Ahmad Moujtahed
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LOCAL
Montreal’s first “safe trading zone” has been set up by the SPVM. The “safe trading zone” is a place where people could exchange goods and payments for items purchased online.
The zone will be set up at Station 20, which is open 24/7, and located at the corner of Sainte Catherine and Bishop streets. The space will be under video surveillance at all times.
The SPVM said the Station 20 spot will be the first of several safe trading zones to come in the city in 2020.
NATIONAL
The Court of Quebec has accepted a plea of guilty from SNC-Lavalin Construction Inc., a division of SNC-Lavalin Group Inc,. in relation to illegal activities in Libya between 2001 and 2011.
As part of the settlement reached in court, SNC-Lavalin Construction Inc. will pay a fine in the amount of $280 million, payable in equal instalments over 5 years, and will be subject to a three-year probation order.
All charges against SNC-Lavalin Group Inc. and its international marketing arm, have been withdrawn.
INTERNATIONAL
The House of Representatives will take two historic votes to impeach President Donald Trump on charges that he abused his power and obstructed Congress.
According to CNN, the House will debate the impeachment resolution for six hours on Wednesday before taking a separate vote on each impeachment article.
Just ahead of Trump’s impeachment, a new CNBC All-America Economic Survey showed a massive partisan split on the matter. 45% out of 800 American participants disapproved of Congress impeaching Trump while 44% approved.
As 2019 comes to an end, it's time to look back at our favourite content of the year! Each of our DJs have sent in their own curated list of "Best of" content for the year. Do you agree with their picks?
Francella is CJLOs Station Manager and hosts Superconnected every Monday at 11 a.m.
With the year (and decade) about to close, we at CJLO always take this time to reflect on our personal bests - from albums, to songs, to live shows, to moments, and more. We carefully and diligently curated and ruminated to offer a snapshot of the past year - and what a year it was! We had more live sessions than ever before from Orville Peck, Common Holly, WHOOP-Szo, and even Polaris Music Prize winner Haviah Mighty. We set the bar for our Funding Drive, raising an impressive $7200, and we saw more shows from women and non-binary folks added to our stacked programming lineup. As for the music, I personally made it my mission to listen to new releases every Friday, and while I couldn’t quite shed my daily Steely Dan intake, I discovered more artists and labels than ever before. Sometimes, it pays to keep your New Year’s resolution. Happy New Year from CJLO to you and your family!
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Best Albums
Honourable Mentions
Best Songs of 2019
Honourable Mentions
Best Live Shows of 2019
Best Discoveries of 2019
Christmas: See below, but I drove everyone crazy talking about this band.
Orville Peck: Masked cowboy of the moment now selling out venues everywhere.
Fifth Column: Legendary proto-riot grrl band from Toronto whose debut album cannot be found anywhere. Luckily, I have a digital copy thanks to a friend back in Halifax (hi Stephen!)
Bernard Adamus: Best Montreal brunch album of 2019.
Bon Enfant: I love a Fleetwood Mac/disco/flare jeans moment.
CRABE: The best post-punk is Francophone.
Bleu Nuit: See above.
Best Obsessions of 2019
Christmas: This diamond-in-the-rough proto-prog band from Oshawa comprised of actual teenagers who made some of the most sophisticated and complex music Canada has ever known, I think. Heritage for Polaris Heritage Prize 2020.
Deep Purple: I would die for Ian Paice and Jon Lord.
Rush: I watched two Rush documentaries and learned that the trio would have sooner go back to their day jobs than forsake their vision on 2112. Had to respect that choice, and then reconsider my long hatred for the prog legends.
Karen Carpenter: One of the world’s greatest drummers, bar none, but often reduced to an embodiment of feminine tragedy. Justice 4 Karen.
Voivod: With an album like The Wake, how can you not be obsessed? This is the end of dormancy for Voivod, who have been overlooked by the Canadian music industry, but can now call themselves Juno winners and Polaris Music Prize long-listers.
Steely Dan: Yes, I put this down last year, but Pitchfork had a day celebrating The Dan with five new reviews on their most influential albums (although, I felt excluding Pretzel Logic was a tremendous oversight). Continue to get the fine Colombian, the Cuervo Gold, and never do it without the fez on. I am who I am.
Barrett’s Privateers by Stan Rogers: You can take the girl out of the Maritimes, but you can’t take the Maritimes out of the girl. Who among us are not broken men on a Halifax pier, the last of Barrett’s Privateers?
