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April 23th, 2014

Hosted by: Marilla Steuter-Martin

Stories by: Emeline Vidal

Produced by: Emeline Vidal

Geektastiq

Bobby Drake, AKA Iceman, is set to come out of the closet in an upcoming issue of X-Men. Although the character has dated many women in the past, it will soon be revealed that the character is gay.

Iceman wouldn't be the first Marvel leading man to come out; Northstar came out in the early '90s in Alpha Flight #106. At the time it wasn't an easy task and writer Scott Lobdell had to fight to get the line "I am gay" approved before the issue came out. Bobby's coming out is more pull than open reveal (see the leaked panels below), but in the end he accepts that the truth is out and is okay with it, even going so far as to make a joke.

For Marvel, I think we can all say that this is a pretty huge step, since Iceman is a more recognizable character than Northstar. Bobby was one-third of Spiderman and His Amazing Friends in the '80s and has been one of the more notable characters in the X-Men movie franchise.

What does this all mean? I don't actually know... as a comic fan, it doesn't change much for me. Sexual orientation of characters has always been an afterthought, I was always far more focused on the insane time travel and possible global destruction. However, as a "visible minority" myself I can say that any time a character of colour is given the spotlight, I definitely felt proud of seeing some diversity reflected on the page. It meant the writers were thinking outside of a box that we've been all sitting in for far too long. So to the LGBT kids of the world, here's hoping this moment in X-Men history makes your day and gives you a moment of pride.

 

--Brian 'Döc' Holidæ hosts Phantastiq Cypha every Thursday from 10 PM to midnight, oly on CJLO!

Wednesday, April 22nd 2015

Hosted by Saturn De Los Angeles

Stories by Catlin Spencer + Tom Matukala + Saturn De Los Angeles

Produced by Tom Matukala

ANIMAZE 2015 - Notable picks from the 'Nature and Humanity' block

From magical human-morphing polar bears to blazing indigo-hued birds, scary vines that spontaneously grow on their own, to dismantling a gigantic plate of solar panels, the diverse selection from ANIMAZE’s Nature and Humanity block invites you to sit down and explore your imagination in looking at the fast-changing world of Mother Nature from a different perspective. While all of these selections are captivating in their own right, here are some notable pieces that grabbed our attention:

'Wrapped' from Germany

We may feel like big shots at the top of the food chain, but we often forget that there’s a wide world out there.

Put together by Roman Kaelin, Falko Paeper, and Florian Wittmann and originating from Germany, Wrapped may look like a short four-minute long piece about rapid disintegration and metamorphosing rebirth into a completely different world of lush greenery, but don’t underestimate the powerful messages that it carries along in the jaw dropping animation that blends in urban life and the power of nature to bounce back from the ashes.

There comes a time where humanity are at odds with Mother Nature’s surprising comebacks. We see this happen in the form of natural disasters, calamities, and other unpleasant things that happening around our backyard and elsewhere in the world. Indeed, it is a reality we all face.

Wrapped is a scary yet ominous narrative-less tale that reminds us that while we stand mighty - we’re simply just a small and simple speck of dust.

'The Orphan and The Polar Bear' from Canada

The Arctic has a ton of great stories that are just waiting to be shared. This one is definitely no exception and it will absolutely warm your heart.

The Orphan and The Polar Bear is inspired from an oral indigenous Inuit tale of an abandoned young orphan who gets adopted by an elder - who actually happens to be a polar bear in disguise. Directed by Neil Christopher, it is an animated short hailing from the northernmost Arctic territory of Nunavut.

Despite its simplicity in storytelling, there are many complex details that makes this story special. It gives off a very comforting feeling of how winter is like in the North - almost bringing home a sense of longing and nostalgia. It does a great job of bringing in the steady paced and visually pleasing mise-en-scene of the illustrated chapters. On top of that - listening to the authoritative yet soothing narration voiced by Johnny Issaluk may even feel like a throwback to the days of elders sharing bedtime stories in the middle of the bitter cold.

But while you may enjoy the rich colors and finesse illustrations seen in this eight-minute long piece, it also elicits a sense of reflection on how we live and learn together hand-in-hand with other creatures. After all, who could deny of the companionship and wisdom of polar bears?  

This eight-minute long northern journey reminds us that no matter where we are, we’re never alone.

'Glisse 581' from The Netherlands

How would you feel if you were asked to abandon a huge life-changing mission you have worked hard for all your life? Would you take the bailout offer at the expense of leaving your friends, family and perhaps even your sanity?

