Hosted by Ahmad Moujtahed
Stories by Ahmad Moujtahed
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LOCAL
Residents of the West Island of Montreal joined the legal fight against Aéroport de Montréal, NAV Canada and Transport Canada demanding financial compensation due to damages caused by aircraft noise pollution.
In April 2018, a group of homeowners living along Trudeau airport’s flight paths, namely residents of Saint Laurent and Ahunstic-Cartierville, filed a lawsuit to which Quebec Superior Court judge gave the green light.
The lawsuit demanded financial compensation regarding aircraft noise pollution. Many residents claimed that they were regularly woken up by the sounds of planes flying overhead, with noise levels reaching up to 90 decibels.
According to Les Pollués de Montréal-Trudeau, up to 300,000 Montrealers living along the flight path are subjected to aircraft noise pollution. While compensation would be nice, what most residents want is for airport authorities to strictly enforce the take off and landing curfew from midnight to 7 a.m.
NATIONAL
The Canadian Centre to End Human Trafficking launched a national hotline to help victims and survivors of human trafficking.
The line is meant to help victims of human trafficking by connecting them with community resources and law enforcement officers. The line is also open to members of the public who want to learn more about the issue.
The toll-free hotline will be available 24 hours a day throughout the year. Call takers will be able to field queries in more than 200 languages, including a number of Indigenous languages.
The line can be reached at: 1-833-900-1010.
INTERNATIONAL
In the International Grand Committee on Big Data, Privacy and Democracy, Facebook announced that it will not remove any false or misleading content from the platform during Canada’s upcoming federal election campaign
Facebook’s decision to refuse to take down false content was a response to pointed questions about why Facebook is allowing a doctored video of U.S. House Speaker Nancy Pelosi, which was slowed down to make her sound impaired, to be shared across its platform.
Representatives for the social media giant said that Facebook has taken a position to inform people when content is fake, but it’s not Facebook’s role to decide the line between “free speech” and “censorship.”
Facebook representatives also bore the committee's frustration as to why Facebook CEO Mark Zuckerberg and COO Sheryl Sandberg did not appear before the committee.
L’appel du vide by rats?!
Natasha Perry-Fagant has been putting on award-winning Fringe shows for years now, and somehow I’ve missed all of them. This is probably because horror isn't really my scene. However, this feels like the year to branch out and try new things, and there is something about a grieving witch trying to find inner peace by ending the world that is strangely relatable.
Fairy Fails by Twinkles and Twirls
On a lighter note, Dot Dot Dot from House of Laureen will be telling the story of a fairy attempting to achieve the miracle of flight. I’ve seen their work in the past and it is always fun and adorable. I am expecting no different from such a delightful premise executed by such a talented performer.
The Carrot: Sex, Shit Death by The Carrot Company
I am uncertain what this is about, but the two minutes they had at the Fringe-For-All was some of the hardest I laughed all night. It was a fabulous combination of slapstick comedy and surrealist puppetry. And carrots. I am looking forward to finding out what it’s about.
The day had barely ended, but the sky was as dark as pitch. Light rain fell over a city awash in gunmetal greys and damp taupes. I leaned against the wall, half-finished drink in hand, and waited for my friends. Garish neon lights of blue and green flashed out from the Société des arts technologiques and lit up the raindrops in freefall. Heady baselines thumped through the wall, and I took the repeated slaps on the back until I spotted my entourage. We traded in our tickets at the door, held out our wrists for branding, and set foot inside the S.A.T for a Monday night show.
The first act was Gloom Influx, a local boy by the name of Luc Leclerc, who had a penchant for multitasking. Truly, I was amazed when I peered through the line of shadowy heads before me to see Gloom Influx handling a guitar, keyboard, and laptop all by himself. Through a haze of smoke, lights, and shadow, Influx’s music whisked me away to a world I had never experienced before. It was a world of bell-like chimes layered on top of threatening bass, sugary melodies melting into deep and sure beats. It put me in the mind of a half-lucid dream, where the landscape could change at any minute, and there was something strange but not unwelcome lurking around every corner. It was my first time hearing anything from this artist, and his music sucked me in and whetted my appetite for the cyberpunk nightmare that was to come.