Alex hosts Ashes to Ashes every Tuesday at 8 p.m.
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Top 10 Albums of 2019
Honourable Mentions
Top 5 EPs of 2019
Sylvain Verstricht hosts The Rest of Us every Tuesday at 7 p.m.
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Best Albums of 2019
Best Singles of 2019
Most Memorable Concerts of 2019
Amrew Weekes is CJLO’s Hip Hop Music Director and co-hosts Limelight every Friday at 6pm.
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Best Albums of 2019
I can’t believe how quickly this year has passed! Here are my top 10 albums, in no particular order, that I played on The Limelight and can be found in my music player.
Best Album of the Year
Freddie Gibbs & Madlib - Bandana
Best R&B Song of the Year
Sam I Am Montolla - “The Game”
Best Hip Hop Song of the Year
Chris Orrick - “Out to Sea”
Best Film of the Year
Avengers: Endgame (2019)
Best TV Show of the Year
Mindhunters (2017 - )
Emeline Vidal hosts Nozin’ Around, every Friday at 2pm.
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Best Albums of 2019
Honourable Mention
DIIV - Deceiver
Chris the Frog hosts Sewer Spewer every Monday at 12pm.
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Best Montreal Albums of 2019
Best Canadian Albums 2019
Best International Albums 2019
Kelly Belfo, aka Sugarface Bell Fo, is CJLO's World Music Director and founder of our longest running world music radio show, Beat The World, every Saturday at 12 p.m.
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Top World Music Albums of 2019
Top 3 World Music Live Shows of 2019
Angelica hosts BVST every Wednesday at 7 p.m.
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This year, I'm once again bringing you 10 of my favorite songs released this year, in no particular order. Could you extrapolate from this that these are also 10 of my favorite records released this year? Perhaps. Should you listen to them to find out whether they might be your favorites as well? Absolutely! Click here to listen to a playlist of all these selections.
1. Hard Charger - "No Home But the Road"
Steeped in the same drive-all-night, uppers-on-the-dashboard punk'n'roll tradition as my favorites Zeke, The Hookers, or Aussie blood rockers The Chainsaw Hookers, Hard Charger snarls and spits from Fredericton, NB, and like this track, leave skidmarks and road rash wherever they ride. CJLO was privileged to have the three-piece record a session in our studios, and I hope they come back soon!
2. Deathchant - "Hex"
One of my favorite records of the year, Deathchant's self-titled was officially released 10 days into 2019, and has been in my rotation ever since. Its messy, heavy psych smells of black leather and arcane rituals, and this track amps up that 1960s alchemy that turned rock music from The Beatles into Black Sabbath.
3. Zeal & Ardor - "Baphomet"
Originally a bedroom project by a single songwriter, Manuel Gagneux now tours with a full band and multiple backup singers out of necessity. Previously unreleased until this appearance on Zeal & Ardor's first (double length!) live album, this song is a great example of the vocal interplay that happens onstage, and gives me honest-to-god full-body goosebumps.
4. Waingro - "Merrin"
This Vancouver trio are back with another mean slab of no-bullshit, punk-tinged heavy rock. Laying riffs on riffs on riffs, this ferocious record, like this song, is full of moments reminiscent of Cursed (R.I.P.), but with way, waaay more bong hits tempering its otherwise furious pace.
5. Torche - "Slide"
Known for taking the heaviest elements of metal and deftly blending them with accessible harmonies and pop-oriented melodies, Admission feels like a synthesis of all of their strongest output. I can't resist this song, whose greasy stomp melts into grunge revisionism and buzzsaw guitars for a headbanging good time.
6. He Is Legend - "Boogiewoman"
Fifteen years on from their debut, I Am Hollywood, He is Legend have released arguably their strongest record, packing all the same intensity of their earlier releases but with the maturity and musical range that comes with experience. This track is heavy on groovy, ass-shakin' rock'n'roll swagger with all the outlaw romance of desert shootout.
7. Texas Hippie Coalition - "Bring It Baby"
I was so hooked by this incredibly polarizing record, by a deeply polarizing band that I uncharacteristically wrote a review about it. This is not a song that will appeal to many, or even most, but I can't resist the way this song sounds at once dangerous and sweet, like a lapdance at a bordertown biker strip club.
