to talk with people while also shining light on issues that are dear to her heart and important to discuss. The album is a masterpiece and includes Béatrice’s most honest lyrics to date—and the best music, too. What a woman. I’m in love with her. You should be, too.
Jorja Smith - Lost & Found
Shawn Mendes - Shawn Mendes
NCT 127 - Regular-Irregular
EXO - Don’t Mess Up My Tempo
Daichi Miura- Sphere
Khalid - Suncity (EP)
Troye Sivan- Bloom
NCT U - “Baby Don’t Stop”
DAY6 - “Falling”
EXO - “Ooh La La La”
Coeur de Pirate - “Combustible”
NCT 127 - “Fly Away With Me”
DEAN - “instagram”
TEN - “New Heroes”
DPR LIVE - “Action!” Featuring GRAY
Red Velvet - “Bad Boy”
Jorja Smith - “The One”
Colde - Wave (EP)
Milk & Bone - Deception Bay
Roosevelt - Young Romance
SALTNPAPER - More Than Just Circles
Jung Ilhoon - Big Wave (EP)
EXO-CBX - Blooming Days
Now, Now - Saved
YESEO - Damn Rules
divin’ - The Puzzle of Time (EP)
Deepshower - COLORS (EP)
Fiddlehead - Springtime and Blind
Soccer Mommy - Clean
Low - Double Negative
IDLES - Joy as an Act of Resistance
Grouper - Grid of Points
Culture Abuse - Bay Dream
Kelly Moran - Ultravolet
Pusha T - Daytona
Soft Moon - Criminal
Spiritualized - And Nothing Hurt
Mariah Carey - Caution
Beach House - 7
A Place to Bury Strangers - Pinned
Drug Church - Cheer
Fucked Up - Dose Your Dreams
Ovlov - Tru
Tinashe - Joyride
The Beths - Future Me Hates Me
mewithoutYou - [Untitled]
Superchunk - What a Time to Be Alive
Nick Schofield, Failure, Deafheaven, Slow Mass, Playboy Carti, Jeff Rosenstock, Chastity, Hot Snakes, Daughters, Cardi B, Sumac, Spectral Wound, Janelle Monáe, Glenn Jones, Frigs, Kali Uchis
Soccer Mommy - "Your Dog"
Fiddlehead - "Lay Low" & "Poem You"
Tinashe - "Stuck With Me" featuring Little Dragon
Let's Eat Grandma - "Hot Pink"
Iris - "Away"
Chastity - "Children"
Culture Abuse - "Calm E"
IDLES - "Colossus"
Mariah Carey - "Giving Me Life" featuring Blood Orange & Slick Rick
Our Girl - "Being Around"
Low - "Poor Sucker"
Mitski - "Nobody"
Cigarettes After Sex - "Crush"
A Place to Bury Strangers - "Never Coming Back"
Ella Mai - "Boo'd Up"
Slow Mass - "Suburban Yellow"
FRIGS - "Talking Pictures"
Carly Rae Jepsen - "Party For One"
Cloud Nothings - "The Echo of the World"
Snail Mail - "Heat Wave"
Fiddlehead at La Plante
Afghan Whigs at Danforth Music Hall
Grouper at Sala Rosa
IDLES at Fairmount
A Place to Bury Strangers at Fairmount
Radiohead at Bell Centre
Wolf Parade at Sala Rosa
Chromatics - Dear Tommy
Coombes, Gaz - World's Strongest Man
Low - Double Negative
Mastersystem - Dance Music ( MOST LISTENED)
Failure - In The Future Your Body Will Be The Furthest Thing From Your Mind
Thom Yorke - Suspiria Soundtrack
Moses Sumney at La Sala Rossa (2018-07-03)
Foo Fighters at Festival D'été De Québec (2018-07-09)
Beck at Place Bell (2018-07-10)
Radiohead at Centre Bell (2018-07-17)
Suspiria
The Night Comes For Us
Upgrade
Annihilation
You Were Never Really Here
Chuck Steel: Night Of The Trampires
Kamasi Washington - Heaven and Earth
Khruangbin - Con Todo El Mundo
Tune-Yards - I can feel you creep into my private life
Rolling Blackouts Coastal Fever - Hope Downs
Saintseneca - Pillar of Na
Phosphorescent - C’est La Vie
Robyn - Honey
Unknown Mortal Orchestra - Sex & Food
Santigold - I Don't Want: The Gold Fire Sessions
Meshell Ndegeocello - Ventriloquism
La Luz - Floating Features
Childish Gambino - “This Is America”
Neko Case - “Last Lion of Albion
Parquet Courts - “Almost Had to Start a Fight/In and Out of Patience”
Kamasi Washington - “Fists of Fury”
Young Fathers - “In My View”
Rolling Blackouts Coastal Fever - “Talking Straight”
Saintseneca - “Frostbiter”
Robyn - “Honey”
Father John Misty - “Mr. Tillman”
Khruangbin - “Evan Finds the Third Room”
Meshell Ndegeocello - “I Wonder If I Take You Home” (cover of Lisa Lisa & Cult Jam)