I had seen the main act before but was just as excited as the first time. The man behind the madness, James Kent, took up his position at stage right (his live drummer took centre stage) and wasted no time in immersing his audience in the world of Perturbator. I was delighted to hear my two favorite songs, “Neo Tokyo” and “Perturbator’s Theme”, at the beginning and end of the show respectively. Blinded by the prism of lights that accompanied the music, I danced. I forgot the world of our Neo-Montreal outside, the friends whose company I kept, and even myself. The frantic, grinding, threatening synths, and the metal-inspired progressions moved through the crowd and stirred our souls. The music dragged me down the alleyways of nameless industrial cities, over crumbling cement rooftops, and through dark warehouses where shadowy figures hung around the edges of my imagination. I was all too happy to follow where the self-induced aural psychosis led.
My friends and I often refer to the music of Perturbator and Gloom Influx as “electronic music for metalheads.” Indeed, the crowd that night boasted many a denim kutte and faded Napalm Death decal. However, there were also girls in flowing black dresses, men in plaid button downs, and even some folks who preferred to keep their rain jackets on. No matter what subculture the audience members identified with, we were united in our love for the music. As someone who often straddles the lines between subcultures, I have always seen Perturbator as a crossroads of various alternative scenes. It is electronic music for metalheads, but also for goths, punks, scene kids, rivetheads, and anyone who feels called to its dark atmosphere.
The night ended with a tasteful encore that left the audience satisfied without keeping them past their bedtimes. My friends and I retrieved our coats, discussing the show, the lights, and Perturbator’s involvement in the Hotline Miami soundtrack. As we stepped out into the cold and wet night again, we bade our goodbyes and parted ways. I walked home riding a “concert high”, a sort of elation one experiences after a particularly fun concert. And, despite the miserable weather, the neon lights and flickering streetlamps of Neo-Montreal lit my path all the way home.
Brittany Wright is the host of Something Wicked on CJLO, airing every Monday evening at 10 pm.
On May 14, 2019 Smino brought his Hoopti tour to Montreal, performing to a full house a L’Astral. This was one of the last stops of the 30-date trek, but you couldn’t tell from the amount of energy Smino and his band brought with them.
If you’ve ever listened to Smino, the one thing you can say about his music is that it is hard to categories. Yes, the St-Louis native is very much a rapper, but his constant blend of signing, rapping, and his unique taste in production makes it difficult for anyone to describe his sound in a nutshell. Last night’s show proved that not being in a box has its advantages. I had no idea what to expect from his live set. I am aware of how complex the production is on his latest LP NOIR, yet the last thing I was expecting was a live band. Smino brought along a talented group of instrumentalists who seemed to be enjoy the music just as much as the crowd. The synergy was evident between the group and Smino. Damn near 30 shows can either make or break a team. It seems that Smino, his DJ/Hypeman, and the band found their pocket like the Golden State Warriors. Smino also brought along a very talented vocalist who sang background vocals. She added a lot the show and started off with one of the best mic checks I’ve seen in a while.
To call this show a “rap” show would be a disservice. The vibes went from reggae, to jazz, funk, and even a hint of classical. Sometimes these genre switches would all happen in the same song. Smino also had great crowd control. At one point in the show he was able to get the whole venue to be quiet on command, and moments later have them turning up to his bangers.
The one flaw of the show was how dark the venue was. Smino pointed out several times how this was the darkest room he ever performed in; my Nikon shots can attest to that.
Smino’s Montreal leg of the tour gave his fans what they wanted. He performed all his best songs, a few classics, and had the band to back him up.
You can catch Smino’s tour in both Toronto and Detroit: the last two stops of the Hoopti tour.
Akeem Johnson Pierre is the host of The Kitchen, the new home of rap and RnB, every Wednesday at 9:00 p.m.
Hosted by Ahmad Moujtahed
Stories by Ahmad Moujtahed
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LOCAL
This was Sophie Gaillard, lawyer and spokeswoman for the SPCA referring to Norman Trahand owner of St-Édouard Zoo in Trois Rivières, who was arrested by SPCA officers and the SQ on charges of animal neglect and cruelty.
After evaluating the condition of the animals at the zoo, a senior campaign manager told a news conference that most animals remained in dilapidated enclosures, had limited access to food and water, and appeared to be in need of veterinary care.
