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Boo Hoo gets Hooked on Dirty Sonics Work this Thursday

Local indie rockers Boo Hoo bring some new tunes to CJLO as they perform live on BOTH Hooked on Sonics (6-8pm ET) and Dirty Work (8-10pm ET).  Tune in early as Dirty Work host Denis will be joining Hooked on Sonics host Omar Goodness early so they both can ramble aimless about music and talk about the "good ol days" when "men made music" and "white noise was plentiful".  It's gonna be a doozy...

CJLO Punk Nite – The September Edition

Come join CJLO this Thursday (September 4th) as CJLO once again brings their monthly punk night to Katacombes (1635 St. Laurent). This month sees the DJs tearing the roof off of the place after France's Black Bomb A. The show's 7 dollars, doors open at 8 p.m. and Black Bomb A takes the stage at 10 p.m., but stick around as DJs spin until 3 a.m.!

Join Break It Down's Katrina, Brian H of Countdown To Armageddon and DJ Runt of The New Noise as they bring the best in loud stuff after Black Bomb A gets done their thing on-stage. Drink specials and rad tunes – what better way to usher in the impending school year?

This Week On Beats From The East: The Almighty Iz


Check out tomorrow night's edition of Beats From The East (Saturday 10 pm - 12 am), host Mike Vo welcomes IZ (a.k.a. IZreal).

Reppin' L.A., outta the Far East Movement Camp... you heard him on FM's "I Party", now he's launching 454 Life Entertaiment and coming out with his own projects. http://454life-ent.com/iz/

CJLO News August 27th 2010

News read and produced by Drew Pascoe

 

Stories written by Chris Hanna, Alina Gotcherian, and Candace Roscoe

Public Enemy (Fear Of A Black Planet 20th Anniversary tour)

Public Enemy is one of three bands (the other two being Bad Religion and Fugazi) that had a pretty profound impact on me with regards to deciding to question the "system" and learn about what exactly was going on with respect to current events and politics in general.  I always found it hilarious to see PE head MC Chuck D being a guest on Ted Koppel's Nightline on ABC back in the day.  Probably the last vestige of the so-called Golden Era of Hip Hop before rap/hip hop's focus shifted towards the G-funk and gangsta rap of the early-to-mid '90s, Public Enemy was a definite force to reckon with in their prime.  The group continually forced the listener not to accept the status quo, to challenge minds everywhere, and they also  pointed out inconsistencies and inequalities not only among a racial divide, but amongst class divides also. Public Enemy pushed the envelope, and contrary to their somewhat militant image, caustic rhymes, and the bombastic, groundbreaking production by the Bomb Squad, Public Enemy was always a group that preached unity and "power to the people."

But those days are gone.  After a string of lacklustre records and lineup changes, the band has faded a bit from the limelight, no more the controversial outspoken group it once was. Public Enemy is now overshadowed by the celebrity gossip hijinks of PE hype man, and now reality star, Flava Flav.  But you can't deny their early catalogue, and the group stopped by Montreal on their recent tour celebrating the 20th anniversary of the legendary record Fear of a Black Planet.

After a ridiculously lengthy delay to get on stage (we're talking an hour here people, maybe a bit more) due to being held up at the border (Chuck eventually copped to the fact that apparently the border guards were "trying to detain Flav for an extended time for absolutely ridiculous reasons"), finally some action hit the stage in the image of someone testing the turntables, and an increasingly annoying crew member who was trying to keep the audience entertained with incessant calls for "Can I hear you say 'tuuuurn it up!'" and/or "Can you say 'aaaaa-iiiight'?"

Things got more entertaining when Flav himself came on stage to line-check the drums by showing the crowd that he can play while slowly, slowly two S1Ws, a DJ, a drummer, a guitarist, a bassist, and then Chuck D joined him before (finally) starting the show with "Contract on the World Love Jam" and "Brothers Gonna Work it Out", exactly how Fear of a Black Planet starts.  They immediately set the bar high, bouncing all around, with both Flav and Chuck running around the stage trying to get the once bored crowd back into it, and they really succeeded.  The energy level was way up, and it didn't let up at all throughout the evening.

Ripping into a roaring version of "911 Is a Joke", the early momentum of the show took an early hit when I noticed that, yes Virginia, Flava Flav was lip-synching.  Badly.  So bad, that when he got to the chorus part of "Get up, get, get, get down…" and was dropping and bouncing with the lyrics, he didn't even have the mic to his mouth.  It was pretty disappointing, considering how great the show started, but it ended up being the only blemish on an otherwise pretty great night.