Glisse 581 is a science-fiction miniature melodrama that is half-animation, and half live-action, and it was put together as a graduation project by students from The Utrecht School of the Arts in the Netherlands. Set in outer space over 200 years old from now, the story revolves around the leader of a complex space mission to discover a new planet similar to Earth.

And what is the nature element here? The infamous final frontier that we all know that is space.

What makes this film impressive is that it is able to put science fiction and reality in a perfect balance that it literally sucks you into the adrenaline action of making to the destination and the emotional impact it brings on the sole explorer. The entire plot was orchestrated with accuracy that at first glance you would think you’re watching a Hollywood movie. You wish it was, but in fact it’s a little more than a half-hour long.

This film gives us a simple life lesson that stands true to all of us back on earth, never give up for your hard work will pay off.

 
--Saturn De Los Angeles hosts Shibuya Crossing every Wednesday from 2 to 4 PM on CJLO.

Today on Beyond the Black Rainbow- Talking to Loosestrife about Howlarts Album Launch: 4pm

Today on a special episode of Beyond the Black Rainbow, we will be talking with one half of Montreal duo Loosestrife regarding their upcoming album launch show in Howl Arts Festival (Sunday at 8pm- Le Cagibi- with Moss Lime and CHOCHOTTES). This show is co-presented by their label Saturn Returns: "a queer feminist collective of musicians and artists working to build welcoming spaces for accessible music creation, distribution, and performance in occupied Kanien'kehá:ka territory (Montréal)." Saturn Returns is home to Doilies, Heathers and Loosestrife- and all three bands will play a label showcase June 7 at La Vitrola in Suoni Per Il Popolo Festival. Tune in today at 4pm to find out more!

(Poster by Leah Girardo).

Monday, April 20th, 2015

Hosted by: Danny Aubry

Stories by: Julia Bryant, Emeline Vidal & Danny Aubry

Produced by: Julia Bryant

FIFA 2015: 'Entre Ciel et Terre: Quand le hip hop devient art' is a dazzling experience

This spring marked the 33rd edition of the International Festival of Films on Art. The festival was founded in 1981 by René Rozon and has thrived over the course of the past three decades. Born out of a legacy of innovation, culture and technology, FIFA maintains the artistic legacy established by Expo 67’. It is only appropriate that one of the highlights of this year’s festival was a multimedia screening of the hip-hop documentary Entre Ciel et Terre: Quand le hip hop devient art.

Combining dance, cinema and music, the event wowed the audiences at the Société des arts technologiques. For those familiar with the legacy of Expo, having the film being screened simultaneously on 6 different screens harkens to the Labyrinth Pavillon, one of the most groundbreaking cinema events of the latter half of the 21st century. The Labyrinth was a multimedia experience that told the story of man, beginning with an extended screen (which would eventually lead to invention of Imax technologies) before members passed through a long prism like hallway before entering the final chamber which used 5 screens (Entre Ciel et Terre uses 6!).

Assuming those who planned the event had this in their minds, it becomes a very powerful allusion to that original film which documented the origins of man. The way that it ties to the physicality of hip-hop, as both subject of the film and the actual live performance is quite remarkable. Not unlike the film, this connection uses pastiche and homage in order to suggest that hip-hop is as worthy a subject as the origin of life itself.

Directed by Eric Elléna the film follows several dance crews in France as they divide their time between competitions and training. The film similarly documents Anthony Egéa and the founding of a school where he brings in street dancers in the hopes of teaching them the fundamentals of academic dance theory. The film explores not only how hip-hop has changed by innovators like Anthony Egea who have brought in classical training into the world of hip hop but also how hip hop has injected new energy into contemporary dance.

The film depicts a new kind of dance that bridges the gap between low and high art, as well as incorporating elements of gymnastics, circus arts and martial arts. Elléna shoots the dance sequences with great reverence, incorporating well-used slow motion to great effect. The dance sequences are vibrant - and are beautifully complemented by the live performances (performed by Let Your Art Flow et Forêt Noire, whose style blends more traditional hip-hop with classical training not unlike what is presented in the film). The entire event is a beautiful ode to the power of dance as an art and a way of life. 

Shawn Katz, author of Generation Rising, on The Commonwealth Conundrum: Today 4-6pm!

Today on a special edition of The Commonwealth Conundrum Show , author Shawn Katz will be in studio at 5:30pm chatting about his new book Generation Rising: The Time of the Québec Student Spring. It is the first English-language book on the Printemps érable of 2012.