Cat Power - “Woman”
The Decemberists - “Once In My Life”
Tropical Fuck Storm - A Laughing Death in Meatspace
Rolo Tomassi - Time Will Die and Love Will Bury It
The Amazing - In Transit
Natalie Prass - The Future and the Past
Low - Double Negative
Arctic Monkeys - Tranquility Base Hotel and Casino
Foxing - Nearer My God
Zeal and Ardor - Stranger Fruit
Mournful Congregation - The Incubus of Karma
Let's Eat Grandma - I'm All Ears
Donovan Wolfington - WAVES
Pianos Become the Teeth - Wait for Love
Kero Kero Bonito - Time n' Place
Hot Snakes - Jericho Sirens
The Armed - Only Love
Tomb Mold - Manor of Infinite Forms
Drug Church - Cheer
Yob - Our Raw Heart
Joyce Manor - Million Dollars to Kill Me
The Beths - Future Me Hates Me
The 1975 - "I Always Wanna Die (Sometimes)"
Sarah Mary Chadwick - "Sugar Still Melts in the Rain"
Cupcakke - "Quiz"
Lana Del Rey - "Venice Bitch"
Fucked Up - "Normal People"
Hop Along - "Prior Things"
Lonnie Holley - "I Snuck Off the Space Ship"
Kitten - "I Did It!"
Loma - "Black Willow"
Mitski - "Between the Breaths" ft. Xiu Xiu
Kacey Musgraves - "Space Cowboy"
Meg Myers - "Numb"
Protomartyr - "Wheel of Fortune" ft. Kelly Deal
Rae Sremmurd - "Powerglide" ft. Juicy J
Marc Ribot - "Bella Ciao" ft. Tom Waits
Jeff Rosenstock - "USA"
Screaming Females - "I'll Make You Sorry"
SOPHIE - "Faceshopping"
Andrew WK - "Music is Worth Living For"
YG - "Suu Whoop"
King Krule – The OOZ
Helena Deland – From The Series of Songs "Altogether Unaccompanied" Volumes I-IV
Puma Blue – Blood Loss
Mac Miller – Swimming
Mitski – Be The Cowboy
Peach Pit – Being So Normal
Her's – Invitation to Her's
Beach House – 7
Jorja Smith – Lost & Found
Snail Mail – Lush
Big Shiny Tunes 2018
IDLES - Joy As An Act of Resistance.
KIDS SEE GHOSTS - Kids See Ghosts
HMLTD - Hate Music Last Time Delete EP
Blood Orange - Negro Swan
Courtney Barnett - Tell Me How You Really Feel
Corey Gulkin - All Things I’ll Forget
Against All Logic - 2012 - 2017
SOPHIE - The Oil of Every Pearl’s Un-Insides
Tony Molina - Kill The Lights
Denzel Curry - TA13OO
IDLES - “Danny Nedelko”
boygenius - “Me & My Dog”
Kids See Ghosts - “Feel The Love”
Courtney Barnett - “Need A Little Time”
Hop Along - “One That Suits Me”
Helena Deland - “Claudion”
Car Seat Headrest - “Sober to Death”
Hatchie - “Sugar and Spice”
Iceage - “Pain Killer”
Look Vibrant - “Numb Your Spirit”
Mitski - Be the Cowboy
Hinds - I Don’t Run
Waahli - Black Soap
Let’s Eat Grandma - I’m All Ears
Look Vibrant - The Up Here Place
U.S. Girls - In a Poem Unlimited
Kali Uchis - Isolation
The Marias - Superclean Vol. 1
Albert Hammond Jr. with The Marias @ L’Astral
Hood Rats - Trash Party
Performing an industrial noise cover of Kid Rock’s “Only God Knows Why” with Sean of Sublime State of Doom for Big Shiny Tunes 5 Fundraiser
1. Ripped to Shreds - 埋葬
2. Tomb Mold - Manor of Infinite Forms
3. Taphos - Come Ethereal Somberness
4. Ulthar - Cosmovore
5. Torture Rack - Malefic Humiliation
6. Hyperdontia - Nexus of Teeth
7. Skeletal Remains - Devouring Mortality
8. High on Fire - Electric Messiah
9. Diabolic Force - Praise of Satan
10. Extremity - Coffin Birth
1. Bog Body - “Through the Burial Bog”
2. Coffin Rot/Molder - Split
3. Snorlax - Splintering Demo
4. Tomb Mold - Cerulean Salvation
5. Undergang/Gorephilia Split EP
6. Sleep - "Leagues Beneath"
7. Crurifragium/Abysmal Lord - Crurifragium/Abysmal Lord
8. Draghkar - The Endless Howling Abyss
9. Cadaveric Fumes/Skelethal - Heirs Of Hideous Secrecies
10.毒蠱 - Demo II
Most Memorable CJLO Moment
This was my first year at CJLO, as we started our show in November. I'm still pretty new at this, but my favourite moment has to be running my first "show" with Allison and getting to press all the buttons and move all the faders and such. So much power!