The charges stem from a visit in August 2018, when the SPCA said it noted several alleged violations. In a subsequent visit in October, officials seized two alpacas that were in poor health and found four deceased animals, including two tigers.
A resident who lives nearby the zoo told CTV news that he has seen dead or dying animals on the property. He said residents would bring apples for the deer in winter out of fear they weren’t being well fed.
If convicted, the owner of the zoo could face a maximum of five years in jail and a lifetime ban on owning animals
NATIONAL
Canadian Minister of Tourism announced investments in support of Pride festivals across Canada, including major investments in Pride Toronto, Fierté Montréal, and the Vancouver Pride Society.
Regional economic development agencies will work with Fierté Canada Pride to support even more Pride events across the country.
Other projects will include LGBTQ diversity training and market readiness programs in order to provide safe and respectful sites across Canada that everyone can enjoy.
These investments, part of the Canadian Experiences Fund (CEF), foster values of diversity and equity making Canada a welcoming destination for LGBTQ travellers.
INTERNATIONAL
In a statement, the UN Refugee Agency said that “given the worsening political, economic, human rights and humanitarian situation” in Venezuela, the U.N. “now considers that the majority of those fleeing the country are in need of international refugee protection.”
The new guidelines underscore the growing humanitarian crisis in Venezuela that is forcing people to take desperate journeys in search of food, medicine and other basic necessities.
The crisis comes as the country is locked in a political struggle between Juan Guaidó, leader of the National Assembly of Venezuela and Venezuelan president Nicolás Maduro.
From the 94-99 era of Iron Maiden.
Blaze Bayley was truly an interesting headliner, hailing from the United Kingdom, Blaze brought some flare to Montreal as he stepped on to the stage.
Showcasing the Infinite Entanglement Series, along with a few classics from his back catalogue, Blaze sure knows how to please a crowd and get them energetic and moving. Singing along to shreddy guitar melodies and solos, it was almost, but not quite, an Iron Maiden concert in a small bar. I will always remember the fact that Blaze Bayley almost spat on me as he gave a aggressive stare, shouting aggressively i'm Blaze f*king Bayley!
It caught me off guard, making me almost afraid of his menacing face, but I know it was all part of the show.
They had a few technical problems during “Lord of the Flies” when the guitar cut out, but managed to save themselves, handling it professionally. Although, I don't know if it was because of stage antics and hijinks they were pulling off, but the chemestry of the band was definitely strong: they looked like they were having fun.
The energy of the band was crazy: I’ve never seen such a highly energetic band who have been in the showbiz for a long time. They’ve still got it, especially during the maiden songs and earlier Blaze songs. However, due to repetitiveness around the middle of the show, I became tired and wanted something more aggressive and fast: my pleas were heard and it picked up again.
Near the end of the show, I saw the art and appreciation that Blaze Bayley puts into his shows. You can forget the outside and focus what's happening in the music. Overall, I enjoyed the show and was wondering to myself what I could have seen if I was born to witness Blaze Bayley as the old iron maiden singer: well now I know.
Dissymmetry is a brand new up and coming power metal band, fronted by Agender Guitarist Ace Baldwin. They promised so much potential in this new slew of local bands that are up and coming in the montreal scene: seeing their launch show last month at Turbo Haus, I was generally impressed.
Seeing them again for a second time, opening for Blaze Bayley, was exhilarating and fresh. Not only did Dissymmetry give us crunching, blistering guitar solos and headbaging riffs, but something new, fresh and original that has not been thrown on the table before. I really enjoyed a lot of their set, and they have so much potential as a band, so hopefully they follow it into their future.
Thrash la Raine was an interesting and weird combination: I hadn’t heard french metal in a while, yet their sound was similar to a band like Tribunal. Their songs ranged in subject from the plains of Abraham in Quebec, to dragons: this band has it all. I honestly don't know if this is a side project of some other band, but it was fun and enjoyable to watch.
Second to last up was Fractal Cypher, who I was most looking forward too the most. Building up to the show, I listened to them excessively at the gym, which made me even more pumped to hear them live. Throughout their performance, I was in awe of how much technicality they had as a band. They were really tight and delivered a promising show. Their launch show was a few months ago, where I only managed to catch 4 songs before I had to go home, but this time I was in for the full ride. Honestly it was worth seeing Fractal Cypher in this venue alone, showcasing much of their two current albums 'The Human Paradox' and now recently released 'A Prelude to an impending outcome'.
