Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


BROODS at Theatre Fairmount, April 13, 2019

Ever since the success of their single “Bridges”, from their debut album Evergreen, released in 2014, New Zealand music duo BROODS has held a special place in the indie and electropop scenes. Their music has seen itself evolve from having an airy, tranquil, and soothing ambiance, to a confident and powerful rebirth in their album Conscious, to a flip to colorful and vibrant 80s sounds in their latest album Don’t Feed the Pop Monster, which came out in February 2019. Despite the variety of sounds they have experimented with over the years, everything they have released is guaranteed to start a dance party.


Stella Donnelly: Beware of the Dogs

“Are you scared of me old man? Or are you scared of what I’ll do?”

​Those are the chanted lyrics on Stella Donnelly’s opening track “Old Man” on her debut album “Beware of the Dogs”. Already the listener is the exposed to the kind of ride they are in for. This is an artist that does not hold back: a rebel with a cause, potentially trained as an assassin for feminist rights. 


L’Amalgame Cracks the Concrete on Latest Album

Photo: Manvs

When it comes to TV, a series’ best episode is often what’s known as a “bottle episode,” where the entire plot takes place in one sole location (e.g. Seinfeld and the Chinese restaurant).  What makes these episodes so good is that they give the characters a chance to let their chemistry shine through without distractions.


SLAX x SW : Direct to Damnably

When I arrived on the scene, the stench of vomit was already emanating from the alleyways.


The Darker Side of Metal: Part 2 – Sexism

We here at CJLO love heavy metal, despite its many flaws. It’s not just a few bad apples spoiling the genre. Some cases are evidence of cultural intolerance infiltrating the scene, getting worse as the music becomes more extreme. This two-part series will examine the problematic nature of metal. We’re only scratching the surface here, the subject matter can fill books and multiple documentaries. But only by acknowledging the problem, can we change it for the better.


Gauche at Bar Le Ritz, April 2 2019

‘Faut qu’on commence? On commence maintenant?’; after a few sound tests the first act, Helene Barbier, skips the introductions and small talk and starts off the set with “Not so Impressed”. Her set combined a mixture of songs from her first album ​Something​ and newer songs like “Tidal Bore”. Her debut album ​Have you met Elliott?  is set to be released later this year under Higher Records. Barbier still has somewhat the same mellow garage rock vibe than her main band Phern, but without the upbeat or pop components. Even though she carried a rather shy stage presence, her use of repetitive yet catchy choruses and chords kept the audience engaged.


Album Review: Devin Townsend’s Empath

You're welcome: I have delved into the Tartarean pits of my inbox and brought back such wonders to behold. So wondrous are these wonders that even for the recounting of their wonder I can't help but say you're welcome.

Empath is emerging.

That's right, a new era of Devin Townsend succulence has dawned upon our sordid realm, and now that it is up in me, like a caring mother bird shall I regurgitate some digested scraps of it into your eager brain-maw. To think this time last year I was digging through Steve Vai's garbage, and now look at me.


The Darker Side of Metal: Racism

We here at CJLO love heavy metal, despite its many flaws. It’s not just a few bad apples spoiling the genre. Some cases are evidence of cultural intolerance infiltrating the scene, getting worse as the music becomes more extreme. This two-part series will examine the problematic nature of metal. We’re only scratching the surface here, the subject matter can fill books and multiple documentaries. But only by acknowledging the problem, can we change it for the better.


Interview: Hero’s Last Rite

After discovering Hero’s Last Rite while doing my research form the Thrash Metal episode of the Iron Club, I was intrigued by the little heavy band from Fredericton, New-Brunswick. After exchanging a few emails, I got my first phone interview with singer Steve McDonald and here is the transcription of that phone interview.

 

JP Bernier : “I’m with Steve McDonald, frontman of Hero’s Last Rite, a band from New-Brunswick. Hi Steve, how are you?”


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