8. Crobot - "Low Life"
This is one of those bands that I don't listen to enough. This is a catchy, riffy track that lures you in with a throwback 90s radio rock intro before exploding outward, making maximum effect of lead singer Brandon Yeagley's powerful, elastic rock'n'roll vocals.
9. Dirty Honey - "Down the Road"
At once new and very familiar, LA-based former bar band Dirty Honey isn't ashamed to dig into Aerosmith's early sound and shake it up with a little G'n'R danger. I'm a sucker for the vocal virtuosity and flashy guitars of this ballad, all layered over some organ for the full 70s stadium rock treatment. Keep your lighter in your pocket, go on, I dare you.
10. Lil Nas X - "Old Town Road (Remix)"
Maybe a left-field pick to some, a played-out one-hit-wonder to others, but this version of OTR took hold of me on the day of release, and still hasn't let go. It took a small town Georgian teen to accidentally perfect what many have attempted with varying success before, and as someone who has listened to her fair share of country rap, hick hop and other Southern-fried crossovers, it would be an oversight to not include the song that will define the wild days of 2019 for years to come.
JP, Co-host of The Iron Club, Thursday at 1PM.
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Best Albums of 2019
Best Metal Song of 2019
Most Memorable CJLO Moment
My most memorable CJLO moment has to be attending my first Heavy Montreal festival with the whole CJLO gang. It was so much fun! Seeing bands live on stage, interviewing some of them in the media tent, and running around the whole site definitely sounds like a JP day to me. It was my best summer yet!
Zakary Slax is CJLO’s Head Music Director, and hosts Slax Trax, every Monday from 6 to 7 PM.
2019 was an insanely good year for music in my estimation. A definite challenge to pare it down to 10 albums, but here goes (not in order of importance):
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Top Albums of 2019
Top Trax of 2019
In most cases, the following artists also released fantastic albums that I found hard to omit from my top 10... read: they had other trax just as brilliant as these
Favourite Concerts
Best Label
Constellation Records - Gotta give credit where credit is due. In addition to Lungbutter, I was tempted to put many of their 2019 releases in my top 10: Fly Pan Am, Matana Roberts, Land of Kush, etc.
Andrew Wieler, aka Andrew Wixq, is CJLOs Metal Music Director and hosts Grade A Explosives every Sunday at 4pm.
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Best Albums of 2019
1. Sleep Token - Sundowning
Mixing elements of metal, R&B, Hip Hop, and Pop and set around some weird, almost impenetrable backstory, Sleep Token is hitting on an interesting interpretation of all of the above genres and much like so many great artists before them (him?) make music interesting, which is a feat more people should try.
2. He is Legend - White Bat
Who would have thought some white belt wearing, swoopy haired fashioncore boys would eventually have a southern metalcore record which is both satisfying on a song to song level, but also a great concept album about a murderer finding truuuueeee loooove. It's basically a Lifetime original in metalcore form.
3. Crobot - Motherbrain
Very few rock bands get played anymore in mainstream circles, but if there was ever a band that should be able to pull rock back onto radio, Crobot is doing their damnedest to do so. "Lowlife" alone is a song that both speaks to weirdos and normals alike and really should be showcased for people. If you're a fan of Monster Truck and don't have these guys in rotation you are doing yourself a disservice.
4. Norma Jean - All Hail
Every norma jean record and I start off the same way. First listen: "Yeah, this sure is Norma Jean I guess". Second listen: "Huh... this is pretty good." Ten listens later: "F*** me, this is sooo goood." If you're looking for some of the best metalcore can offer this is it, no way around it.
5. Sandveiss - Saboteur
Quebec City is known for many things, but stoner rock is not one. This may change with this Sandveiss album. It's catchy, upbeat, immensely polished, and mmm... that is some tasty riffs, I'll tell you what.
6. Thank You Scientist - Terraformer
A weird Coheed and Cambria with horns, and if you think that sounds bad, you, my friend, are dead inside.
7. Goo Goo Dolls - Miracle Pill
Yes, this record really is good. It’s a pop classic and though the Goo Goo Dolls are no longer the grunge darlings they were in the 90s, that’s okay. I had way more fun with this record than so many from this year. Oh, and by the way, "metal cred" is not something I value highly, so your comments about how this negates it does not affect me.
8. Deathchant - Deathchant
Californians that know how to make some pretty great psych based garage stuff. Largely an album that people have slept on, I got to see and interview them at SXSW this year and it's as good live as the record would indicate. I also hear they make a delicious hot sauce, that if they want to send it to me, they are more than welcome to do so.