Set List:
1. “From the above and to the stars”
2. “Final Abode”
3. “Grandeur of it all”
4. “Idle Words”
5. “Lost”
Phil Aveline - Host of Turn On The Darkness , Wednesday at 2 p.m.
Letterboxd Review “Sends You on a Spiritual Musical High”
Amazing Grace is a gospel hymn that is as iconic as the American national anthem. It is also the title of a live album that Aretha Franklin recorded in Los Angeles, January of 1972. As well as being the best selling album for Franklin, it is the highest selling gospel album of all time. Originally Warner Brothers created a documentary film, directed by Sydney Pollack. It was Constructed as footage of the recording album set to be released in 1972, but it was later shelved. This lost footage is now finished in this documentary from director Alan Elliot and Editor Jeff Buchanan. Pollack is credited as a director for this documentary.
At the point depicted in the film, Aretha Franklin was at the height of her career with many top songs and accolades, but was looking to do something different for her next album. The live performance was spaced out over the course of two nights at New Temple Missionary Baptist Church in Los Angeles. Night one is seen more as an intimate performance due to the fact that there wasn’t a big crowd. Pollack was able to capture the set up to the live performance, taking you behind the scenes backstage with the gospel choir group that would back up Aretha. There is no rest as Aretha steps right in and goes for the classic hymns and original soul gospel compositions, only to pause when James Cleveland asks for a water break. As night one closes, Cleveland states that the closing number needs no introduction, leaving Franklin into a soul rising rendition of Amazing Grace. Night Two sees a bigger crowd in the audience including gospel singer Clara Ward, who inspired Aretha, and Rolling Stones front man Mick Jagger. Aretha’s father reverend C.L Franklin makes a speech about his daughter being rooted in gospel music. Seeing the bigger audience James Cleveland tells them to let the camera capture their emotions: we see more audience members get up and start dancing to the songs.
Amazing Grace is a musical and spiritual power-house of a documentary film. You will leave the theatre on a high not only from the spiritual nature of this film, but as well the soul and gospel music of Aretha Franklin. Her music is a spiritually transcendent experience. You even get to see Rolling Stones front man Mick Jagger losing himself in this musical journey.
4/5 Stars
Our favourite dog-loving assassin is hitting the big screen once again with more fights, more blood and even more dogs. John Wick: Chapter 3 - Parabellum is the third installment in the John Wick series starring Keanu Reeves, Ian McShane, Halle Berry, Laurence Fishburne and Mark Dacascos.
After being deemed “ex-communicado” by the High Table, a council of high-level crime lords, for killing one of their members, John Wick (Reeves) must fight for his life as eager assassins try to claim the $14 million bounty on his head. Chad Stahelski returns to direct and Derek Kolstad to pen the script with help from Shay Hatten, Chris Collins and Marc Abrams.
As the third instalment in Wicki-verse, the film did not disappoint in expanding the vast crime underworld. Viewers get a history lesson into the untraceable currency that drives the underworld and are introduced to interesting characters that are associated with the High Table. We also learn a little more about our titular character as he meets with old friends to cash in favours.
While some people are excited to learn more about the world that the films take place in, most viewers come for the action. The fight choreography in this film did not disappoint, while there were some fight scenes that seemed to linger longer than they should have, they were still entertaining. Most scenes that displayed hand-to-hand combat kept the audience engaged. The gun choreography was great to watch, with some comedic moments, especially when characters needed to reload.
The acting in the film was spot on, with Reeves maintaining the stoic performance as Wick. Halle Berry, who portrayed Wick’s old friend Shay, was a new edition to the cast along with Mark Dacascos, who portrayed a fellow assassin Zero, and Asia Kate Dillon, the Adjudicator.
There weren’t any stand out performances, but everyone was entertaining in their role: each character had their moment to shine.
Check out John Wick: Chapter 3 - Parabellum in theatres Friday, May 17th!
Luca Caruso-Moro
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LOCAL
Two new cases of measles have been reported in Montreal,
Health officials ask that anyone who may have contracted the highly contagious virus receive medical attention.
Early indicators of measles include cold and flu symptoms and white spots inside the mouth, rashes on the face and body come next.
Untreated, measles can cause pneumonia and brain inflammation.