Phil Aveline - Host of Turn On The Darkness, Wednesday at 2 p.m.
Best Albums
Travis Scott - Astroworld
Various Artists - Black Panther: The Album
Lil Baby & Gunna - Drip Harder
J. Cole - KOD
Pusha T - Daytona
Post Malone - Beerbongs & Bentleys
Drake - Scorpion
Cardi B - Invasion of Privacy
Lil Wayne - Tha Carter V
XXXTentacion - ?
Drake
Travis Scott
Post Malone
Cardi B
Lil Baby
Kanye West
Swae Lee
Gucci Mane
Young Thug
Offset
Trippie Redd
Juice WRLD
Lil Baby
Kanye West & Kid Cudi - Kids See Ghosts
Playboi Carti - Die Lit
A$AP Rocky - Testing
Unexpectedly starting my own hip-hop radio show with an awesome classmate and co-host.
Kids See Ghosts - Kids See Ghosts
Saba - Care for Me
Pusha T - Daytona
Travis Scott - Astroworld
Mac Miller - Swimming
Tierra Whack - Whack World
ODIE - Analogue
Blood Orange - Negro Swan
Brockhampton - Iridescence
Kali Uchis - Isolation
Vince Staples - FM!
Smino - Noir
Earl Sweatshirt - Some Rap Songs
THE CARTERS - EVERYTHING IS LOVE
Cardi B - Invasion of Privacy
Kids See Ghosts - "Reborn"
Childish Gambino - "This is America"
Pusha T - "The Games We Play"
Travis Scott - "Stargazing"
ODIE - "North Face"
Drake - "Nice for What"
Saba - "Life"
Cardi B - "I Do (feat. SZA)"
Kali Uchis - "Just a Stranger (feat. Steve Lacy)"
Daniel Caesar - "Who Hurt You?"
Lou Val - Lonely in Paradise
Black Thought - Streams of Thought Vol. 1
Curren$y x Freddie Gibbs - Fetti
Young Thug - On the Rvn
Zach Zoya - Misstape
Jack Larsen - Push-Ups
Cautious Clay - Blood Type
THEY. - Fireside
Ravyn Lenae - Crush
Lucky Daye - I
Arctic Monkeys - Tranquility Hotel & Casino
Beach House - 7
THE CARTERS - EVERYTHING IS LOVE
Death Cab for Cutie - Thank You For Today
Gorillaz - The Now Now
J. Cole - KOD
Jack White - Boarding House Reach
Pusha-T - Daytona
Lily Allen - No Shame
Kids See Ghosts - Kids See Ghosts
Anna Meredith - Eighth Grade
Colin Stetson - Hereditary
Lady Gaga and Bradley Cooper - A Star is Born
Matthew Herbert - Disobedience
Jonny Greenwood - You Were Never Really Here
Cliff Martinez - Game Night
Daniel Pemberton - Oceans 8
Cody Carpenter, Daniel Davis & John Carpenter - Halloween
Hans Zimmer - Widows
Colin Stetson - “Reborn” - Hereditary OST
The year is not over yet but these films are the best so far. If I can find a thematic element for this years list it is the tenacity and perseverance of these characters.
10. A Quiet Place Dir. John Krasinski
9. Roma Dir. Alfonso Cuarón
8. Isle Of Dogs Dir. Wes Anderson
7. Mid 90’s Dir. Jonah Hill
6. Won’t You Be My Neighbour? Dir. Morgan Neville
5. Sorry To Bother You Dir. Boots Riley
4. BlacKkKlansman Dir. Spike Lee
3. Hereditary Dir. Ari Aster
2. You Were Never Really Here Dir. Lynne Ramsay
1. Widows Dir. Steve McQueen
Women's hockey: Wins RSEQ championship; finishes third at nationals.