9. Torche - Admission
Torche is always hit or miss for me, and this one is a home run out of the rink. Heavy when it needs to be, accesibile when it wants to be, the level of songwriting prowess here is deep and really pulls from all of their previous works.
10. Toothgrinder - I Am
For the life of me, I cannot understand why this band has not crossed over onto "modern rock radio". The title track on this alone is great and accessible enough to play. Of course, "trve" people would say this is bad, but fuck that man, I can sing along to this and some of the guitar work on this is like a second singer. In the future I will not be shocked to see this band cited as many people's "crossover" metal artists.
Honorable Mentions
Woodhawk - Violent Nature
Dem are some tasty riffs right there.
White Ward - Love Exchange Failure
Since Shining (Norway) has decided they want to be Thirty Seconds to Mars in the worst way for some reason, White Ward will have to fill my black jazz void.
Waingro - III
A new record from these sludgy, vaguely southern, hardcore-ish boys. It is also named III so even a simpleton like me can know what record it is in the discography, which is nice.
Gypsy Chief Goliath - Masters of Space and Time
A more spacey than stonery album from these fine Ontarians.
SECT- Blood of the Beasts
10 songs; 17 minutes; all solid hardcore.
Allison O’Reilly is CJLO's Program Director and hosts Transistor Sister and Femme AM.
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Top 10 Albums of 2019
Top 15 Songs of 2019
Best Live Shows of 2019
Alex, aka MNJIVR, hosts Autobeat every Sunday at 3 p.m.
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Best Albums of 2019
Here’s my best and Favourite albums of 2019
Honorable Mentions
Favourite EPs of 2019
Masheyla hosts of Gothic Runoff every Tuesday at 11 a.m.
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Top Albums of 2019
Honourable Mentions (Albums and Singles)
Top Shows of 2019
Best CJLO Moment
Being able to participate in talk episodes of Femme AM, as well as conducting my first live sessions/interviews! Also chatting with Allison, Jessica, and Francella after my show every week!
Phil, aka Philliam, hosts Turn On the Darkness every Wednesday at 1 p.m.
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Best Albums of 2019
Runner- up
Cattle Decapitation - Death Atlas
Honorable Mentions
Weirdest Albums of 2019
Best Concerts 2019
Best Poutine
Best Games 2019

On November 11th, 2019, I was sneaking my way into a sold out Sala Rossa to catch the launch of Sam Shalabi’s Montreal-based big band Land of Kush and their newest work entitled Sand Enigma. I was led to the very back of the room, weaving and cautiously stepping between the mush of people. In through the green room, and on to what is usually the stage, there are chairs set up for an additional audience perched above and behind the massive setup of instruments and chairs on the ground. Taking my seat in the dark, I look out into the room. People sitting, standing shoulder to shoulder, all anticipating what is to come.
Nadah El Shazly, vocalist and electronic performer hailing from Cairo, took the stage as the opener. She is joined by her fellow members of Land of Kush: alto saxophonist Devin Brajah Waldman, composer of the evening Sam Shalabi, and bassist Jonah Fortune. This music is completely blessed.
Nadah commanded the energy of the room, bringing the hundreds of people together under one sound - her voice. She is a powerful performer, but not performative. Her honesty in expressions of pain and loss created an emotional atmosphere which felt completely tangible. She was affecting every body in the room. I had my own personal attachment as I found myself crying, as I see her as somebody which looks like my mother. She sings in Arabic, a language in my body but lost to my tongue. I am not sad, but utterly moved. With a complete wholesome presence, Nadah brought the room into a focused, energetic light; relating everyone present under an emotive approach to humanity.
Then, after a break, the big band Land of Kush took the stage to perform Sand Enigma. This is no ordinary big band. From my seat behind the stage I could see whole string and percussion sections, saxophones, flute, clarinet, traditional egyptian instruments, a harp, piano, synth, the list goes on... A cluster of sound is destined to fill my ears and I am only just seeing it now, prior to the performance.
Sam Shalabi takes his place at the helm. As the composer, he does not perform in this group but only conducts. Land of Kush operates as an Egyptian big band within the context of experimental free jazz. This means that while they are following a common compositional thread, much of the evening was not predetermined and was happening on the moment, under Shalabi’s direction. Points of his finger become solos, new forms, and creative birth. I could see Shalabi making intense eye contact and connection with his musicians - in the moment, I savour the intimate view of this show that I have. Sand Enigma had my intense focus from start to finish and the energy in the room was some of the most profoundly uniting musical phenomena I have been in the presence of.