LIST OF POSSIBLE CONTACT ZONES:
- Des Sources high school, 2900 Lake Street, on May 11 between 12:00 and 1:05 p.m.
- Tim Hortons, 3760 Sources Boulevard, on May 11, between 12:25 and 13:35 p.m.
- Royal Bank, 4400 Sources Boulevard, on May 11, between 12:15 and 13:25 p.m.
- Manju Beauté, a beauty salon, 3637 Sources Boulevard, on May 11, between 2 p.m. and 5 p.m.
- The Courtyard Marriott Hotel, 7000 Place Robert-Joncas in Saint-Laurent, on May 12 between 3 p.m. and 5:30 p.m.
- Les Aventuriers daycare at 196 Bates Road, in Outremont, on May 14 between 4:30 and 5:35 p.m.
Compiled by the CBC
NATIONAL
DWIGHT BALL “The people of our province want to see hard work, they want to see partnership, and they want to see humility. It is a great honour to be the premier of Newfoundland and Labrador.”
Dwight Ball will serve his second term as premier of Newfoundland and Labrador.
The Liberals secured a minority victory in Thursday night’s provincial election.
That means the conservatives will remain the official opposition. They say Ball shouldn’t get too comfortable.
CHES CROSBIE “Where with this end up? It will not end up with Dwight Ball as premier of Newfoundland in one year from now.”
Thats Conservative leader Ches Crosbie has vowed to form a coalition with the 3 NDP and 2 independent MPPs which could split the provincial seat count in half.
That’s assuming all the NDP candidates hold their position.
The New Democrats beat the liberals in one riding by just 5 votes, inciting a recount.
More to on that in the coming days.
INTERNATIONAL
Same sex marriage is now legal in Taiwan.
Same sex couples are now able to join in what are being called “legal unions,’ which is not the same as heterosexual marriage.
The main difference is that same-sex couples will be restricted from certain tax, insurance and adoption opportunities available to heterosexual couples.
This bill will be the first of its kind in Asia
Fans of Cajun, Irish fiddle and Quebec Folk will be able to find musical solace in Jabbour’s most recent studio effort. The Montréal quartet—which is currently composed of Guillaume Jabbour, Bill Collier, Bill Gossage and Carl Rufh—released Saint-Bernard on May 12, which serves as the follow-up to their 2016 debut Round The Clock. This new record features 14 new tracks, with 12 originals and 2 covers that are guaranteed to feel like a trip back in time through a distinctive sound that combines a contemporary musical arrangement and colourful storytelling.
Produced by veteran drummer John McColgan, the band benefitted from his wisdom, as they were destined to make a great product from the get-go. What’s more, the album features several guest appearances on violin, accordion and percussions by local musicians who complement the already seasoned collective that makes Jabbour. Together, they combine their strengths to create the songs featured on Saint-Bernard. The album title, according to frontman Guillaume Jabbour, was inspired by an elderly man named Bernard and his daughter the group met while on tour in Clare, Nova Scotia.
The songs are rich in content and serve as vehicles to take listeners to another time and place. The second track ‘’ Sur Une Montagne’’ is an opportunity to escape to the Quebec Laurentians; the Simon River in Morin Heights can be heard in the background and Jabbour’s lyrics contain various references known to the Montreal collective imagination, something local listeners are likely to enjoy. The title track ‘’ la canne de Bernard’’ tells the powerful story of an aging man who looks back at his life with nostalgia. The violin’s bluesy licks accompanied with the guitar on drop D tuning give the song space to breathe, thus giving it more depth and making it arguably the magnum opus on this album.
Other standout tracks in Saint-Bernard include: the upbeat ‘’La Job’’, which is a fun two-step; the simple yet effective ode to childhood “Everywhere Wild” and the chansonnier standard “Les Fruits” feels like it’s straight out of a 1920s movie set and is bound to be a bittersweet favourite.
The two featured covers pay homage to Quebec folk legends Jean-Pierre Ferland and Gilles Vigneault, by keeping the integrity of the songs and arranging them in a way that blends seamlessly with the original tracks.
In all, Saint-Bernard will captivate listeners with its tasteful and easy-listening tunes. A perfect combination of skilled musicians and a gift for storytelling is the winning formula for this quartet, and they use that to take us in a brilliant voyage in time.