The majority of Fear was played, including classics like "Burn Hollywood Burn", an inspired version of "Welcome to the Terrordome", along with a brand new song entitled "Say It Like It Really Is", and a bunch of tracks from It Takes a Nation of Millions to Hold Us Back, much to my surprise.  Thinking this was an evening of Fear-only tracks, Chuck D assured the crowd about a third of the way through the set that even though the tour was predominantly to celebrate that record, they would be busting out some other songs for everybody, even treating us to some special stuff.  Getting to hear my fave PE song "Black Steel in the Hour of Chaos" was an unexpected surprise, and "War at 33 1/3" was performed live for the first time ever, by request of PE friends and local longtime hip hop supporters Duke Eatmon and Ron Maskell.  Chuck and Flav called them up on stage and saluted them while Chuck made sure the crowd knew that he "has never done this track live before" and spent all day "practicing it", hoping nobody would call him out if he botched it up.  Another fun moment was when Flav called up his "nephew's buddy" on stage to hold the ghetto blaster/boom box they had on stage during "Don't Believe the Hype".  They were firing on all cylinders.

In the end, all the old tracks had the same bombast and vigor as before, and Terminator X was saluted (even though he no longer DJs for the band, apparently he's an ostrich farmer now…yeah…seriously) with a great performance of "Terminator X on the Edge of Panic" (no shout out to Professor Griff though, …Hoooo boy).  Surprisingly though, the most in-your-face song by the group, "Fight the Power" was the only song that didn't have the same punch as the recorded version does.  But aside from that, the performances were pitch perfect, and they never let up.  Even during a small mid-set break to fix some technical problems, Chuck and Flav took the time to sign autographs and talk to the crowd from the stage.  No time was wasted at all here, and it was great to see that Public Enemy is still as efficient and relevant live as they were, and given the political climate these days, these old songs still stand the test of time, and still have a resonance and meaning to them that they did back then (ahem, "By the Time I Get to Arizona").

Lip-synching fiasco aside, when the band finished their set and the techs were pulling down the gear, Flava got up to the front of the stage and let loose  a fifteen minute sermon.  He first thanked the audience for supporting him personally in his reality TV endeavours, admitting there are a lot of people who criticize him for it, but maintaining that regardless of this fact, he's "still the #1 reality star out there", and it was due to his supporters.  He then went on this lengthy, but good-natured, rant about unity amongst cultures and races.  How everyone should learn to get along and appreciate one another and even had some choice words for the whole Quebec separatism debate.  It may sound a bit cheesy, but you could tell he was definitely genuine about it, and it was really cool to see a different side to Flav that is not what you'd expect given his jokey nature in Public Enemy, and his ridiculous antics in the Hollywood spotlight.

Following his speech, Flav and Chuck stayed around for a while signing autographs from the stage, shaking hands, and briefly chatting with their fans.  It was reassuring that even though PE has really slipped in quality, the band's "legend" status is inarguable, but they still maintain a deep love and respect for their fans.  I got my Fear of a Black Planet LP signed by both of them, and left the venue feeling pretty happy.  This was the first time I've seen Public Enemy live, and after years of being a fan, and after having met Chuck D twice before, this was a pretty special treat.  I'm just glad it lived up to whatever childhood expectations I had already set in my head.

News August 25th 2010

Read by Elle Magni.

Produced by Nicholas Fiscina.

Stories written by Candace Roscoe, Jonathan Moore and Gareth Sloan.

The 2010 HARD Tour feat. Crystal Castles/Rusko/Sinden/Destructo

My friends and I walked into Metropolis a few minutes after 8 p.m. just as the show was starting, at least according to the timeslots I’d found online, which later proved to be all kinds of inaccurate.  We got there a lot earlier than planned so I was a little unenthusiastic mostly due to the fact that: A) this is Montreal where the party doesn’t get going ‘till 11 p.m., B) this was a Sunday night, surely not the busiest night of the week and C) Destructo, the opening DJ and only artist on the line-up I didn’t know was going to be playing ‘till 9 p.m. (I’m a little jaded and by default never expect much from opening DJs). I figured I was going to be in for a long hour of monotonous electro beats and watching the crowd slowly trickle in as a dozen diehards tried to get the dance floor started. Suffice it to say I was in for a surprise.  There must have been 1,000 people there already and not a single one shared my opinion of what a dance floor is supposed to look like at 8 p.m. on a Sunday night. The place was absolutely going off. That’ll teach me to be a cynic. 

After I got over the shock of seeing the crowd and actually started to take in the whole set up I was suitably impressed. I’ve been to other DJ shows at Metropolis before and the stage set up is never anything to write home about: lights, table, banner of some kind, DJ. It was clear that HARD had some stricter expectations. The DJ booth looked great, it was raised behind a long LED screen that primarily displayed whoever happened to DJ, peppered with various visual effects and images. Certainly made the whole show appear more professional than most I’ve gone to in the past. There were a few visible but as of yet unused LED towers behind the DJ on the stage and a standard Metropolis lighting rig above the crowd as well. 