Men's rugby: wins second-straight championship and goes undefeated for two years.
Men's hockey: Anthony Beauregard sets Concordia record with 60 points in season.
Men's hockey: Captain Philippe Hudon carries Stingers on his back in playoffs.
Women's basketball: Team ranks third in the country after going 4-12 last season.
Football: Offensive lineman Maurice Simba ranks among top prospects in the country.
Wrestling: Team finishes second at nationals.
Women's hockey: Former captain Marie-Joëlle Allard drafted by Les Canadiennes; second captain in a row drafted by them.
Men's basketball: Stingers make finals for first time since 2012, lose to McGill
Women's soccer: Imane Chebel plays for Algerian national team in April
To kick off its ciné-création section, the LGBTQ film festival of Montreal presented the new biopic Mapplethorpe, shining a light on the photographer’s rise to fame last Friday December 1st, at L’impérial. It also marked the first collaboration between the MAC and Image+Nation.
Although the movie’s intentions are very noble, it miserably fails to achieve anything, with the exception of a good performance by leading actor Matt Smith in the role of Robert Mapplethorpe. Odi Timoner’s first feature film has some interesting aspects, but mostly fails to live up to the public’s expectations.
Instead of focusing on one aspect of the photographer’s life, it goes through almost all his years as an artist, and by doing so, overlooks many important issues and characters. The movie feels fabricated, plastic. The edginess of Mapplethorpe’s photos isn’t, by itself, a good enough reason to make a film. But Timoner’s work doesn’t suggest anything else.
Since the very beginning of the film, I immediately knew it wouldn’t work. It starts with an awkward montage of archival images of New York (probably from the 40’s), even though the rest of story is set 30 years later. And after seeing a young Mapplethorpe in military uniform at the Pratt Institute, we quickly move on to his friendship with punk singer and poet Patti Smith, as they are taking a stroll down Washington Square Park. This is where the movie becomes problematic for me.
I’m a great fan of Patti Smith. I read her autobiography Just Kids a few years ago. It was written, in part, to honor Mapplethorpe’s legacy. She mentions how they grew to love one another, and how they struggled their way into the art scene of 1970’s New York. In Just Kids, Smith emphasizes how they almost died of hunger and sickness at a young age, trying to make it big.
In Timoner’s biopic, however, it all seems too easy. Instead of being portrayed as the badass that she was, Patti Smith, played by Marianne Rendon, looks like a naïve and innocent little girl. Her relationship with the photographer isn’t convincing. It’s no secret that Smith and Mapplethorpe had a passionate relationship, but there doesn’t seem to be much chemistry between the two in the movie.
When Mapplethorpe meets his first (male) lover and is introduced to “gay culture”, he immediately drifts away from the singer. We only see her again at the very end of the film, when he’s on his death bed. This seems very unlikely. It’s a well known fact that even after they separated, Smith and Mapplethorpe corresponded and saw each other regularly. Their love never really faded, according to Patti Smith’s account in Just Kids.
The other problem I have with this film is its inability to understand Mapplethorpe’s work. It is as if his bdsm and flower pictures just appeared, simply because he thought they were cool. There’s no real explanation of his artistic intention or process, nor is the movie interested in anything but the subversive aspect of his work.
Timoner’s aesthetic decisions are also questionable, as she couldn’t really convince us that we were in 1970’s New York (we see, for instance, a strange décor of the Twin Towers being built). The grainy retro images all shot on super 8 don’t necessarily add anything to the story either.
Despite Matt Smith’s great performance (he is particularly convincing in the end, when the protagonist becomes all the more narcissistic and self-obsessed, afraid of death) and the rapid but moving ending, Mapplethorpe has unavoidable flaws. Even if it might be enjoyable for someone who knows nothing about the photographer, I think a biopic has a responsibility to tell the truth as it was, without sensationalism. I hope that for her next film, Timoner doesn’t miss the mark.
Olivier Du Ruisseau hosts Friday Franco Show which airs Friday at 1:00 p.m
Photo: Caroline Désilets
When thinking of uses for a RV, it’s natural to picture families on vacation travelling across the country to visit various national parks and tourist destinations. That’s not what Montreal’s Lesser Evil had in mind, however. Instead, the duo recorded their self-titled debut EP in a RV secluded in the woods, without any electricity, running water, or the most precious of resources in today’s world, Wi-Fi.