The show ended and I found myself at the bar at Casa Del Popolo having a drink and attempting to reconstitute my sense of self from the experience I just had. It was the first day of a big snow storm, so the bar was empty until the band came to celebrate their performance. Before my eyes they came together to dance. Nadah was on the table, Brajah was letting his soul fly free, and Shalabi was watching all unfold like a proud father. I am thinking there is something special in this group of people beyond the music. Their souls are connected with a fire and passion for the pain and beauty of life and they celebrate it.
I highly recommend listening and buying Sand Enigma on Bandcamp. Make sure to listen all the way through. Revel in the voices.
Julia Warren is the host of Jazz Island every Sunday at noon.
If you would like to hear her interview with Sam Shalabi listen here.

Photo Credit: Geneviève Grenier
Album titles can be a tricky thing to finalize. Along with its cover, an album’s title will ideally evoke some sense of what to expect when you listen to it. With Première apparition, Montreal singer-songwriter Laurence-Anne picked the most vividly descriptive title that I’ve heard in quite some time. Released in February 2019, her debut album title suggests the existence of an otherworldly nature to the artist’s particular set of alternative pop songs.
“It’s a mystical first apparition; it’s mysterious,” Laurence-Anne explains. “I also like the word play of ‘première apparition.' When we recorded the album, we said this is what it’s gonna be called.” Listening to the record transports you to a world filled with animal sounds and exotic instrumentation that brings the graphic imagery of Laurence-Anne’s lyrics to life. Première apparition doesn’t just create a world you can inhabit, but a whole ecosystem filled with volcanoes and carnivorous plants. Songs like “Yeux-bactérie” and “Dents de scie” twist burning passion into some of nature’s most dangerous phenomena, including infections and fires. If the events in the movie 28 Days Later ever became a reality, the jubilant mutant funk of “C’est un virus” should be the theme song for the end times.
Originally hailing from Kamouraska, a municipality on the south shore of the Saint Lawrence River in Bas-Saint-Laurent with a population of less than 600 people, Laurence-Anne notes that there wasn’t much in the way of distractions or activity while growing up. Luckily, what her hometown lacked in excitement was made up by its serenity and proximity to nature, giving the artist plenty of time to develop her distinctive song-writing style. "In fact, I think it helps to come from a region like that which is really in nature,” Laurence-Anne says, “you see the river, you have mountains too, large spaces. I think the fact that there is a lot of scenery directly influences a lot of the lyrics. There are always references to water. I think if I had grown up in Montreal, I wouldn’t have had that landscape aspect there.”
Even if the album sounds like it came out of a vacuum, devoid of chasing current trends, Laurence-Anne has a set of influences that feed into her work. In particular, the artist describes the music of Feist, Montreal duo Thus Owls, and plenty of Latin music as being integral parts in her development as a songwriter. Laurence-Anne is even interested in writing music in Spanish, which she speaks, considering her belief that language shouldn’t be a barrier when it comes to music.
“My goal with the project,” the artist explains, “is to make sure that the music overcomes language. I don’t want it to be a project that sounds francophone. Yes, it’s in French, but the musical side is more exploratory, and as you mentioned it gets out of those barriers a bit.”
For such richly detailed soundscapes, it’s surprising that Première apparition was recorded live in-studio in only two days. Thanks to her third-place finish in 2017’s Les Francouvertes music discovery competition, Laurence-Anne and her band were awarded time in a studio to record a single. But the musicians figured they should make the most of their time and bang out a full-length album instead, making the record as singular as it is. "I think I see it more like an oeuvre that happened at a precise moment,” Laurence-Anne explains, “and I don’t think it would have been the same thing if we did it in a different location or at another moment where we had more time. It really was like a creation where we were there, and it came out like that. It was recorded live with a few overdubs, but I think it was really a good moment.”
When it comes to bringing Laurence-Anne’s project to life, the artist admits much credit is due to her backing band. Laurence-Anne’s songs always begin with just her, though taking it from its skeletal form to finished product falls to both the artist and her backing band of five (Naomie De Lorimier on synth/backing vocals, David Marchand on bass/guitar/pedal steel, Laurent St-Pierre on drums/percussion, Étienne Côté on percussion/marimba/piano/synth, and Ariel Comptois on saxophone). Each band member brings their touch,” Laurence-Anne explains. "I really leave a lot of liberty to the artists. I think I also chose people who inspire me and who have a sound I like together. It’s really them who deal with the arrangements part.”