It was becoming clear that I’d severely underestimated this event and that this night was going to be full of surprises. Destructo was one of them. There’s something that needs to be kept in mind about this show before going forward: it wasn’t necessarily a Crystal Castles tour, it was the HARD Summer Tour 2010 with Crystal Castles headlining; emphasis on HARD. Destructo is the man behind the HARD Tour and the festival that takes place every year in L.A. He definitely played accordingly. His sound consisted mainly of heavy electro bangers with a particular focus on big buildups and drops. The bass was so intense that he literally had the whole building shaking, the TVs bolted to the walls looked like they were about ready to fall off. He did an excellent job of getting both the crowd and I worked up and ready to party. 

Sinden hopped on a few minutes after 9, a little delayed due to some technical difficulties getting set up. He toned down the heaviness a little bit and added a bit of dub and dancehall flair. Which isn’t to say that the atmosphere of the party suffered at all for it; the first few crowd surfers started popping up during this hour. His set reminded me a lot of a Major Lazer set actually. In fact he dropped at least one Major Lazer track and a few regular staples from Major Lazer sets ("Manges [Sharkslayer Dub]" by Digital Manges and "Underground Sound" by Seductive; if you don’t know them check them out). His sound wasn’t as focused on big drops as it was on percussive sounds and building a solid groove. It’s around this time that I realized this was an all-ages show, there was a group of at least five 12-year-olds really rocking out right next to us. I’m used to the drunken, messy hipster crowd these shows normally draw in so this was definitely a little bit of a shocker to me. 

When Rusko came on at 10 p.m. things really started to get crazy. I knew he was the biggest face leading the current mainstream tip of dubstep that’s blowing up right now but I guess I hadn’t realized how big he’s gotten. The second he even stepped onto the stage, during Sinden’s set mind you, the crowd exploded. Everyone started screaming, beer started getting thrown all over the place and I overheard a bunch of people around us start yelling “It’s him!” and “This is going to be crazy!” Frankly I was a little disappointed with his set. I prefer my dubstep dark and aggressive whereas his definitely took on a lighter, almost poppy tone. He played a lot of tracks with melodic female vocals and some straight up pop remixes, as well as classics everyone would recognize like a remix of “Day ‘n Night” by Kid Cudi and “Where’s My Money” by Caspa. While his basslines were undoubtedly heavy they eventually got a little monotonous. He’s carved himself such a niche that eventually it all just sounded the same. That being said the people on the dance floor still lost it; despite my complaints it’s clear that his sound has found a wide and dedicated fan base. It definitely wasn’t for everyone though. A lot of people went up on the balcony to see refuge from the near mosh pit the dance floor had become, me included. I was a little confused by the combination of Rusko and Crystal Castles when I first heard about the show and while it definitely worked for the majority there was still a portion of the crowd upstairs with very clear “WTF is this?” looks on their faces. His set ended around 11:15.

It took 25 minutes for the stage crew to clear out the DJ booth and set up Crystal Castles' drum set and keyboards. They had set up the stage so that the LED towers surrounded Crystal Castles in a semi-circle pattern and in between each set of towers were some strobes.  I normally wouldn’t bother explaining what the stage set-up looked like but theirs played a big roll in their show. They’re definitely a band that is very aware of their image and the set-up was designed to compliment that. When they did come on all of Metropolis went dark except for those LED towers or strobes, which would take turns lighting the venue with basically seizure-inducing flashes. I’m not sure the lights ever stayed on consistently for more than 1 second at a time. It created a very chaotic, violent atmosphere that worked exceptionally well with their presence and sound.

The other effect was that the band members were little more than silhouettes on stage because the lighting was all behind them. Maybe this wasn’t the case for those down in the pit as I was still on the balcony for this but I’m almost certain it had to look the same everywhere. It was particularly cool and off-putting at times when it came to Alice, their vocalist. She never stops moving, ever. The whole time she’s jumping or bouncing around, flailing her whole body, throwing herself on the ground or into the crowd. During their more melodic songs like “Empathy” the fact that she was just a silhouette made her body seem very disassociated from her voice. I couldn’t make sense of how someone moving so violently and chaotically could sound so calm. I almost wanted to be able to see her lips just so I could understand it. It gave the whole thing a ghostly kind of ethereal feel that I really enjoyed. As performers they were excellent. The raw, lo-fi feel of their music sounded even better in a live setting and despite all the filters she sings through it’s easy to tell Alice has an absolutely beautiful voice.