“Being in the woods, outside with no neighbours, very alone and so calm – it feels like the home you never had,” says Christophe Lamarche-Ledoux, one half of Lesser Evil, about the experience. “He was actually living in a RV in the middle of the woods and he had transformed it into a studio, so that was very appealing to me as well, because I was like ‘no phones, we can actually do that,’ [and] bang out tunes and we don’t know what they’ll become,” adds Ariane M., Lesser Evil’s other half.
The pair were actually neighbours growing up in Sherbrooke, but it was only years later when they were in Montreal that they connected through mutual friends in the city’s music scene. What began two years ago as Ariane M. seeking out Lamarche-Ledoux to produce a project of hers evolved into a fruitful partnership, which they realized didn’t belong solely to one member or the other.
“Even though at that moment it wasn’t said that we were a band, it was still like that. Christophe was not [less] engaged because it wasn’t his project. We were like troopers the both of us,” Ariane M. says.
The end result of the pair’s collaboration is a four song debut EP that avoids easy classification. The first single “Caution” begins with sinister keyboards shrieks and no-wave saxophone skronks, but ends with gently cascading piano lines. The duo then jumps straight into the pulsating synth groove of “Sight Of”, demonstrating the versatility the two musicians possess throughout the EP. According to Lamarche-Ledoux and Ariane M., that eclecticism is intentional to an extent, even if it subverts the necessity of listeners and critics assigning genre labels to music.
“We all do it, we do it when we listen to something, it’s just a normal reflex. You can see with the four tracks that are pretty distinct that we’re trying to mindfuck that [laughs], meaning that we try to not get categorized, but if we do that’s life,” Ariane M. says.
“People ask ‘what’s the etiquette you would place your music under,’ and mostly people aren’t very satisfied by something broad,” Lamarche-Ledoux adds. “I’ve been in a rock band, and just saying it’s rock is not satisfying, people want to be specific.”
If Lesser Evil’s songs themselves are diverse in style, their accompanying music videos are all united in their unsettling use of Super 8 slice-of-life Americana footage, achieved by projecting the footage onto a wall and then recording the results on VHS. Behind the videos was a team of 5, including Guillaume Langlois (who’s also the owner of the 12 hours of source material for the videos), Felix-Antoine Boutin, and Odile Gamache, alongside Lamarche-Ledoux and Ariane M. themselves.
Originally Lamarche-Ledoux and Ariane M. planned on a traditional video shoot, but watching the footage intertwined with their music convinced the pair not only to use the available footage for “Caution,” but for all four of the EP’s songs. Even after trying to superimpose other music onto their footage, including Lamarche-Ledoux’s other project Organ Mood, the duo realized only Lesser Evil’s music would fit right with what they were seeing.
“We just put the EP on repeat and we watched the whole five of us for five hours, the rest Guillaume did,” Ariane M. explains. “But we watched five hours with our EP on repeat, and then we were going crazy. After a pause I was like ‘can we put something else [on]?’ Then we put something else, and after 15 minutes I was like ‘this is not working, can we put something else?”.
Despite just releasing an EP, Lamarche-Ledoux and Ariane M. are not intent on their collaboration being a one-off. The duo are already well on their way to completing an album as Lesser Evil and are working out how to bring their project onto the stage.
“We’ve worked on a lot of music in the past, and this project we’re really proud of” says Lamarche-Ledoux. “It keeps on giving, in the sense that we have many other really good songs that are already finished. It’s not getting ambitious in the sense that we want to make money and be big about it, we just feel like we can invest our time in this. It keeps on giving all the time, so we’re gonna push this project.”
“It’s super challenging in a good way,” adds Ariane M. “We’re both very ambitious in terms of trying to do the best, tap into what we can give at the moment and trying to be the best artists we can be. That sounds very absolute, but that’s the eternal quest.”
Lesser Evil is out now (Cult Nation)
25 years after Postcards from America, director Steve McLean brings queer cinema further with his new film tackling the relationship between male prostitution and art. Postcards from London was shown at L'Impérial Thursday November 30th for the LGBTQ film festival Image+Nation.
Mea culpa, when I saw its trailer beforehand, I was expecting a cliché remake of every coming of age film, filled with gay stereotypes. The movie itself was, however, completely different. Postcards from London turned out to be one of the most original films I had seen in a long time.