While Laurence-Anne already has several shows already under her belt this year, the artist says she’s not certain about what’s to come in the future; though she reveals that a future goal would be to play in France and travel with the album. “I don’t know how things will unfold,” Laurence-Anne says, “but I would like to tour this album as much as I can. Of course, I already can't wait to return to the studio to make another album.”
If it only took two days for Laurence-Anne to create one of 2019’s best albums, I can only imagine what she’ll do with at least three.
Alex Viger-Collins is the host of Ashes to Ashes, your weekly dose of modern pop, every Tuesday at 8:00 p.m.

On November 29th, France-based rapper Gringe, otherwise known as Guillaume Tranchant, played an energetic show at L’Astral in the downtown core. The second Gringe took the small stage, he was able to effortlessly command the room's unsurmountable energy. Rapping with eloquence, maturity and ease, the France-native delivered a solid performance and proved himself to be an effective storyteller.
Gringe managed to get people jumping, "handbanging", and singing over him while at the same time saying that he’s “not the greatest singer”. The choir of fans beneath him filled up the room with melody leaving the rapper with a smile as he led his audience into a night of hip-hop excellence.
But behind the electric and jovial musicality was a rather somber and melancholic lyricism. I took a moment to close my eyes and feel the emotions of his words. When the time came to perform the song “Pieces détachées”, a song about the pain of a childhood with the absence of his father, his energy changed. He stood still on stage and took time to poor his heart out and tell his story. It was a break from his high energy performance that created an interesting nuance.
Gringe addresses many themes in his music: vapid love, depression, drug use, failed therapy, solitude, and many more… In his first solo album titled Enfant lune, Gringe beared all and cut deep to explore some of the most traumatic experiences he has had to face in a life he often defines as gloomy and tragic. “I had to put myself in a certain state of mind to write the album,” said Gringe during an interview with Konbini back in 2018. “For me, this solo album was an exercise allowing me to be more introspective and be more personal than on the group album”.
Gringe was a member of a former rap duo Casseurs Flowters with French rapper Orelsan. They released a mixtape back in 2004 called Fantasy: Épisode 1 that propelled the two into stardom. The new solo project was an opportunity for the rapper to start fresh. On Enfant lune, Gringe allowed himself to further explore his vulnerability and take on personal issues in a more intimate way.
In an interview with YouTuber Anne Borie in April, Gringe said he finds much of his inspiration from introspection and analytical writing as it often serves as a continuity of the experiences he goes through.
Looking on a song-to-song basis, “Pièces détachées” is about his father who abandoned him and his mother at a young age. He talks about inheriting his worst qualities like being “un coureur de jupons”, or “skirt chaser” in English. His father abandoning him made him doubt himself and hindered his ability to commit to relationships.
The artist proved to have no ego in a live setting, even admitting to the crowd before starting the song that he cheated on his loved one. It made his song feel authentic and it made him even more present as an artist.
“Scanner” is arguably one of Gringe’s saddest songs. He talks about the painful days leading to the death of his brother. From hospital visits to drug abuse, he tells the tale of a medical downfall that was doomed to end in utter sadness. You could feel the pain as he rapped on stage behind a symphony of electronic sounds.
Fans of French rap got an authentic and exhilarating musical experience. But fans of his lyricism had the opportunity to hear his storytelling in person. “Scanner” sounded even better in real life because of the rapper’s charisma and his ability to emote his most profound emotions while keeping the energy in the room lively.
But beyond the darkness, the artist seemed quite happy. The stage felt like his home and he was responsive of the energy of the people in the room. Beyond the sad undertone of his lyricism, Gringe created a positive experience with his live show.
Gringe’s flow was also rather impressive. His delivery was nearly effortless as he had been rehearsing rhyming for years. His sound stays fresh by combining an old school vibe with electronic and house beats. You could hear modern influences from mainstream acts like Koriass to old school ones like his main idol, Tupac.
The production was on-point making mastered cuts feel like they were destined for live performances. The beats were sharp and filled with surprises. This was refreshing in a time where rap is often filled with clichés and recycled sounds.