"Generation Rising is the story of the most important mass mobilization in Canada’s history and one of the most powerful anti-austerity movements in the world. It is the story of six months of brutalization of youth by the police forces of the capitalist establishment, as the students went toe-to-toe against the corrupt and autocratic élite in an effort to construct a horizontal, participative and grassroots democracy. It is the story of the Internet generation deploying its mastery of social media to harness the forces of hundreds of thousands, and ultimately defeat a battle-hardened premier. At the end of it all, Québec’s first social media mobilization had laid the foundations for a brave new future, where the old world of order and authority might finally be swept aside to make way for a new, twenty-first-century democracy."  Source: www.shawnkatz.ca

Rebecca and Danny will get the behind-the-scenes scoop on the book and Shawn's take on the current anti-austerity movement. They will also preview the book launch: happening Wed, Apr 22 at The Hive Solidarity Café Co-op MEZZ- at Concordia's SGW campus at 7:30 pm- organized by the CSU and the Concordia Community Solidarity Co-op Bookstore. There will be a meet & greet with Shawn Katz, refreshments, and introduction by Anne Lagacé Dowson. 

Also today on the Commonwealth Conundrum around 4:30pm - Rebecca and Danny will chat with Secret Sun about remixes from their debut album with the likes of FOXTROTT, J.u.D., The Posterz, CRi, Technical Kidman, Toast Dawg and Dr. MaD! Secret Sun will be doing their first official concert with Most People this Saturday, April 18th at Bar Le Ritz PDB.

 

 

 

The Cat Empire + Current Swell @ Metropolis

Presented by Evenko and Greenland Productions

Carmen from Plebeian Pleasures (Mondays 11 AM) reviews the frenzied night.

The Cat Empire killed two birds with one stone on April 11th, as they offered a second sold-out and stunning performance at Metropolis. Actually, forget "performance". It was a party.

A great deal of that fun was due to Current Swell, the perfect opener for an enthusiastic and packed audience. Coming all the way from Canada's West Coast, the band's indefinable sound contains nuances of folk, blues, reggae, psychedelic, pop, ska, heavy-country, and funk.

For 45 minutes, they jumped and laughed. Scott Stanton and Dave Lang had serious harmonica and guitar skills, but Ghosty Boy was the one leading the crowd with his crazy bass beats. Amongst the rock ambiance, they also included beautiful harmonies.

Towards the end of their set they said, "If you stamp your feet, Cat Empire will hear you. If you stamp them hard enough, you'll all end up under the stage". In a heartbeat, Metropolis was shaking and that's about the time everyone realized they were in for a treat.

People started interacting with each other and reminiscing about their previous Cat Empire experiences in between sets. It felt like a close get-together, and once "Brighter than Gold" started suddenly, everyone went insane. Arms and feet were everywhere, and it was awesome. There was an instant clash between the calm balconies and the hysterical front stage.

The Cat Empire's unique sound stands out from typical jazz and ska due to their unusual electric sound. Their set was diverse, offering their greatest hits and a soft focus on their last album, Steal the Light. More importantly, the fun was contagious. In "How to Explain", they proved their lyrics right, music is the language of the soul. Without holding back, people danced, cheered, and crowd surfed in a compact frenzied pit. It felt like a 35-degree Dominican Republic. The pit got real during "In My Pocket", and trumpeter Harry James Angus improvised "nananananas" on an increasingly fast drum, challenging the crowd to push themselves even more.

As if the night couldn't get more eccentric, keyboardist Ollie McGill played the "Super Mario" theme song, followed by a solo to introduce "The Wine Song". On this anthem, vocalist Felix Riebl invited the audience to put their arms around each other and unite in a gigantic circle pit. After seeing the crowd hug, he praised Montreal and said, "I love the way people interact with each other here". Their generous encore started with "Steal the Light" and finished with an endless version of "The Chariot". As the humble geniuses that they are, the octet did not want to leave the stage, and that ended the night perfectly. 

Many fans mentioned that they could not get enough and attended both parties. If you missed out, wear two shoes for dancing and pay a tribute to Bobby Marley's legacy in the comfort of your home with this video, or follow their American tour and catch the next Amigo Express!

Although the non-existence of cats almost ruined the night, the show gets a solid 12/10. 

Friday April 17th, 2015

Hosted by Catlin Spencer

Stories by Catlin Spencer Patricia Petit Liang

Produced by Patricia Petit Liang

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