It tells the story of Jim, an 18-year-old boy from Essex (played by Beach Rats’ Harris Dickinson), who moves to London, as he doesn't really fit in with his conservative family. Once in London, he gets recruited by a group of five young men, self-proclaimed "raconteurs”, who admire him for his intelligence and good looks. Their job basically consists of sex work that specializes in "post coital intellectual stimulation". Desperately looking for a job and a place to stay, he joins them in their mysterious endeavours.
In order to survive in their world, Jim has to learn about art to please his sophisticated clientele. They’re not only looking for sex, but also good conversation about literature and painting. So he becomes acquainted with artists such as Caravaggio, Pasolini, and Francis Bacon. But as soon as he sees their work, Jim faces a new tragedy.
He learns that he’s suffering from a rare disease called the Stendhal Syndrome, which makes him hypersensitive to beautiful works of art. Whenever he faces a chef d’oeuvre at an art gallery, he immediately faints, overwhelmed by the beauty of the work.
Jim ends up having to cope with his disease while learning about art and doing his new job as best as he can.
Though this might look like a very strange, unpromising and maybe pretentious proposition, McLean’s film manages to create its own charming surrealist universe and imagery. Instead of relying on the clichés of sex work, Postcards from London is more intellectual and makes us think (a little).
Toward the second half of the film, the young sex worker becomes a “muse” and poses for artists around London as he fascinates everyone with his beauty. Rather than being superficial, this plot twist calls for meaningful conversations about art between different characters. It also allows for Jim to question himself about his own relationship with his body and about how the artist’s gaze affects it.
Throughout the movie McLean constructs a retro neon aesthetic that suggests a nostalgia for the Soho of the 60’s and 70’s, when Francis Bacon was at the peak of his career. He also recreates many of Caravaggio’s paintings. The 16th century artist is always present in the film, as Jim and his new friends even pose for Caravaggio in his dreams.
All of this is, of course, very much absurd. But McLean knows it. His film is self-aware, often sarcastic and ironic, playing the audience with stereotypes of gay men and queer films.
Another original aspect of the film is its constantly moving camera and colourful scenes. It also shows great attention to detail in costumes, wallpaper, and everyday objects, all vibrant and flashy, adding to the retro aesthetic and dynamism of the picture.
Even if Postcards from London is sometimes predictable and has a few disappointing outcomes (the final scene, for example, is a little too dramatic and has no real connection to the rest of the story), it is still enjoyable. McLean’s first picture in a quarter of a century stands out by its clever use of stereotypes, art history, and art direction.
Olivier Du Ruisseau hosts Friday Franco Show which airs Friday at 1:00 p.m
Photo: myhotposters.com
Montreal is welcoming the latest addition to it’s cinema family, Cinema Moderne: located in Mile End, and born just this year on September 17th 2018. When walking through its doors, there is an irrepressible feeling of a dream coming into reality. The cinema is comprised of a 50+ seat theatre with a bistro and bar, with promises of many cultural events to come. The cinema’s mission is inclusive and innovative, with an aim to incorporate series into their programming featuring directors from indigenous populations, women and local artists.
Their mission also includes the integration of family friendly events, in hopes to make this cinema accessible to all. The theatre is exciting, new and above all, “moderne”. There seems to be endless possibilities emerging from the space, and I am personally looking forward to their future programming. Last Saturday I saw Abbas Kiarostami’s latest and final work, a meditative and minimalistic piece that seemed to counterbalance the roaring new cinema.
24 Frames is the last work of the irreplaceable cinema auteur Abbas Kiarostami. With it, he leaves the audience with his last expression, a few frames that perhaps summarize the intent of his career and of his minimalistic style.
The film begins with an excerpt explaining the concept of his film. Kiarostami was fascinated by the idea that a painter can only capture one moment in their work. His curiosity then lead him to wonder, what happened just seconds before or after this moment. It is with this speculation that the director began creating his film. Drawing from his past photographic works, Kiarostami used animation to bring these stills to life and to express what could have happened if mere seconds had passed.
All the scenes have a sense of playfulness to them, as if we were exploring the thought process of the director’s mind. It is almost as if there is a dialogue throughout the film, as invisible as one’s own thoughts, but still deeply present. This film is yet another example of the most prominent theme of his work, the concept of the creation of reality. Here, he creates a reality based in the real world and then heightens it with the hand of imagination and computer animation.
With great sadness, with the completion of this film, we realize that we have lost a great artist. The final frame is in fact the last one gifted to us, but there remains a comfort in his enormous body of work. He was a true artist, and up until his last days was re-creating his vision in a new, innovative style. He gave us one more reason to be grateful for the work he has given us.