Like everything else about them their set was pretty abrupt. Around 12:20 or so as soon as they’d hit the last note on one of their songs (I didn’t have the foresight to note which one) the lights came on and without a word they all got up and walked right off stage. It was so quick that I wasn’t even sure what was happening. Then the lights went off and they back on just as quickly. I figured out later that this was their encore but at the time I wasn’t even sure. My friends and I left 10 minutes after and I founded out that they were done a few minutes after that. All told their set clocked in around 50 minutes long. It might have been short but considering how energetic and relentless it was I can’t say I blame them. 

While Crystal Castles may have been the act I was least familiar with going into the show they definitely impressed me the most. I look forward to seeing them again in the future and really recommend you do to if you get the chance.

-Patrick Meloche

News August 23rd 2010

Read and produced by Lachlan Fletcher.

Stories written by Chris Hanna and Nicholas Fiscina.

Canada's Arctic Claims

In 2009 the New York Times called the fight over Arctic territorial claims, The biggest land grab since colonial times, and said it was accelerating as nations scramble to claim writ over hundreds of thousands of square miles of ocean floor, much of it believed to be rich in natural resources.

Determining who controls the Arctic Ocean's seabed won't play out until a few years from now. Russia has decided to postpone its Arctic bid to 2013 while Denmark and Canada have until 2012 and 2013, respectively, to file claims of which Canada's are well supported by maritime law. Norway became the first nation to win control of Arctic territory, when the commission finished its review of Oslo's claims north of Svalbard, a region that lies far south of the North Pole. This leaves Russia, Canada, Denmark and the US to sort out the remainder of the Arctic riches.

What has all the maneuvering been about? The U.S.G.S. (US Geological Survey) has also run an assessment of undiscovered oil and natural gas reserves in the region and concluded that the continental shelves are a veritable treasure trove. Specifically, according to U.S.G.S. estimates, hidden within the continental shelves lies between 22 and 256 billion barrels of oil and as much as 2,990 trillion cubic feet of natural gas. These numbers are significant. The mean estimate of undiscovered oil reserves is more than double the amount of oil that has been previously found in the Arctic. Also, the median estimate of undiscovered natural gas in the Arctic represents about 30% of the world’s undiscovered reserves.

And there is the Northwest Passage. One day, the fastest way between Asia and Europe will be across the Arctic Ocean from the Bering Strait in the West to Baffin Bay and the Davis Strait in the East. There are a number of possible routes but the quickest and most likely to be ice-free for extended periods of time are those that traverse through Canada’s Arctic islands. The savings in time and cost will be enormous. For example, travel time from Japan to the Netherlands would be cut in half. Moreover, ships travelling through the Northwest Passage will not be limited to the maximum size currently permitted through the Panama Canal, the so called Panamax Ships.

When will the Northwest Passage will be fully navigable? Likely sooner than anyone thinks. In September 2007, the European Space Agency used a series of satellite photos to establish that an ice-free route through the Northwest Passage existed for the first time in modern history.


Now, after years of promises about standing up for Canada's claims to Arctic, the Conservative government has decided it wants swift and permanent solutions to issues that they have heretofore preferred to leave unresolved. Canada will make finding solutions to Arctic boundary disputes this country’s top foreign-policy priority in the far north. The reason being, one can assume, is that Canada is the most vulnerable of all the nations involved in the disputes to a potential loss of control over its Arctic waters -- this due to a lack of appropriate ships, port facilities and infrastructure to enforce the existing laws and regs.

Shelagh Grant  of the Globe and Mail asserts, Canada no longer has the luxury to dither and debate. If this government fails to take immediate action, Stephen Harper may well go down in history as the prime minister responsible for the nation’s loss of control over its Arctic waters – as will the Canadian people for allowing it to happen.

  

     

 

Pakistan - New Media and Politics

In Pakistan, fully one fifth of the country is said to be under water and the floods have not just devastated the lives of millions of people, they now present an unparalleled national security challenge for the country, the region and the international community. Lest anyone under-estimate the scale of the disaster, all four of Pakistan's wars with India combined did not cause such damage.

And there are a myriad of other problems that have been created: Millions of acres of crops have been destroyed and villages washed away. Joblessness and helplessness will lead to more young men joining the militants ...and the floods have not stopped the rampant violence in the country. The Pakistani Taliban continue to carry out suicide bombings and assassinations and have vowed to wipe out the Awami National Party which governs KP province. The Taliban are now threatening to prevent Pakistani non-governmental organisations from carrying out relief work.

 

There's also the scourge of water-bourne diseases and the risk of an epidemic:

 

    

If you want to help:

http://shelterbox.org/
https://secure.oxfamamerica.org/...
http://www.unhcr.org/...
https://secure.unicefusa.org/...
https://secure.my-websites.org/...
http://plan-international.org/...
https://www.internationalmedicalcorp...
https://secure.ga3.org/...
http://www.unicefusa.org/...
https://www.donate.bt.com/...
https://donate.doctorswithoutborders...

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