The concert quickly turned into a dance party. The crowd’s energy was at an all time high when Gringe performed “Konnichiwa”. Standing in the room, it felt less like a concert and more like an exchange between Gringe, the DJ, the hype man, and the crowd. Happiness filled the room of strangers clamming their happy drinks.
Before we knew it, the concert was over. Gringe looked happy to finish his tour in Montreal calling the city one of the “chillest” places in the world. With two applauding ovations, the rapper had many thanks to give and an unwritten promise to his followers of a return when his next project comes out.
Jean-Philippe Giroux is the host of Hidden Gems, a show focusing on artists outside the realm of popular music in Canada. His show plays every Thursday at 3:00 PM EST.
Ahmad Moujtahed
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LOCAL
A reboot of the "Home Alone" film franchise will be filmed in Montreal this winter, between February and April, according to the website Pop Goes The News.
The production on the “reimagining” of "Home Alone," which was announced by Disney this past summer, will follow a husband and wife duo that is up against a young boy who has stolen something from them, Collider reports.
The reboot will stream on the recently launched Disney+ streaming service. However, there are no set details available yet about the cast or crew.
Story by Ahmad Moujtahed
NATIONAL
British Columbia has become the first province in Canada to formally implement the United Nations Declaration on the Rights of Indigenous Peoples.
Dubbed Bill 41, the legislation passed the committee stage and third reading at the B.C. legislature unanimously.
The legislation, which will apply to all existing and yet to be introduced legislation, requires that Indigenous peoples are included in all decision making that impacts their rights. It also calls for a government action plan on how the objectives of the declaration are being met, according to Global News.
The legislation was developed in collaboration with the First Nations Leadership Council at the direction of First Nations.
Story by Ahmad Moujtahed
INTERNATIONAL
U.S. President Donald Trump signed an executive order last Tuesday which created a Task Force on Missing and Murdered Native Americans and Alaska Natives. The Task Force will create new methods to investigate new and unsolved cases as well as review cold cases.
It is estimated by the National Institute of Justice that 1.5 million Indigenous women have experienced some form of violence in their lifetime. Trump told reporters his government is taking strong action against, quote, “this terrible situation.”
Trump was joined by many Indigenous representatives to sign the bill, which expires in two years.
Story by Evan Lindsay

On November 12th, thousands of young Canadians trekked through the cold and filled Laval’s Place Bell to see Daniel Caesar.
Unfortunately, the opening act did not perform, so the audience anxiously waited for Daniel Caesar - and it was definitely worth the wait. The roaring audience was thrilled to see Daniel. The stage set, complete with the silhouette of the band displayed upon a huge canvas while Daniel stood centre stage with four divine back-up vocalists accompanying him, made for an incredible show.
The way Caesar delivered his music was absolutely sensational. It resembled his album presentations to a T; all the other embellishments were just perfection with sprinkles on top. Daniel truly exhibited this when he performed a stripped-down version of the track “ARE YOU OK?”, backing himself up on an acoustic guitar, the lights turned down to a mellow blue. Later, when Caesar performed “Best Part” feat. H.E.R, and “Get You” feat. Kali Uchis, the arena was lit up and the crowd interactive as he encouraged the audience to sing along to the female parts of the duets. The thousands of loving fans and the amazing performance accompanied by captivating visuals and concepts on screen created a warm, vibey atmosphere for the evening.
Despite the cold weather, Daniel Caesar’s concert made November 12th the perfect event, and an even more romantic night in Montreal.
Aliah Guerra is a singer/songwriter and co-host of Concordia Music Zone Out, airing on CJLO 1690 AM every Monday from 4-5 PM EST.

For At The Movies Reviews on Location Remi interviews Yung Chang, the director of This is Not A Movie playing at this year's Rencontres Internationales du Documentaries de Montréal (RIDM) festival. The documentary follows The Independent journalist Robert Fisk as he covers conflicts in the Middle East. What makes Robert such an interesting subject for this documentary and what does he think about a movie about his life as a journalist? These are some of the questions that Remi gets answered in this interview with director Yung Chang.
Remi is the host of At The Movies which features everything new and noteworthy in the world of cinema. The show goes live every Tuesday at 8:00 AM.
Ahmad Moujtahed
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LOCAL
A new city-owned sorting center opened in Lachine for business. The $47-million facility will handle 900,000 tonnes of recyclable material a year. It will collect all materials from the western portion of the island, home to 1.1 million people.
The project is part of the city’s plan to become waste-free by 2030. Mayor Valerie Plante said the plant would be profitable since it will produce pure sorted materials that is easy to convert for other purposes.