Hosted by Erdene Batzorig
Stories by Erdene Batzorig
-------------------------------------------------------------------------------------------------------
LOCAL
On Saturday, Montrealers joined a worldwide march to bring awareness to climate change during the COP24, the United Nations Climate Change Conference.
The rally in Montreal included citizens, environmentalists and Indigenous leaders who were protesting the Trans Mountain Expansion pipeline.
According to the Montreal Gazette, since its inception in 1950s the Trans Mountain pipeline has been bought by Kinder Morgan and more recently by the federal government.
Protesters said they want the government to actually consider the environmental impact if the federal government decides to expand the pipeline.
Could Nova Scotia’s new alcohol regulations create a domino effect in the rest of the country?
According to Global News, the Maritime province’s decision to remove limits on how much alcohol can be brought into the province for personal consumption has come as a result of a controversial debate at the Supreme Court.
Executive director of the Canadian Constitution Foundation, Howard Anglin believes the move could be good for the whole country, “Every province that … moves to reduce friction at our internal provincial borders should be applauded for that and, hopefully, will be an example to other provinces.”
Business owners in other Maritime provinces also believe this move could be a positive change.
INTERNATIONAL
U.S., Russia, Saudi Arabia, and Kuwait oppose a special report on climate change at this year’s United Nation Climate Summit.
The report which was commissioned three years ago as part of the Paris Agreement, details what would happen if average global temperatures rise by 1.5 C, and how to ensure they don't go higher.
The CBC reports that nearly all of the 200 countries present were ready to welcome the special report, except the US, and the three other delegates who refused to endorse it.
Alden Meyer of the Union of Concerned Scientists said, ”I think it was a key moment, the fact that a group of four countries were trying to diminish the value and importance of a scientific report they themselves, with all other countries, requested three years ago in Paris is pretty remarkable."
The four-oil exporting countries objections maybe linked to the suggestion in the report that the use of fossil-fuels be phased out by 2050.
Playboi Carti made a stop in Montreal on Saturday night as part of his Neon Tour, and an eager crowd awaited the artist’s much-delayed performance at MTELUS.
Atlanta native and long-time A$AP Mob affiliate Playboi Carti is on the last stretch of his tour, continuing to promote his debut studio album Die Lit that dropped in May 2018. The album came after the success of Carti’s eponymous debut mixtape, featuring his breakout single “Magnolia” that put eyes on the 22-year-old trap rapper.
With an expected start time of 8:45PM, Carti only got on stage at a late 10:45PM to an impatient, and perhaps slightly annoyed, crowd. However, all tension left the room as the performer walked on stage to “R.I.P Fredo (Notice Me)”. Immediately, the venue erupted into complete carnage as the audience was bulldozed closer and closer to the stage by aggressive fans that were eager to catch a front row view.
The rapper went on to play an unreleased song titled “Cancun” from his recently teased upcoming Whole Lotta Red album. Yet, it was not until the beginning of the third song that Carti demanded everyone open up the crowd and chant along to his “MOSH PIT! MOSH PIT!” request. As the crowd split in two, fans waited for the music to drop as they heard the introduction to “wokeuplikethis*”. From there, anyone that was sucked into the audience had no luck of being reunited with the friends that they came with. Shirts began to come off as men in the crowd could not take the heat that came along with hundreds of aggressive, very sweaty, Carti fans bopping to his greatest hits.
The rapper played a multitude of fan favourites, both old and new. Several tracks were those that featured Lil Uzi Vert verses such as “Shoota” and “Of Course We Ghetto Flowers”. Carti played some of his earliest tracks that put him on the hip hop radar such “Fetti” and “Broke Boi”. For many songs, he played only short snippets as they were tracks assisted by other rappers, such as “Mileage” featuring Chief Keef and “Lean 4 Real” featuring English grime artist Skepta.
While the crowd may have found itself calming down at one point in the night, it was surely due to a sheer depletion of physical energy. Regardless of one’s place in the audience, various different pockets of mosh pits found themselves scattered throughout. Whether it was a group of 10 or a group of 40, one misstep and you may get lost in the chaos with no guarantees of coming back.
As expected, Carti saved the best for last. “Telephone Calls” from A$AP Mob’s Cozy Tapes Vol. 1 led into “Lookin” and of course, “Magnolia” to finish off the night. As dozens of people left throughout the show because they could not keep up with what was to come, the crowd gathered their last remaining energy to rage to the rapper’s 2x platinum hit.
When Carti wrapped up his final track, he ended the night by paying homage to one of 2018’s hip hop martyrs. As he exited the stage, “Take A Step Back” by Ski Mask the Slump God featuring the late XXXTentacion began to play as Carti greeted the fans farewell.