The plant features numerous machines to separate different streams of recycling, however the recycling of glass products remains an issue. A glass cleaning machine won't be delivered until March 2020. Until then, the glass will be crushed and used as a replacement for sand to cover up landfills.
NATIONAL
Don Cherry: “You people … that come here, whatever it is, you love our way of life, you love our milk and honey, at least you can pay a couple bucks for a poppy or something like that..."
During his weekly Coach’s Corner segment, as part of Hockey Night in Canada, veteran sportscaster Don Cherry appeared to take aim at those he believes are new immigrants.
Cherry’s remarks were widely criticized as discriminatory, abhorrent and un-Canadian. The Canadian Broadcasting Standards Council said it was so overloaded with complaints about the segment that it exceeded the organization’s technical processing capacity.
Sportsnet confirmed that, as a result of his remarks, Don Cherry had been officially fired from the network. Cherry told the Toronto Sun that he had no plans of apologizing however, if given the choice, he would’ve chosen his words differently.
INTERNATIONAL
Protesters gathered outside the US Supreme Court as news emerged that the Court’s Consevative majority appeared to side with President Trump and his right to end the Deferred Action for Childhood Arrivals program, aka the DACA program.
The program was enacted by President Obama to protect so-called “Dreamers” or immigrants who were brought to the US as children but lack permanent legal status. DACA allows them to register with the government and receive a work permit and a temporary waiver from deportation.
Demonstrators at the protest outside the courthouse carried signs that read “home is here” and “defend DACA.” Several hoisted depictions of monarch butterflies, which migrate from parts of the United States to Mexico and have become a symbol of the “Dreamers” movement.

Documentary films have the power to entertain as well as educate the cinephile, and for that reason I have a deep appreciation for the genre. The Montreal International Documentary Festival (RIDM) is making a return in 2019 for its 22nd edition. Hosted from November 14th-24th, the festival showcases some of the best short and feature length documentaries from across the globe.
The opening film, The Disappearance of My Mother, a first feature by Italian filmmaker Beniamino Barrese, was one of the most popular films at the Sundance Film Festival. Barrese turns the lens on his mother Benedetta Barzini, a former model who became a journalist and spoke out against misogyny in the model industry; the film tells her story. On the other end of the lineup, closing off the festival is Drag Kids from director Megan Wennber. The film follows a group of kids who have a passion for performing as drag queens and the documentary goes behind the scenes of their first joint performance on the eve of the Montreal Pride festival. Here are some other documentaries that I think you should check out at this year’s edition of RIDM..
In the portraits section be sure not to miss Adolescentes from director Sébastien Lifshitz. This documentary takes the form of a Cinéma Vérité and follows Emma and Anaïs who are two childhood friends living in France going through their pivotal adolescent years. Capturing their everyday life including love, parents, and the state of the world, Lifshitz also examines French society in the aftermath of the 2015 terror attacks and the growing social-cultural inequality.
*November 23rd 18H00 Cinémathèque Québécoise Salle D
*November 24th 20H00 Cinéma Cineplex Quartier Latin Salle 10
The Hottest August from director Brett Story in the Canadian Feature Competition, is a collection of interviews with New Yorkers on the anxieties of our time. Included in these topics are Trump’s ascension to power, the rise of white nationalism, and the devastating effects of climate change. The overall question entails how these citizens are coping and what strategies they use to cope with these anxieties while the hottest month of the year is in effect.
*November 18th 20H45 Cinéma Du Parc Salle 2
*November 19th 17H30 Cinémathèque Québécoise Salle D
This Is Not a Movie from director Young Chang in the Canadian Features Competition is a look at one of the most important reporters from the Middle East conflicts, Robert Fisk. From the troubles in Ireland, to the modern conflicts of war Fisk continues to venture into battle zones in search for stories that deal with complexities on the ground. An intimate portrait of a reporter that delivers lessons on history and journalism, be sure not to miss an interview with Young Chang coming soon to the CJLO Magazine page.
*November 17th 20H00 Cinéma Cineplex Quartier Latin Salle 10
*November 18th 18H00 Cinéma Du Parc Salle 2
Catch these films and many more from at the Montreal International Documentary Festival from November 14th to 24th.
Remi is the host of At The Movies which features everything new and noteworthy in the world of cinema. The show goes live every Tuesday at 8:00 AM.