Although a slight delay may have frustrated fans in the beginning, it can only be assumed that the energy Playboi Carti gave out in his hour long set was met with forgiveness by his loyal fans.
Jacob Carey is the host of Trappin' in Traffic, CJLO's newest hip-hop show, every Tuesday at 5:00 p.m.
Hosted by Luca Caruso-Moro
Stories by Luca Caruso-Moro
________________________________________________________________
LOCAL
Last year, Quebec’s unemployment rate dipped to historic lows at 6.1 per cent.
This means most Quebecers who looking for a job in 2017 found one. It also means there are jobs left unfilled across the province.
This is why Trudeau has voiced his concerns about the CAQ’s plan to reduce next year’s immigration acceptance by 10,000 people.
Valerie Plante echoed Trudeau’s concerns.
ANOTHER LOCAL
In other provincial news, Quebec’s National Assembly is voting on raising the legal age to buy pot to 21.
The law would make Quebec’s legal age with regards to weed the highest in the country, while maintaining the lowest age to buy cigarettes and alcohol.
The law would also ban smoking on public streets, parks, and sports fields.
NATIONAL
JUDY WILSON: “When you’re walking about the united nations and you’re going to go along with the self-determination and the consent, why wasn’t that applied with the Trans-Mountain Pipeline that’s going through 513km of our territory?”
That’s Neskonlith First Nation Chief Judy Wilson confronting Trudeau during an Assembly of First Nations conference this week.
Wilson said her nation was not consulted during trans-mountain pipeline negotiations.
Trudeau said his government acknowledges that there was inadequate consultation with first nations regarding the project.
JUSTIN TRUDEAU: “We are in the process now of going back and listening more. But, at the same time, we have to understand that this is a process that we are engaging in in good faith, in full respect. But it is not a process that ever is going to give unanimity.”
For those looking to relive the 90s, there’s no better news than a 30th anniversary performance possibly in the works of the debut album by Halifax power-pop quartet Sloan. “Four nights at the Foufounes!” bassist Chris Murphy told the crowd, before adding that he hopes to assemble the other acts that played their first Montreal show.
Murphy was joking, of course, because Sloan is nowhere close to being a nostalgia act.
A career spanning close to 30 years, Sloan is one of Canada’s most beloved rock bands. The band formed in Halifax, Nova Scotia and was the centrepiece of the city’s exploding music scene in the early 90s, which led some music journalists to dub the East coast city “Seattle North.” Sloan signed with Geffen, Nirvana’s label, for the release of their first album, Smeared. It was their second record, Twice Removed, that cemented Sloan’s power pop meets British Invasion sound, departing from their shoegaze-influenced debut. After parting with Geffen, Sloan released a slew of well-received albums and established themselves as an integral part to the story of Canadian rock music.
The CanCon veterans treated its Montreal fans to two sets, starting the show with new single “Spin Our Wheels.” With 12 records, Sloan can pull from a deep catalogue. Songs from Pretty Together, Parallel Play, and Smeared were played, even one rare B-Side, “Step On It, Jean” from Action Pact. Noticeably absent was 1998’s Navy Blues, which contains one of Sloan’s best-known songs, “Money City Maniacs.” Murphy told the audience that the band will be touring the album next year to celebrate its 20th anniversary.
After so many albums and tours, Sloan played nothing but a tight, solid show, save for one honest slip-up from guitarist Patrick Pentland who told the crowd the band hasn’t played a show in two months and they don’t rehearse. If that’s true, then their performance last night is even more impressive. Highlights include a blistering performance of “Underwhelmed,” one of the finest Canadian songs ever, and show closer “The Lines You Amend” off of One Chord To Another. As with any Sloan show, there was a major emphasis on audience participation, to clapping and singing along to major hits such as “The Other Man” and “Everything You’ve Done Wrong.”
Still, Sloan played most of their material from 12, their twelfth record released last April. A band with four songwriters, Sloan changed instruments twice during their two sets to let drummer Andrew Scott sing the lead on his songs. During Scott’s first time up front, he delivered a rockier rendition of his song “Gone for Good,” thanks to Murphy’s surprising mastery behind the kit. He then went immediately into fan favorite “People of the Sky,” proving to the crowd that Sloan is still as strong as they were back when that song was recorded in 1994.
Since Sloan has been around for so long, it’s easy to take them for granted. But that would be a serious mistake and it’s important that listeners take any chance they can to see them live. Here’s looking to 2019 for the Navy Blues Tour.